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Rhyme and Reason

~ Poetry Meets Film Reviews

Rhyme and Reason

Category Archives: Writing

The Mystery Blogger Award, Courtesy of Drew

07 Tuesday Feb 2017

Posted by sgliput in Movies, Poetry, Writing

≈ 20 Comments

Tags

Award

Image result for mystery blogger award

 

A very big thanks to Drew of Drew’s Movie Reviews for nominating me for the Mystery Blogger Award, which has been gifted around quite a bit since its creation by Okoto Enigma. Since this is a new award for me, here are the rules for accepting it:

 

1.  Put the award logo/image on your blog.

2.  List the rules.

3.  Thank whoever nominated you and provide a link to their blog.

4.  Mention the creator of the award and provide a link as well.

5.  Tell your readers 3 things about yourself.

6.  You have to nominate 10 – 20 people.

7.  Notify your nominees by commenting on their blog.

8.  Ask your nominees any 5 questions of your choice; with one weird or funny question (specify)

9.  Share a link to your best post(s)

 

So, three things about yours truly, other than my obvious pastimes of movies, poetry, and lists. Well, why don’t I answer in poem form, just because it’s what I do.

 

Since trivia’s my specialty,
One day I fully plan to be
A candidate on Jeopardy!
I’ve taken online tests, it’s true,
And once did get an interview,
But still must wait for my debut.
(Though I’m afraid that when I do,
I might lose what I thought I knew.)

Image result for jeopardy game show

 

My favorite sport is bowling.
It’s comfy, indoor fun.
I’m inconsistent with my score,
But so’s ‘most everyone.

Image result for bowling fail

 

How ‘bout a mini-list as well?
My top five poets, here to tell:
For number five, no buts or “ifs”
With Rudyard Kipling’s lyric gifts.
The fourth is Robert Service, known
For Yukon ballads all his own.
I’d love to see his verse become
A gold rush musical to hum.
And third is Dr. Seuss; don’t mock.
My love of poems he helped unlock.
The second’s Alfred Tennyson,
A lord with talent third to none.
My favorite poet, so you know,
Is Henry Wadsworth Longfellow.
His life deserves a biopic,
So someone go and make one, quick!

 

Image result for henry wadworth longfellow

 

And here are the questions to answer from Drew himself:

1.  What is your favorite place you have visited?

Probably Helen in the north Georgia mountains, a favorite family vacation spot which is also where my parents honeymooned. The surrounding Appalachians are beautiful and peaceful, especially at the nearby Anna Ruby Falls. The Unicoi Lodge there is a fantastic place to stay, and there’s a restaurant a few towns over called the Smith House, which has the best family-style buffet you can imagine.

2.  What would you do if you had a time machine and didn’t have to worry about the ill effects of time travel?

I would gather up artifacts I knew would be valuable one day, like ancient currency or original comic books, and meet as many historically famous people as possible to collect their autographs.

3.  What was your favorite film released last year?

For sheer entertainment value, Captain America: Civil War

4.  Why did you start blogging?

I had already compiled my Top 365 movie list just because I love making lists, and after a certain business venture crashed and burned and left me asking “Now what?”, my mom suggested that list as a potential countdown to write about. Adding poetry for each movie just seemed natural to set myself apart and keep me in practice with my writing.

5.  If you could live in any fictional universe, which would you choose?

There are so many I would love to visit (Middle-earth, Narnia, Prydain, Amestris, Remnant, the Star Wars universe), but I wouldn’t want to actually live in any of those death-and-danger-prone lands. No, the most ideal fictional world seems to be that of Star Trek. Even though interstellar relationships aren’t ideal, it’s a whole lot better than most potential futures. Mankind is at least at peace with itself, and our advanced technology is such that exploration is our main goal. With holodecks and replicators close at hand, I would gladly live in that version of the 24th century.

Image result for star trek replicator

For the mention of my best post, I’m personally proud of the poem I wrote for The Raven, an old horror-comedy that provided me an opportunity to rewrite Edgar Allan Poe’s classic poem from a different perspective but still the same meter. While that’s one of my favorites, I’ve noticed that my most viewed posts seem to be my list of Top Poems in Movies, my list of Na Na Na songs, and my rant about Urban Cowboy.

And as for my five questions for the nominees below, and anyone else who feels like answering…

  1. What film(s) do you love that others seem to ignore or not even know about?
  2. If you had to eat one food (or kind of food) for the rest of your life, what would it be?
  3. If technology allowed us to live in an ideal virtual Matrix-world, would you choose that over reality?
  4. What one film do you think is vastly overrated?
  5. For a fun question, you have three paradox-free wishes that won’t come back to bite you (says a genie). What would they be?

 

And then my 10-20 nominees, who might very well have already been nominated before, but hey, what’s one more award, right? *drumroll please*

 

A Fistful of Films

AniB Productions

dbmoviesblog

Dell on Movies

100 Films in a Year

Film Music Central

Emmakwall (explains it all)

Cindy Bruchman

Abbi Osbiston

Movie Reviews 101

Violet’s Veg*n e-Comics

Rachel from Reviewing All 56 Disney Animated Films and More!

The Vern’s Video Vortex

Curry N Code

Frank Solanki

 

Thanks again to Drew for this award, and to all who take part!

My Top Twelve Pens in Movies

05 Sunday Feb 2017

Posted by sgliput in Movies, Writing

≈ 13 Comments

Tags

Lists

Image result for wolf of wall street pen

Every now and then, when pondering about potential lists, I think of an unlikely topic and say, “Surely there aren’t ten or twelve examples, enough to make up a list.” Yet, in this case, I thought of another one and then another and another; the examples kept coming, and thus, this list of movie pens was born! The lowly pen is both a handy household item and an essential tool for writers through centuries, one we very often take for granted. I, for one, am extremely glad that the quill pen and ink bottle went the way of the dodo since compact ballpoint pens are so much more convenient and have made for some memorable movie moments over the years. Thus, here are my Top Twelve pens used in movies (with one pencil thrown in as a cheat).

  1. The Conversation (1974)

In the subtle world of surveillance where Gene Hackman’s Harry Caul is a legend, even something as simple as a pen can trip up the master. Planted by a competitor as a gift, Caul soon learns to his embarrassment that it was a recording device all along.

Image result for the conversation film

  1. Percy Jackson & the Olympians: The Lightning Thief (2010)

As mythical weapons go, a pen is certainly the most inconspicuous. When the uninitiated demigod of the title is given a pen for protection, I always get a kick out of his incredulous reaction.

  1. Awakenings (1991)

In an otherwise dramatic film, I do love this little moment of levity where a mental patient reveals to Dr. Sayer (Robin Williams) an irrational fear of pens.

  1. The Naked Gun (1988)

In this hilarious scene, Ricardo Montalban’s villain makes the mistake of showing Detective Frank Drebin (Leslie Nielsen) two priceless items, including a samurai pen impervious to everything but water…and then turns his back. Who’s the stupid one here?

  1. TIE: Never Say Never Again (1983) and Goldeneye (1995)

James Bond movies got a little over-the-top in the ‘80s and ‘90s, and pens are a great hidden gadget for such spy films. I love how these pen scenes were skewered a bit in Skyfall, when Q tells Bond, “Were you expecting an exploding pen? We don’t really go in for that anymore.”

  1. The Bourne Identity (2002)

From the first film of the franchise, we saw how Jason Bourne (Matt Damon) could make any household item lethal. A knife might have been better, but a pen will do.

  1. Indiana Jones and the Last Crusade (1989)

This one’s not higher only because it’s so brief. As Marcus Brody and Henry Jones, Sr., grapple with Nazis in a tank, a pen becomes Marcus’s secret weapon. Don’t you see, “the pen is mightier than the sword.” And all the literature fans groaned….

  1. The Dark Knight (2008)

Cheat time to allow a pencil into the mix! If the opening scenes weren’t enough, Heath Ledger’s Joker shows just how deadly and unpredictable he is with this sudden and violent “magic trick.”

  1. Liar Liar (1997)

After his son’s birthday wish makes him incapable of lying, Fletcher Reede (Jim Carrey) tests his hilarious handicap on the color of a pen. It’s Jim Carrey doing what Jim Carrey did best. (Language warning for the end of the video.)

  1. Zootopia (aka Zootropolis) (2016)

A carrot pen actually becomes the tool that brings Nick and Judy together to solve their missing persons case, thanks to its handy secondary use as a tape recorder. It even proves invaluable at the end.

  1. Say Anything (1989)

The pen-ultimate place can be summed up with one line: “I gave her my heart, and she gave me a pen.” You’ve got to feel sorry for John Cusack after his girlfriend, pressured by her father, gives him a pen as she breaks up with him. As parting gifts go, it’s pretty cold. Interesting note: Cusack must have been traumatized by that pen because he actually kills someone with a pen in Grosse Pointe Blank. Both are in the video, but again a language/violence warning.

  1. A Beautiful Mind (2001)

Pens serve as the emotional high point of A Beautiful Mind. After seeing the pens ceremony honoring esteemed faculty members years earlier, John Nash is bestowed with the same distinction. The ceremony itself may be completely made up for the movie, but its poignancy is exceptional, all because of pens.

Here are some runner-up pens and pencils for the road, in alphabetical order. Can you think of any others I missed?

Captain America: Civil War – Tony Stark offers Cap a special pen to sign the Sokovia Accords.

Casino – Don’t give Joe Pesci a pen…ever.

The Empire of Corpses – A pen serves as a sign to John Watson that there’s hope for his zombified friend.

Ernest Goes to Jail – This is why you shouldn’t gnaw the end of your pen.

The Expendables 2 – Even the pens in these movies are tough-looking, in this case a Montegrappa Chaos pen, designed by Sylvester Stallone himself.

Image result for the expendables 2 pen

Girl, Interrupted – Angelina Jolie threatens herself with a pen to the neck.

Grosse Point Blank – Another pen stabbing, as mentioned above.

Groundhog Day – Bill Murray breaks a pencil to test what’s going on and wakes up the next day to find it whole again.

Johnny English – Don’t give Rowan Atkinson a tranquilizer pen…ever.

Lethal Weapon 2 – Riggs discusses how a gold pen helped him through his wife’s death.

The Martian – Donald Glover’s explanation for saving Mark Watney involves a pen in place of the Taiyang Shen supply rocket.

Music and Lyrics – Drew Barrymore has a nervous habit of clicking her pen while writing.

Image result for the peanuts movie pencil

The Peanuts Movie – Charlie Brown saves the pencil of the Little Red-Haired Girl as he tries to work up the courage to talk to her.

Red Eye – Yet another pen stabbing. Why are those things so sharp?

The Running Man – Schwarzenegger signs a contract on someone’s back only to pin it to said back with the pen.

The Theory of Everything – At the end, Stephen Hawking dreams of standing up to hand someone a fallen pen.

The Wolf of Wall Street – Psych! Despite the picture at the top, I’ve actually never seen Wolf of Wall Street (and don’t plan to) so it couldn’t be on the list. I do like the “Sell me this pen” scenes, though.

Your Name – A pen falls when Taki and Mitsuha’s meeting is cut short.

2017 Blindspot Pick #1: Shuffle (2011)

31 Tuesday Jan 2017

Posted by sgliput in Blindspot, Movies, Poetry, Reviews, Writing

≈ Leave a comment

Tags

Drama, Fantasy, Mystery, Thriller

Image result for shuffle kurt kuenne

 

Life is hard enough in order,
Each day in succession gone,
Until one day we look behind and see mistakes a plenty,
And all in twenty-twenty.

It might seem harder out of order,
Jumping years to days thought gone,
But might that give our stubborn minds a little new perspective
And make us more reflective?

Our destinies are ours to order,
Rampant chances till they’re gone,
And some forget fulfillment rests on what we each will do.
The question is, will you?
_________________

MPAA rating: PG-13

Since I’m new to this Blindspot series and a notorious procrastinator, of course I waited to the last day of the month to review my first Blindspot pick, but I surely did choose a good one to start with in Shuffle. I have my good friend MovieRob to thank for recommending this time travel puzzler after he became a big fan of independent director Kurt Kuenne. I see why, because Shuffle combines so much of what I love about the time travel genre with a unique and compelling story.

Shuffle is as lean a narrative as I’ve seen, diving right into the tale of a man displaced within his own lifetime with every scene adding something to the plot. From the first moments, Lovell Milo explains to a psychiatrist that every time he falls asleep (which is often), he awakens on a different day in his life, sometimes as an old man, sometimes as a child, or anywhere in between. It takes an exhausting toll on him, and he has no idea why it’s happening, explaining away potential plot holes with the mystery that he “just knows” certain facts about himself, such as his age at every jump in time. While he’s tempted to despair at this seemingly endless headache, different strangers at certain points urge him to “pay attention” because there’s something to learn from all this, and indeed there is.

Image result for shuffle kurt kuenne

There are a lot of touchstones or spiritual predecessors one could point to with Shuffle, and they’re a pantheon of great stories. The choppy editing and sudden shifts in place and time might recall Christopher Nolan’s Memento, though Shuffle is much easier to follow and much more rewarding. The theme of redemptive second chances brings to mind A Christmas Carol and It’s a Wonderful Life, and the time travel jumps echo the great sci-fi elements of Quantum Leap, The Time Traveler’s Wife, and the Star Trek: Voyager episode “Before and After,” where Kes periodically lives her life backwards. I also loved the fleeting moments of prayer, where Lovell pleads desperately with God for help, though in a general sense, like how Quantum Leap’s Sam Beckett recognizes that there must be a higher power directing his experiences.

One of the most impressive aspects of Shuffle is how well it was made on what was clearly a small budget. The production values are obviously limited, which is felt on occasion, but it’s often covered quite nicely. A behind-the-scenes featurette revealed that the same living room was used as an all-purpose set for most of the interior scenes, but I couldn’t tell at all. Unlike so many small-budget films, the acting and script are also above average, with special attention to revealing plot points gradually as Lovell learns of them and never getting lost amid the flurry of time leaps. The actors aren’t big-name stars (unless you watch the TV show Bones), but everyone involved provides good performances, even the child actors and especially T. J. Thyne as Lovell.

Image result for shuffle t. j. thyne

Again, a big thank-you to Rob for his recommendation; it being an under-the-radar film that had trouble getting noticed before becoming a festival hit, I doubt I’d ever have seen Shuffle otherwise. My VC loved it as well, proving this is a film that deserves far more recognition. There’s a lot to admire about this film, from its structure and subtle foreshadowing to individual emotional scenes that just might put a lump in your throat. Stylistic choices also add visual interest, such as the backlighting that often imparts a luminous quality to certain scenes, and the color brightness changes depending on the timeframe. The director’s cut is apparently all in black-and-white, but I preferred the usage of color, particularly in the final scene.

I’ve read that many people disliked the ending, thinking it veers into overly satisfying territory, but I thought the whole final act was beautiful, a couple creative choices notwithstanding. In its testament of hope, Shuffle still acknowledges that mistakes and heartache can’t always be undone, but how we react to them can make the difference between a life fulfilled and a life wasted.

Best line: (Lovell’s mother, when he’s a grown man) “It seems like just yesterday, he was eight.”   (Lovell) “Actually, that was two days ago.”

 

Rank: List-Worthy

 

© 2017 S.G. Liput
448 Followers and Counting

 

The Empire of Corpses (2015)

29 Sunday Jan 2017

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ 4 Comments

Tags

Action, Animation, Anime, Drama, Sci-fi, Thriller

Image result for the empire of corpses film

 

When I am dead, my soul no longer here,
What happens to my body is unknown.
‘Tis but a shell, an empty souvenir
Of my time in a world from which I’ve flown.
Most likely, it will end up in the ground,
A monument for time to chip away,
But if some more productive use were found,
Its former owner would not have a say.
If man no longer buried his remains
And flouted promises of “rest in peace,”
His conscience would be numb as it disdains
What once deserved respect upon decease.
What world of Frankensteins I’d leave behind
If man were to defile his own kind!
________________

MPAA rating: should be PG-13 or maybe older

The Empire of Corpses looks like an incredible, action-packed, thought-provoking movie, but it’s not. It just looks like one. Based on a novel by a Japanese author dubbed Project Itoh, who died of cancer before the book’s completion, this anime zombie film sets up an alternative steampunk version of Victorian England, where technology has allowed mankind to reanimate the dead as essentially robotic slaves, programming them to perform menial labor as a growing workforce in the world economy. These walking corpses can be recognized by their pale gray skin and passive expressions, but though they seem to understand and follow orders, they are without a soul. Into this hypothetical world is placed an amalgamation of historic and literary figures, a la The League of Extraordinary Gentlemen. John Watson is the hero, a corpse scientist who has resurrected a dead friend he renames Friday and now searches for a way to return his soul. Blackmailed by M of the James Bond franchise, he sets out in search of the fabled research of Dr. Victor Frankenstein, aided and impeded by the likes of Ulysses Grant, Thomas Edison, and characters from The Brothers Karamazov and The Future Eve.

Image result for the empire of corpses film

While that description sounds rather awesome, especially when paired with a world full of brainwashed zombies, The Empire of Corpses seems eager to spoil a good thing. After the adventure begins on a thrilling note, it quickly descends into opaque philosophical pondering and inscrutable character motivations. After watching it all the way through, I recognize a worthwhile, imaginative story, full of food for thought, but actually watching it scene by scene can easily frustrate and confuse. By the end, the villain’s revealed plot (the second villain since one wasn’t enough) is baffling and poorly explained, making it clear just how vaguely defined the laws of this corpse technology are.

I hate to be so negative, especially when The Empire of Corpses looks so amazing. The animation is crisp and atmospheric and brings this theoretical world to life in ways that far surpass the deficient script. I’m glad I saw it, if only for the visual flair, such as the thrill of seeing a woman on the back of a galloping stagecoach mowing down zombies with a flamethrower. The action scenes are exceptional, but it makes it that much more disappointing that the rest of the film couldn’t measure up.

Image result for the empire of corpses film

The Empire of Corpses is not without its virtues; I would just like it much more if it made more sense. It does feature some intriguing themes about life and death and manages to create a unique entry in the zombie genre, complete with zombie suicide bombers. The English dub is actually quite good, but the animation is the main attraction for fans of the medium, though certain scenes can get bloody (begging the question of why a dead corpse would bleed). This film is one of three anime movies based on Project Itoh’s novels (the others being last year’s Harmony and this year’s Genocidal Organ), and I certainly hope the other two have more than visual merit alone.

 

Rank: Honorable Mention

 

© 2016 S.G. Liput
444 Followers and Counting

 

The Goonies (1985)

27 Friday Jan 2017

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ 4 Comments

Tags

Comedy, Family, Thriller

Image result for the goonies

 

The story of One-Eyed Willy’s hoard
Has haunted the dreams of the greedy and bored,
But, though men have suffered both peril and pain,
Their seeking and sneaking have all been in vain.

Until the momentous event heaven-sent
When a map was discovered by mere accident,
And a cluster of kids, their homes soon to be sold,
Endeavored to find Willy’s ill-gotten gold.

Through tunnels and traps only pirates would build,
The friends followed through, some alarmed and some thrilled.
While saving their home, all the Goonies, now grown,
Sought out golden legends and so wrote their own.
_________________

MPAA rating: PG (maybe PG-13)

The Goonies is a film I really wish I had seen when I was younger. I remember seeing it on the shelf at Blockbuster when I was a kid and never having enough interest to rent it, but I’ve been meaning to ever since. In fact, it probably would have been one of my Blindspot picks if I hadn’t caught it on TV at the end of 2016. Despite my late introduction to this beloved ‘80s flick, I still enjoyed it a lot, much in the way I enjoy YA books or cartoons that are clearly juvenile but still entertaining.

Of course, the biggest claim to fame that this Steven Spielberg/Chris Columbus story has is the talented cast of young stars-to-be, like The Outsiders, Stand By Me, or Red Dawn. Jonathan Ke Huy Quan may be otherwise known only as Short Round in Indiana Jones and the Temple of Doom, but it’s a little surreal to see so many other well-known actors at the start of their careers, from Joe Pantoliano and Josh Brolin to Corey Feldman and cute little Sean Astin as Mikey Walsh. Little did they know at the time….

Image result for the goonies mama fratelli

The film starts out in fun fashion as a jailbreak orchestrated by the criminal Fratelli family triggers a car chase across town, whizzing past the main characters and introducing us one by one to the club of young Goonies and their individual quirks. To their dismay, their neighborhood is soon to be destroyed by an encroaching country club, and no one wants to see it saved as much as Mikey. When they find a hidden map in his attic that may lead to a lost pirate treasure, he convinces his pals to follow him. Joined later by Mikey’s brother Brand (Brolin) and his female friends (Kerri Green and Martha Plimpton), they discover more adventure and danger than they imagined, both from booby traps along the way and from the Fratellis hot on their trail.

I can imagine everyone having a favorite Goonie. Maybe someone loves Data (Quan) and his anti-bully inventions or poor chubby Chunk (Jeff Cohen) and his klutzy anxiety. I thought Corey Feldman as Mouth stole his scenes, and I especially loved his hilarious “translations” to the Walsh’s Spanish-speaking maid. Astin makes for a wholly likable leader of the bunch, and despite their eccentricities, it was neat how each of them got a moment to shine by using their unique skills. The traps they encounter are actually quite inventive and nail-biting in a Scooby-Doo sort of way, and though I’m not the first to notice this, the family dynamic of the Fratelli family reminded me of the air pirates in Castle in the Sky, headed by a mean and cantankerous mother (although Mama Fratelli is much meaner than Dola).

It did seem that the filmmakers were aiming for different age demographics depending on the scene. In some cases, the language and menace seem a bit much for young kids, and until the end, the Fratellis are more threatening than the cartoonish villains I expected. Other times, the danger devolves into juvenile panic, possibly stretching one’s patience for kids screaming at each other. I wasn’t much of a fan of Sloth, the deformed and simple-minded Fratelli brother whose presence seems pointless until needed by the plot, and the final confrontation with the Fratellis seemed rather poorly planned. I mean, one minute, the kids are being forced to walk the plank as if it’s some great peril, and the next, everyone’s jumping off as if it’s no big deal. Even so, the very end was heartwarming, despite the fact that no one seems eager to recover what’s disappearing in the distance.

Image result for the goonies

All in all, I’m glad I finally got to enjoy The Goonies, even without the nostalgia goggles with which all those children of the ‘80s view it. I can certainly understand it being a childhood favorite, and I suspect it would have been for me too, had I chanced to rent it from Blockbuster all those years ago. (Boy, I’m making myself sound old.) The Goonies may be a bit puerile at times, but its lovable cast of youngsters and adventurous spirit still make it a classic.

Best line: (Andy, trying to play a piano booby trap) “I can’t tell… if it’s an A sharp or if it’s a B flat!”   (Mikey) “Heh, if you hit the wrong note, we’ll all ‘B flat!’”

 

Rank: List Runner-Up

 

© 2017 S.G. Liput
443 Followers and Counting

 

Arrival (2016)

23 Monday Jan 2017

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ Leave a comment

Tags

Drama, Mystery, Sci-fi

Image result for arrival 2016

 

Each day, I passed an ancient wall,
And, written on its face,
Were symbols of an arcane scrawl
Seen only in that place.
They sometimes gave me déjà vu,
But what they meant nobody knew.

One day, I met a stranger there,
Mysterious and odd,
Who offered me the talent rare
To read the wall’s façade.
I hesitated at the gift,
But curiosity is swift.

Although I can decipher now
The words upon the wall,
I wonder if not knowing how
Would change my life at all.
For knowledge is both curse and grace,
Yet neither one would I erase.
_______________

MPAA rating: PG-13

I went into Arrival expecting a great sci-fi movie, based on all the praise it has received from critics and bloggers alike, but I must admit that it caught me off-guard. After the film ended, I had to sit there in the theater a while to process my thoughts, walked back to my car, and broke down crying. It’s hard for me to determine why this movie more than similar ones had such an effect on me, but that’s proof to me that it is indeed one of the best films of 2016.

I’ve seen Arrival compared more favorably to Christopher Nolan’s Interstellar, and while I recognize some thematic similarities, it improved upon a different alien film I disliked, Robert Zemeckis’s Contact. I was irritated by how Contact constantly pitted faith and science against each other, but in Arrival’s case, language and science collaborate instead in the persons of linguist Louise Banks (Amy Adams) and physicist Ian Donnelly (Jeremy Renner). While the idea of pairing Lois Lane and Hawkeye in the same movie has appeal in itself, both actors display utter commitment to their respective fields as their characters are recruited to attempt communication with alien visitors that have (almost) landed twelve lenticular ships at various spots around the globe. Before we even see the extraterrestrials, there’s an epic wonder to their inexplicable arrival, facilitated by momentous cinematography and a striking gravitational doorway.

Image result for arrival 2016

What Louise and Ian find when they encounter the tentacled aliens is a linguistic challenge that seems unconquerable to most, a written language that is circular with a conceptual density lacking letters, syllables, or anything recognizable. With frazzled militaries urging them to find out the aliens’ purpose, the two experts attempt to unravel this strange form of communication, sparking some deep questions along the way. Even beyond the stated debates, like whether immersing oneself in another language changes how one thinks, I was struck by how much we take language for granted. If I were confronted by someone without any relatable language skills, I don’t know how I would explain the basics, much less abstract concepts I can’t point to and call a name. I can’t say Arrival provided any practical pointers if I were in that position, but it’s fascinating in a logical, over-my-head sort of way.

There’s also the natural distrust of a human race exposed to far more War of the Worlds than E.T.s, and further themes of how one wrongly understood word can ruin a tentative peace. It was hard for me to understand some people’s panic, since the aliens’ giant watermelon-seed ships show no signs of hostility, but I suppose we have Independence Day to thank for whatever paranoia would come from such a situation. Plus, there’s the added tension of other nations reacting in more belligerent ways and the potential fallout of humanity’s own lack of unity.

Thus, Arrival clearly has the intellectual side of science fiction down, but as the translation attempts wore on, I was hoping something more would come. I was not disappointed. For the first half, it was basically what I expected based on the trailers, yet there comes a moment past the half-way point that something becomes clear and lands a gut punch to both the intellect and emotions. The ramifications of a certain decision are laced with value and regret, and I found the results to be a profoundly pro-life sentiment, in sharp contrast to the pro-death sympathy of the film I last reviewed, Me Before You. At the time, I felt that Arrival was holding back a bit on the emotion, similar to The Wind Rises; if certain scenes and themes were pressed further, I would have been a blubbering mess right then and there. But instead, the filmmakers present what they want to, and the web of sci-fi ideas and emotional threads were left for me to unravel, with tearful results.

Image result for arrival 2016

I’ve often said that Grave of the Fireflies is the only film that can still make me cry, but that’s not altogether true. It may make me cry the hardest, but what do other past personal tearjerkers like Somewhere in Time, The Five People You Meet in Heaven, Inside Out, and now Arrival have in common? For me, it seems to be the complex merging of sorrow and joy, events that may end sadly but are not without a worthwhile silver lining. At its heart, Arrival endowed me with an intense and unexpected bittersweetness. Even if its immediate resolutions seem to be wrapped up a bit too easily, its long-term story and life-affirming subtext made it a very special experience for me.

Best line: It would be a spoiler to include the best quote, but it’s one of Louise’s final lines.

 

Rank: List-Worthy

 

© 2017 S.G. Liput
441 Followers and Counting

 

Me Before You (2016)

20 Friday Jan 2017

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ 4 Comments

Tags

Drama, Romance

Image result for me before you film

 

If I were trapped within a chair,
My body useless, simply there,
I think I’d grieve in my despair,
And call my lot in life unfair,
And lift up many a desperate prayer,
And doubt in ways I’d never share,
My life too broken to repair.

And what I’d do once rage had waned
Cannot be sure or preordained,
But I believe my life restrained
Could still hold joy since life remained,
Not merely to be entertained,
But be fulfilled. Though life be pained,
Does that mean it should be disdained?
__________________

MPAA rating: PG-13

Me Before You has all the potential you could want for a summer romance flick—a touching and emotional story, two appealing leads with chemistry, a difficult and tragic subtext. But there are two ways that a film like this can go, and sadly this one takes the worst possible route. Just a warning: spoilers are unavoidable in discussing the film’s great stumble so I won’t be dancing around it.

I suppose I should say up front that I really enjoyed most of Me Before You. The first two thirds of it make for a highly engaging romance, one that develops where neither lover would have expected. After losing her job, young Brit Louisa Clark (Emilia Clarke) ends up applying as a home caregiver for wealthy quadriplegic Will Traynor (Sam Claflin), who is confined to wheelchair and bed at all times. His bitterness keeps her at a distance at first as someone his mother hired against his will, but Louisa’s natural charm and hesitant spunk slowly win him over, as well as some bonding over movies (including the excellent French film Of Gods and Men). I kind of fell in love with Emilia Clarke in this movie; she wears her awkward emotions on her sleeve with the mere expression of her eyebrows, and she’s such a winsome lead that it’s no surprise that Will falls for her too.

Image result for me before you film emilia clarke

But then Me Before You delves into the controversial area of doctor-assisted suicide, a subject too complex for a teary romance to address properly. Jojo Moyes, the author of the book on which it is based, wrote it after hearing of a paralyzed athlete choosing suicide at a Swiss clinic, so with that as her inspiration, both Will and the film march to that inevitably unsatisfying conclusion with grim resolve.

There’s so much wrong with how it is handled, it’s hard to know where to begin. For one, there’s the fact that it didn’t have to be this way. After learning of Will’s suicide plans, Louisa tries to give him every reason she can muster to want to live and expects to change his mind until he proves her hopes to be in vain. If she had been successful, the story could have been a lovely and life-affirming tale, but that’s not what the storyteller intended at all.

In addition, Will’s response to Louisa spoils the most basic of romantic rules, loving the other more. By gently rebuffing Louisa’s efforts, Will is essentially saying, “You’re not good enough to live for.” Is it any wonder that Louisa reacts with anger and grief? It’s as if Will is given someone to make his life worth living, and he rejects her, supposedly for her own good. Because of the film’s predestined goal, it’s all about Louisa loving Will enough to accept his choice rather than Will loving her enough to stay. Then again, doesn’t the title Me Before You suggest that? I thought it had a strangely selfish ring to it, and now I see why. Not that Will sees it as selfishness; he believes he’s freeing Louisa and his family from his burden, but he ignores their pleas and the fact that it’s not as if they’re struggling financially.  The film does try to bring other points of view in, such as Will’s mother’s objections and Louisa’s mother declaring his choice to be “no better than murder,” but again, the end result was decided from the beginning.

Image result for me before you film emilia clarke

I don’t pretend to understand the agony that many with quadriplegia or other debilitating conditions endure, but I have to believe that life is better than death. Will comments that he loved his life before his accident and that it could never be the same. While that’s true, just because his life is not the same doesn’t mean it isn’t worth living. Success stories like Helen Keller, Stephen Hawking, and Joni Eareckson Tada have proven that life need not be made void by handicaps, and many happy lives have risen from considerations of suicide, considerations that might have killed them early had they had access to the means, as Will does by the end. It’s a matter of hope and life, not dignity, and Will’s final words of encouragement to Louisa to “just live” are hollow next to his actions.

Me Before You could have been a lovely romance, and most of it is, with delightful early performances from Clarke and Claflin that are more crowd-pleasing than Oscar-winning. Yet the film’s stab at bittersweet euthanasia as an ending just ruins everything that came before, revealing its sympathy for the culture of death in a wholly unsatisfying way.

Best line: (Louisa, with the kind of touching line that is sadly ignored by Will) “You make me happy, even when you’re awful. I would rather be with you—even the you that you seem to think is diminished—than with anyone else in the world.”

 

Rank: Dishonorable Mention

 

© 2017 S.G. Liput
441 Followers and Counting

 

Wayne’s World (1992)

18 Wednesday Jan 2017

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ Leave a comment

Tags

Comedy

Image result for wayne's world film

 

When people get nostalgic for their young and stupid days,
I cannot help but wonder just how stupid was that phase.
Were they taking risks they’d now oppose
And banging heads to radios
And hosting public access shows
That talked about God-only-knows?

If so, I see the reason for the fondness for their prime,
Though most, I think, now wonder where their brain was at the time.
I think I skipped, for good or ill,
My foolish phase of chill and thrill,
But maybe years from now, I will
Admit that I am in it still.
________________

MPAA rating: PG-13

For years now, I’ve known of Wayne’s World and its main characters’ similarity to the other dim-witted best friends in Bill and Ted’s Excellent Adventure, but I’d only seen the time travel tale of Bill and Ted and just got to see the hijinks of Wayne and Garth for the first time recently. I’m not sure which came first, since even though Wayne’s World the movie came out after Bill and Ted, the characters of Wayne and Garth originated as a Saturday Night Live skit the same year Bill and Ted was released. Regardless of who first proclaimed the immortal interjection “Excellent!”, the appeal of both is about the same. I went into Wayne’s World expecting entertaining stupidity, and that’s what it delivered in spades.

Since Wayne’s World was a series of SNL skits, it’s not surprising that the movie is like a series of hilarious moments strung together with the loosest of plots. Early on, we’re introduced to the public access show that metal-loving best friends Wayne (Mike Myers) and Garth (Dana Carvey) host from Wayne’s basement, but they both make time for their preferred habits of hanging out at the local donut shop and rocking out in the car or the nearest party with a decent metal band. When a smarmy TV producer (Rob Lowe) offers them a chance at a wider network audience, they jump at the financial incentive, but will it change who Wayne and Garth are? Not!

Image result for wayne's world film

As moronic as they are, Wayne and Garth are still relatable in their nerdy sincerity, particularly for me since I actually have a friend who reminded me a lot of a combination of the two dudes (in their idiosyncrasies, not their stupidity). Honestly, though, the actual plot that places stress on Wayne and Garth’s friendship is secondary to individual scenes that just stick out with random geeky joy, exemplified in the early car scene that illustrates how “Bohemian Rhapsody” gave a generation brain damage. There are too many hilarious scenes to list; for instance, there’s the fourth-wall breaking, or the repeated love-song halos that Wayne and Garth see around their crushes, or the ridiculous subtitles when Wayne speaks Chinese with his girlfriend Cassandra (beautiful Tia Carrere), or some truly random moments of intelligence coming from unexpected places. (Alice Cooper’s cameo has to be one of the best I’ve seen.) In addition, the soundtrack is rich with classic rock, much of it actually sung with screaming gusto by Tia Carrere, not least of which is her awesome performance of The Sweet’s “Ballroom Blitz.”

By the end, even the movie itself knowingly ignores plot conventions for the sake of the humor, letting the audience choose what kind of ending we’d prefer. Like Bill and Ted, it’s strange to say, but this kind of highly quotable dumb humor is somehow brilliant in its idiocy, which I’ve come to appreciate more with time. I still prefer Bill and Ted for its wilder plot, but Wayne’s World is its own kind of “excellent.”

Best lines: (ex-girlfriend Stacy) “Well, don’t you want to open your present?”   (Wayne) “If it’s a severed head, I’m going to be very upset.”

(Wayne) “I once thought I had mono for an entire year. It turned out I was just really bored.”

(Wayne) “Good call. It’s like [Benjamin] wants us to be liked by everyone. I mean, Led Zeppelin didn’t write tunes everybody liked. They left that to the Bee Gees.”

 

Rank: List-Worthy

 

© 2017 S.G. Liput
439 Followers and Counting

 

My 2017 Blindspot Picks

15 Sunday Jan 2017

Posted by sgliput in Movies, Reviews, Writing

≈ 13 Comments

Tags

Lists

Image result for cinema paradiso

One feature that I’ve never tried but have seen lots of bloggers announcing recently is the Blindspot series, where you get to choose twelve films that you’ve been meaning to see and commit to reviewing one a month over the next year. There are so many movies on my to-watch list that it was tough whittling it down to twelve, but these are all films that have peaked my curiosity over the years but have somehow fallen through the cracks. Some are recommendations from fellow bloggers, while others are classics that have eluded me…until now. I think I have a good mix of years and genres too, so hopefully I’ll have some new favorites to add by the end of the year. In alphabetical order then, here are my Blindspot picks for 2017!

 

An American in Paris (1951)

Image result for an american in paris

Blade Runner (1982)

Image result for blade runner

Cinema Paradiso (1988)

Image result for cinema pardiso

Darby O’Gill and the Little People (1959)

Image result for darby o'gill and the little people

Donnie Darko (2001)

Image result for donnie darko

Giovanni’s Island (2014)

Image result for giovanni's island

 

Hear Me (2009)

Image result for hear me (2009)

The Help (2011)

Image result for the help 2011

Imitation of Life (1934)

Image result for imitation of life 1934

In Your Eyes (2014)

Image result for in your eyes film 2014

Saving Private Ryan (1998)

Image result for saving private ryan

Shuffle (2011)

Image result for shuffle 2011 kurt kuenne

 

Midnight Special (2016)

13 Friday Jan 2017

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ 2 Comments

Tags

Drama, Sci-fi, Thriller

Image result for midnight special film

 

The glaring lights of other cars assault the driver’s eyes,
A father’s eyes that have not slept a wink.
His son is sleeping in the back or reasonably tries,
As far behind, the passing headlights shrink.

Their own light slices through the dark to blindly find the road,
Its end concealed by more than just the night.
Throughout their drive, the father’s pace has hardly ever slowed,
Lest thoughts of past or future cloud his sight.

The worries of a father’s love cannot be put to rest,
No matter where the son may chance to go.
Not even when they reach the destination of their quest
Will bonds of son and father cease to glow.
___________________

MPAA rating: PG-13

I haven’t seen any other films from director Jeff Nichols, but based on his reputation and the high expectations for his foray into science fiction, I anticipated something special, especially since Midnight Special was meant as a homage to classic ‘80s sci-fi. In fact, it has more than a passing resemblance to one of my favorite ‘80s sci-fi films, John Carpenter’s Starman, sharing a road trip to an important destination, a hunted protagonist with mysterious powers, and government agents hot on his trail.

In place of the romantic angle of Starman is a devoted father-son dynamic between Roy Tomlin (Michael Shannon) and his son Alton (Jaeden Lieberher), who has strange seizures during which his eyes glow and he picks up radio signals. There’s little set-up as we immediately join Roy’s odyssey, having already rescued Alton, with the help of his friend Lucas (Joel Edgerton), from a Texas cult that views the boy as a messianic savior. Alarmed to learn that the cult learned sensitive information through Alton, the government is eager to find him, as are the enforcers sent by the cult to retrieve him.

Image result for midnight special film

As much as I was looking forward to Midnight Special, this is one case where the description sounds better than the finished product. It’s certainly not a bad film, but much of the runtime seemed to hover on the edge of being dull. After the initial curiosity of what’s going on wears off, the tension and wonder are only felt in short bursts that aren’t always as compelling as they try to be. One stylistic choice that annoyed me with its frequency was how the characters are sometimes plunged into darkness where it’s hard to see what’s happening; naturally, these scenes are meant to accentuate the light that eventually appears, such as during a momentous sunrise, but the technique got old quickly.

What often kept the film from tipping into boredom was the performances, which are excellent across the board. Michael Shannon is a conflicted protagonist as he seeks the best for his son while never knowing where that may lead, and the extent of his ruthlessness is cleverly kept in doubt. Edgerton also excels in the role of a hesitant believer, as do Kirsten Dunst as Alton’s mother and Adam Driver as the NSA agent who ends up sympathizing with the boy’s quest (not unlike Charles Martin Smith in Starman). It’s the performances that save Midnight Special, along with some spurts of action that are exceptionally well-timed.

Image result for midnight special film

Midnight Special had plenty of potential from the start, but by the end, it’s hard not to feel that something is missing. It’s not that I need my sci-fi to be non-stop action; heck, I’ve heard people complain that Starman is boring. Yet whereas Starman wasn’t afraid to have a bit of fun with its hammy concept, Midnight Special is almost one-note in its seriousness and might have benefited from a less sober tone and a less ambiguous resolution. It undoubtedly has moments of brilliance, but such moments can only help a film so much.

Best line: (Alton) “You don’t have to worry about me.”
(Roy) “I like worrying about you.”
(Alton) “You don’t have to anymore.”
(Roy) “I’ll always worry about you, Alton. That’s the deal.”

 

Rank: Honorable Mention

 

© 2017 S.G. Liput
438 Followers and Counting

 

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