With S.H.I.E.L.D. out of service,
At least on the surface,
Six awesome Avengers defend the world still.
Since HYDRA arose,
They’ve empowered new foes,
Quicksilver and Scarlet Witch, twins with ill will.
Once Tony Stark’s had
An epiphany bad,
He then starts preparing for “peace in our time,”
But Ultron’s created
And quickly upgraded,
Equating true peace with a murderous crime.
Against these new threats
And alarming skill sets,
Our heroes must deal with their goals and their fear,
And when all agree
To save Earth mightily,
The smackdown is epic and worth a good cheer.
____________________
As my first review for a film still in theaters, Avengers: Age of Ultron is luckily just the kind of film to see on the big screen, with all the eye-popping action and comic book culmination that drive superhero fans like me nuts. The first Avengers stands as one of the most breathtaking feats of any superhero franchise, bringing together characters from past films and achieving a surprising balance between action, heart, and geek heaven character interaction. It’s a high point in the superhero genre that won’t be easily topped, and though Age of Ultron doesn’t quite match it, it comes close enough to still be worthy of the Avengers name.
Like X-Men: Days of Future Past, the cast is potentially unwieldy. There’s the heroes we already know and love: Iron Man (Robert Downey, Jr.), Captain America (Chris Evans), Thor (Chris Hemsworth), Hulk (Mark Ruffalo), Black Widow (Scarlett Johansson), and Hawkeye (Jeremy Renner), plus other familiar faces like Nick Fury (Samuel L. Jackson), Maria Hill (Cobie Smulders), War Machine (Don Cheadle), and at least three others. Add to that Ultron, Quicksilver, Scarlet Witch, and at least three others, and you’ve got a likely mess in the wrong hands. Luckily, we have Joss Whedon’s hands to mold it into a mostly satisfying blockbuster, with all the wit, humor, pathos, and awesomeness you might expect from his name.
With the glut of old and new characters, their treatment and screen time necessarily vary. Iron Man and Captain America get little more than some funny exchanges about foul language and disagreements about how to make safe the world, while there’s some unexpected development for Hawkeye, Widow, and Hulk, making the most and least super of the group sympathetically human. Though the presence of recognizable faces from past films will fill hardcore fans with glee, a few are so fleeting that the filmmakers could have left them out, if only to avoid confusing the less initiated. The same goes for would-be antagonists like Baron von Strucker (Thomas Kretschmann) and Ulysses Klaue (Andy Serkis), who barely stick around long enough to make an impression. (I find it interesting that those two previously appeared together as shipmates in Peter Jackson’s King Kong, though with opposite fates.) As for Quicksilver (Aaron Taylor-Johnson) and Scarlet Witch (Elizabeth Olsen), the two newest an/pro-tagonists don’t stand out as much they should have, in some cases being treated as afterthoughts amid all else happening. Quicksilver isn’t quite as fast or memorable as Evan Peters’ version of the character in Days of Future Past, but he and his Eastern European sister manage at least a couple scenes that highlight their eventual importance to the still growing team.
As you would expect from so many characters, there’s a lot going on. If your mind wanders at the wrong moment, you might be wondering why everyone is suddenly headed to a fictional African nation to visit Gollum or why Thor is skinny-dipping in a mystical Norse pool. (I’m still not sure I understand that last one). A couple added plot elements are even introduced with little to no explanation, trusting the audience to simply keep up. Just as the first film has Thor and Iron Man going toe to toe, this one sees Iron Man and Hulk duking it out. Despite all the urban devastation throughout the film, the end places special importance on the safety of civilians, and some sacrifices toward the end do touch the heart, if not very deeply.
Ultron himself is more charismatic than just some bloodthirsty robot, and James Spader’s voice gives him a compelling personality with darkly humorous and strangely religious overtones. Yet his motivations and origins are consistently murky, similar to Peter Dinklage in Days of Future Past, a villain who deep down admires his prey but intends to extinguish them for nebulous reasons. His evil plot is astonishingly inventive (though one of his creations leads to a promising new character and his inevitable downfall), and the battle to thwart it is eye-popping, including one of those goose-bump-raising extended shots with all the heroes kicking enemy butt like only the Avengers can.
I didn’t intend to make three references to Days of Future Past here, but I suppose both of these films exemplify the trend in superhero films, to bring past triumphs together into an overstuffed but breathtaking array of comic book goodness. These films and Guardians of the Galaxy seem to draw their energy from a “the more characters, the better” mentality, so long as an even-handed writer and director keep everything balanced and entertaining. Time will tell if DC can pull the same thing off with their Justice League intentions or if Marvel is destined to remain the big name in superhero hits. Age of Ultron was almost everything I had hoped, yet another sign that Marvel has yet to stumble.
Best line: (Tony Stark) “We’re the Avengers; we can bust weapons dealers the whole doo-da-day, but how do we cope with something like that?” (Steve Rogers) “Together.” (Stark) “We’ll lose.” (Rogers) “We do that together too.” Rank: Top 100-Worthy (to join the first one)© 2015 S. G. Liput
305 Followers and Counting
Surgeries happen every day,
Routine and clean, so doctors say.
You simply go to sleep and then
They ought to wake you up again.
What’s that? You’ve heard, through some mistake,
That sometimes people never wake?
That’s possible, but don’t dismay;
It’s very rare, so doctors say.
You need not worry of a coma;
Trust the doc and his diploma.
Never fear about foul play
That can’t occur, so doctors say.
Statistics prove how safe you are;
The surgeon’s been ideal so far.
He’ll deftly take the pain away,
And you’ll be fine, so doctors say.
________________
In District 13, Katniss Everdeen waits,
Unsettled by District 12 citizens’ fates.
Deep under the ground with her saved family,
She worries for Peeta interminably.
Both Plutarch and resolute President Coin
Are eager for her to recover and join.
Insisting that Peeta be rescued someday,
Poor Katniss agrees to be their Mockingjay,
The hero for all districts, sure to inspire
The masses and light an unquenchable fire.
Since staged propaganda does not work as well,
She heads to the war zones to get mad as hell.
Her anger at Snow for the cruel devastation
Extends to the people who rise from privation.
Yet who should appear on the Capitol screens
But Peeta, denouncing the riotous scenes?
The boy’s brain seems washed, but he still tries to warn
The rebels of sudden barrages that morn.
When Capitol power is violently cut,
The rebels move in ere the window is shut.
The three captive tributes that Snow has been holding
Are surely a part of his scheme still unfolding.
Though Katniss is eager for Peeta’s return,
She’s shocked at the lesson Snow wants her to learn.
_________________
The author Jane Austen
Refused to get lost in
Romance of her own,
Though for that she’s well-known.
__________________
I am the fire that burns out of sight,
Starting my rampage as merely a wisp.
Celebrate victory into the night;
I will burn you and your spire to a crisp.
Why do they build these skyscrapers so high,
Making it simpler with every floor
For me to cut off and trap in the sky
Everyone over my fiery roar?
Look at the people who panic and flee,
Visitors boasting illustrious names.
Look at the firemen battling me,
Feeble to fight in the face of my flames.
I am inferno, the new height of heat,
No other bastion of bragging is hotter.
Top of the world, Ma! None can defeat
Me or my mayhem, except—oh no—water!
________________
Dark, be not proud, though some have cause
To fear when you fall, for you’re not that bad.
For those with blind eyes, you’re vexing a tad,
But not so much when all live by your laws.
You’re at your worst when men barge in because
They want some drugs that they can’t seem to find.
It’s hard to tell their truthfulness of mind
When I can’t see their flimsily-veiled flaws.
Thou art slave to caves, blinds, clouds, and Audrey Hepburn
And dost with broken lights and switchblades dwell,
But lighters and fridge doors can your shadow quell,
And thwart your hopeful fortunes, which (yep) turn.
One long night past, with you and deadly men,
And I won’t dare unlock the door again.
__________________
Rhyme and Reason 