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Rhyme and Reason

~ Poetry Meets Film Reviews

Rhyme and Reason

Category Archives: Movies

Lars and the Real Girl (2007)

23 Thursday Jan 2014

Posted by sgliput in Movies

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Comedy, Drama

Lars is a quiet and self-conscious guy,
An unsocial introvert, painfully shy.
He stays with his brother and sister-in-law,
But lives in the garage, where he’s quick to withdraw.
At work, he shows up but seems always distracted,
Ignoring a girl who (somehow) is attracted.
His brother Gus thinks Lars prefers loneliness,
But his wife Karen worries he’s mad or depressed.
 
Then one day, Lars shows up on Gus’s doorstep,
Displaying (for Lars) an unusual pep.
He says that a girl that he first met online
Is there from Brazil for the very first time.
She doesn’t speak English and needs a wheelchair,
But since Lars is so pleased, Gus and Karen don’t care.
It’s the first time that Lars has (at will) come to call.
They’re thrilled . . . till they see she’s a life-size sex doll.
 
They’re speechless and don’t know just how they should feel,
For Lars seems so earnest in thinking she’s real.
They take this Bianca with Lars, through a ruse,
To a doctor named Dagmar, and hope for good news.
Gus and Karen don’t care for the doctor’s conclusion:
She says they should play along with his delusion.
They spread the word quickly throughout the small town,
Who agree they will humor Lars when he’s around.
 
Bianca is met with both worry and shock,
But the town supports Lars, once they’ve had time to gawk.
He talks to her, walks with her, takes her on dates,
And tells everyone of her laudable traits.
But visits with Dagmar reveal Lars’s fears
Of death and of contact he’s cooped up for years.
As folks treat Bianca as if she were living,
They distance Lars from her, but Lars has misgivings.
 
His light-hearted ignorance starts then to dim,
When his childish delusion’s not centered on him.
He starts to grow close to one Margo at work,
But Bianca’s a burden he cannot yet shirk.
It’s not till she’s dying, at least in his mind,
That he finally leaves his Bianca behind.
The town that so loved Lars mourns too for his girl,
But perhaps now he’s ready to face the real world.
____________________________
 

Lars and the Real Girl is a dramedy, a comedy that’s dramatic and a drama that’s funny. It’s a quirky movie that is gentle and caring in its humor, just like the townspeople that help Lars grow out of his delusion. With the sex doll and an obvious mental illness, the plot could have so easily become disgusting and insulting, but instead it showcases some fine acting and an excellent script. Ryan Gosling is amazingly believable as Lars and plays off Bianca the doll quite convincingly. Paul Schneider as Gus and Emily Mortimer as Karen also shine, and, by the end of the movie, I could honestly say that I liked all of these characters. Though the script is full of awkward silences and hesitant answers, which make the movie feel slow overall, the dialogue seems very realistic, as if capturing real conversations. My VC thought it was rather weird and slow, but she at least appreciated it.

While the entire town is unrealistically supportive, from electing Bianca to the school board to sending an ambulance for her, their concern for Lars is admittedly sweet, though it’s unclear what he’s done to warrant such love and attention from them. I liked that Lars never used the doll sexually and respected it as he would a real woman. I also appreciate the presence of a kind and unmocked church that helps Lars and (partially) puts forth the great message of the movie: 1 Corinthians 13:11, “When I was a child, I spoke as a child, I understood as a child, I thought as a child; but when I became a man, I put away childish things.” Not many films apply morals from the Bible anymore.

While Lars and the Real Girl is not as funny or as dramatic as other films, it successfully makes the audience care for the characters while enjoying a few laughs along the way.

Best line: (Gus, when Lars asks him about being a man) “You grow up when you decide to do right. Okay, and not what’s right for you, but what’s right for everybody, even when it hurts.”

 
Artistry: 6
Characters/Actors: 7
Entertainment: 4
Visual Effects: N/A
Originality: 7
Watchability: 4
 
TOTAL: 28 out of 60
 

Tomorrow: #342 – The Incredible Hulk

© 2014 S. G. Liput

Working Girl (1988)

22 Wednesday Jan 2014

Posted by sgliput in Movies

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Comedy, Romance

Tess McGill’s a secretary, bottom of the corporate ladder.
As she tries and fails to climb it, she gets more upset and sadder.
Sick of jobs where sleazy bosses chase her round the desk all day,
She gets a job with Katharine Parker, whom she’s happy to obey.
 
For Katharine’s nice and treats Tess well, encouraging her secretary,
Tess is so relieved to have a boss who doesn’t seem contrary.
Bringing Katharine her idea about a radio acquisition,
Tess is sure she has no reason to have any bad suspicion.
 
Then, while skiing, Katharine’s injured; she’ll be out a couple weeks.
So Tess, with Katharine’s voice recorded, practices her voice techniques,
Until she hears, from Katharine’s mouth, that Katharine stole her radio plan,
And, back at home, Tess finds another woman sleeping with her man.
 
Choosing then to take control of where her life and job are going,
Tess decides to act like Katharine’s colleague, with nobody knowing.
Using Katharine’s clothes and office, Tess avails her expertise
To pitch the thought of radio as perfect for Trask Industries.
 
She needs somebody else to help: Jack Trainer, who’s behind her plan,
Which gets Trask into media and stops a seizure from Japan.
Jack also brought Tess home one night when she had had too much to drink,
But still they work together better than that start might have one think.
 
Flattery and wedding crashing get them where they want to be,
And then – surprise! – they fall in love. But who could possibly foresee
That Katharine had been dating Jack, who says he’d rather be with Tess?
But when Miss Parker comes back home, she snatches Tess’s great success.
 
The truth is known, and Katharine (with her crutches) gets the sympathy,
But Jack decides that he believes Tess, though the others disagree.
Yet when Trask attempts to ask how each of them derived the plan,
Kate draws a blank but Tess can say, convincing them that she’s their man.
 
In the end, Tess goes to work for Trask, who’s thoroughly impressed.
Dating Jack, her love life too has also been immensely blessed.
Though, at first, she thinks she’s back to cubicles and making do,
Soon she sees that she has power and an office with a view.
_____________________________
 

Working Girl is a Cinderella story set against the backdrop of the New York banking industry, but this time the damsel transforms her own life without any magical assistance. The acting and the story are outstanding, particularly the performances of Melanie Griffith as Tess, Harrison Ford as Jack, and Sigourney Weaver as Katharine. (Despite the star power and several Oscar nominations, the film only won for best song, and Ford was snubbed entirely.) The characters have humor and charm to spare, and, even with the girl power message, I, as a guy, still enjoyed it. My VC, as a chick, loved it.

I will say that the director and writer included some completely unnecessary adult content, such as language and two scenes of nudity, that detracted from the film overall and was probably thrown in there just to get the Oscar-worthy R rating. Plus, as I mentioned in my previous review for Entrapment, the story has the two leads inevitably and unimaginatively sleep together.

The best part of the whole film, in my opinion, is the Oscar-winning song “Let the River Run,” which plays at the beginning and end and definitely deserves a spot in my End Credits Song Hall of Fame. It’s incredibly lovely and inspiring, though one can’t help but sigh when the Twin Towers are shown so prominently in the opening. (The lobby scenes were even shot in the World Trade Center.) Though it could have been cleaner and the financial jargon flew way over my head, Working Girl is nevertheless a fun and very entertaining romantic comedy.

Best line: (Jack, after Tess has completely passed out from Valium and alcohol) “Would you like a nightcap?”

VC’s best line: (guy) “She took a muscle relaxant for the flight down.”  (Katharine, giddily) “Oh, let’s all have one, shall we?”

 
Artistry: 6
Characters/Actors: 8
Entertainment: 7
Visual Effects: N/A (unless you count those huge ‘80s hairdos)
Originality: 6
Watchability: 7
Other (language and nudity): -7
Other (great song): 1
 
TOTAL: 28 out of 60
 

Tomorrow: #343 – Lars and the Real Girl

© 2014 S. G. Liput

Entrapment (1999)

21 Tuesday Jan 2014

Posted by sgliput in Movies

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Romance, Thriller

A thief steals a painting, a priceless Rembrandt,
They climb through a window but jostle a plant.
The method they use is not lost on Gin Baker,
Who thinks “Mac” MacDougal must be the art’s taker.
This Gin works for Waverly Insurance, who
Lets Baker go find Mac to prove if it’s true.
 
She goes undercover and says she’s a thief,
But Mac isn’t prone to undoubting belief.
A pro past his prime, he is nonetheless drawn
By her plan for a theft that she wants him in on.
It may be entrapment, but Mac blackmails Gin,
And takes her to Scotland where they can begin.
 
They train for the heist of a gold Chinese mask.
It’s priceless; they don’t tell its worth so don’t ask.
And, as it’s clear nobody trusts anybody,
The facts of who’s crooked and straight become muddy.
They pilfer the mask with a smart strategy,
Contorting through lasers to leave a monkey.
 
Mac knows Gin’s a traitor and practically drowns her,
But Gin gives an offer while she starts to flounder,
A heist she’s been planning for years (what a kidder!),
And eight billion dollars makes Mac reconsider.
They go to Malaysia, which Gin rather likes;
The world’s tallest building is where they will strike.
 
Millennial eve, while the world is distracted,
Their masterful plan is discreetly enacted.
By fooling a clock, they succeed in their crime
To transfer eight billion, in just enough time.
But then one mistake takes their plan out of shape;
They go to great heights to attempt to escape.
 
Yet only Gin makes it, while Mac stays behind.
The next day, the FBI knows where to find
The wanted Gin Baker. Turns out I was wrong.
Mac was helping them catch her, the thief all along.
Yet Mac helps her flee; then she quickly comes back.
She has plans for a heist, and, for that, she needs Mac.
________________________
 

I am not a big fan of caper films, simply because I don’t care for filmmakers getting viewers to root for a criminal to succeed. I have that same reservation for Entrapment, but I can overlook it mainly due to the two leads. Catherine Zeta-Jones is attractive (to say the least) as Gin Baker, and Sean Connery is as good as ever as Mac, the aging thief who’s always one step ahead; together, they’re thick as thieves. With gadgets that would make James Bond envious, the two somewhat succeed in their heist (with only one billion dollars), but at least the rest of their loot is returned by the end. It helps that, until the end, at least one of the main characters seems to be working to bring down criminal activity.

The movie also gives a look at the intricate planning and training that goes into the perfectly timed burglaries our anti-heroes commit. While the almost titillating laser scenes, both training and the real thing, earned infamy among critics, they are fascinating to watch for the meticulous choreography, not just Zeta-Jones’ curvaceous figure. Also, though there are several potentially compromising situations, I appreciate that the two leads are never shown sleeping together, as in every other remotely romantic film.

The vertigo-inducing finale still keeps me and my VC on the edge of our seats, and the end is satisfying, if morally problematic. It’s a fine line that these films walk, making criminals likable to the point one wants them to prevail, but Entrapment does it well enough to warrant getting on the list.

Best line: (from Mac’s FBI contact) “Well, Mac, this looks like the end of a terrible friendship.”

VC’s best line: “Don’t use a cannon to kill a mosquito.”

 
Artistry: 5
Characters/Actors: 6
Entertainment: 6
Visual Effects: 5
Originality: 6
Watchability: 5
Other (“heroes” are criminals): -5
 
TOTAL: 28 out of 60
 

Tomorrow: #344: Working Girl

© 2014 S. G. Liput

City of Ember (2008)

20 Monday Jan 2014

Posted by sgliput in Movies

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Fantasy, Sci-fi

The city of Ember lies deep underground,
And all believe they’re the last humans around,
For some huge disaster that stays undefined
Has forced man below “for the good of mankind.”
This city of light bulbs can thank its creators
For granting it one of the best generators,
Supplying its power for as long as it takes,
So its citizens won’t know of mankind’s mistakes.
These Builders provide some advice, it appears,
For leaving the town after two hundred years.
They give this dear box to the city’s first mayor,
But it somehow gets lost, till it’s found by a pair
Of teens who’ve lived here since before they remember,
But suspect that perhaps it is time to leave Ember.
 
This Lina Mayfleet swaps jobs with Doon Harrow
So she can run messages through the streets narrow.
While Doon’s thoughts of working in Pipeworks are mixed,
He hopes, through his efforts, the power can be fixed.
For blackouts are frequent as lights start to flicker,
And food shortages make the citizens bicker.
Down deep in a closet, Mayfleet finds the case
And pieces together the rules put in place.
 
Both Lina and Doon, out on tunnel patrol,
Just barely escape a gargantuan mole,
And later they find that, while food’s getting rare,
The Mayor has stocked full his own secret lair.
They dig ever deeper and find that their fathers
Once tried to leave Ember (since no one else bothers),
But failed, since they didn’t know where they should go,
But, thanks to that box, Doon and Lina now know.
 
Once Lina accuses the Mayor of stealing,
He wants them arrested to hide his dark dealing.
So Lina and Doon, with her young sister Poppy,
Knowing the Builders were careful, not sloppy,
Find clues in the Pipeworks, and, with their instructions,
Review and complete their escape’s reconstruction.
Meanwhile, the mayor fears his future’s not bright,
And, back in his bunker, the mole proves him right.
 
The children, with faith as their ultimate guide,
Take the way out, which includes a flume ride.
They find the earth vacant but bright and alive,
And invite Ember up, where they once more can thrive.
____________________________
 

City of Ember, based on the novel by Jeanne DuPrau, completes the trilogy of young adult books-turned-movies here at the bottom of the list, which also includes Eragon and Inkheart. City of Ember is higher than these others because it avoids some of their obvious flaws, neither feeling too rushed nor annoying me with its departures from the source material, perhaps because I haven’t read DuPrau’s bestseller. But, even as a film on its own, it succeeds best in creating a believable world brought to life by an impressive set design. The acting is also quite good across the board with Saoirse Ronan and Harry Treadaway being quite believable as Lina and Doon, not to mention Bill Murray’s hammy performance as the mayor.

Like the two previously mentioned fantasies, City of Ember never got the sequel it deserved since neither critics nor audiences embraced it. While many referred to flaws and unanswered questions in the plot, I think the film did an excellent job at revealing (through National Treasure-style clue-finding) just enough to keep one interested while peeling more away as the characters discover things for themselves. It certainly has fewer open mysteries than Prometheus did.

The score, while less memorable than Eragon’s, is nice, but the special effects are a tad inconsistent. I thought the people of Ember were unusually apathetic, but that doesn’t necessarily surprise me, considering how many people tend to act like sheep in situations they think are out of their control. There are also some very interestingly photographed scenes, such as the initial passing down of the box and the dropping of the rock at the end. Also, did anyone think the mayor’s comeuppance was reminiscent of Paul Reiser’s end in Aliens? While the finale inexplicably has the heroes’ riding down waterfalls and yet somehow ending up aboveground, the end nevertheless had me wanting more. Many adults may write it off as kids’ fare, but City of Ember is a decent dystopian adventure that was sadly left by the wayside.

Best line: “Ours is the only light in a dark world.” (the end of Ember’s pledge of allegiance)

Artistry: 5
Characters/Actors: 5
Entertainment: 5
Visual Effects: 4
Originality: 4
Watchability: 5
 
TOTAL: 28 out of 60
 

Tomorrow: #345: Entrapment

© 2014 S. G. Liput

Despicable Me (2010)

19 Sunday Jan 2014

Posted by sgliput in Movies

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Animation, Comedy

Gru is a villain who’s proud and content
To be wicked and vile (with a foreign accent).
When another one-ups him, he vows (since he’s mad)
To ransom the moon and to prove that he’s bad.
 
He pilfers a shrink ray from someplace unknown,
To warrant the evil bank granting a loan.
Right after he steals it, it’s stolen again
By some nerd named Vector, who shrinks Gru’s airplane.
Gru tries everything to recover his prize,
But simply cannot catch his foe by surprise.
 
Yet three little girls selling cookies, he sees,
Are waltzed right inside Vector’s fortress with ease.
So adopting these orphans becomes his new plot
For stealing the shrink ray without getting caught.
While Margo and Edith and Agnes are wary,
They hope for the best, though Gru seems mean and scary.
 
At first, he’s aloof and won’t stoop to play dad.
He couldn’t care less while he’s being so bad.
With cookie-shaped robots, Gru steals the shrink ray
And hopes that he’ll now send the children away.
But, at an amusement park, all have a ball,
So perhaps children are not that bad after all.
 
The bank still won’t fund him, so Gru’s spirits tank
Till his sweet little girls give their small piggy bank.
Gru now has a mission to fund and arrange
With the children’s donation and lots of spare change.
But Doctor Nefario, Gru’s ancient cohort,
Fears Gru’s going soft with these girls to support.
He sends them away, and Gru sadly agrees.
He’s too evil for stories and drinking of teas.
 
Gru takes off for the moon in his own homemade rocket,
And comes back to Earth with it tucked in his pocket.
But when he discovers the girls have been seized
By Vector (of course), he is greatly displeased.
With someone to fight for, Gru easily smashes
Through Vector’s defenses, so Vector then dashes
Away in his ship with the three girls in tow,
And that’s when the miniature moon starts to grow.
One action scene later, they’ve vanquished their foe.
When the girls trusted Gru, he did not let them go.
 
So the moon ends up back in its usual place
(With Vector on top of it, dancing in space).
And Gru finds there’s more than just proving he’s bad.
He winds up becoming a pretty good dad.
_____________________
 

Despicable Me is a CGI adventure-comedy in which, to be quite honest, I had little interest at first. My VC, who left midway through, was also not impressed. The little yellow minions are more annoying than funny, the beginning isn’t all that interesting, and most of the film makes evil villains seem silly and cute. Like Megamind, the villain plays the main role and is aghast when a worse villain shows up, but, while the previous film had the desire for romance and little else change the bad guy for the better, here it’s the love of the three cute girls that manages to melt Gru’s heart.

For every overly silly or unsuccessfully-trying-to-be-funny scene, there’s one with more depth and meaning later. From the constant disparagement Gru’s mother directed at him, fueling his desire to please her through villainy, to the naïve girls’ undeniably sweet donation toward Gru’s cause, there are certainly elements to which anyone can relate. My favorite scene is the climax, in which Gru’s desire for the girls’ safety is proven much stronger than his villainous ambition.

The animation isn’t bad and is actually quite detailed, though not as pleasing to the eye as Pixar’s or even Dreamworks’. The voice acting is spot-on, with Steve Carell barely recognizable with that Eastern European accent. Plus, it does have some real humor mixed in, such as self-referencing the orphans’ situation to Annie. All in all, it’s not a great animated film, but it’s a pretty good one. Despite some dark humor and overt silliness (I’m not a fan of the minions), it still deserves a place on the list.

Best line: (Agnes) “Will you read us a bedtime story?”  (Gru) “No.”  (Agnes) “Pretty please?”  (Gru) “The physical appearance of the please makes no difference.”

 
Artistry: 3
Characters/Actors: 4
Entertainment: 6
Visual Effects: 6
Originality: 4
Watchability: 5
 
TOTAL: 28 out of 60
 

Tomorrow: #346: City of Ember

© 2014 S. G. Liput

Prometheus (2012)

18 Saturday Jan 2014

Posted by sgliput in Movies

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Sci-fi, Thriller

An alien humanoid visits the Earth
And drinks a dark liquid that helps to give birth
To the whole human race, by inducing decay
Of the alien’s body, to spread DNA.
 
In the future, some scientists find common bonds
In ancient cave paintings; a star corresponds,
So Elizabeth Shaw and Holloway too
Think their creators are out there. (Do you?)
So they tell Peter Weyland, a dying patrician,
Who sends them and others on this expedition.
 
They fly for two years to the farthest of places
Till David, an android, awakes them from stasis.
Their ship, the Prometheus, lands on a moon,
And Holloway’s eager to find something soon.
Thinking they’ve found their progenitors’ home,
They enter a hollow, gargantuan dome.
They find some black urns, but not what they seek,
So David takes one, and the rest start to leak.
They do bag a guillotined alien head,
But a storm sends them back to their vessel instead.
 
Two redshirts are left and don’t live through the night,
For that liquid spawns something that gives us a fright.
Meanwhile, poor Holloway’s given a drink
That David has spiked with that dangerous ink.
He’s sick by next morning, and things go awry
When Holloway says that he’d much rather die.
But Shaw was impregnated by him last night
And has a machine cut her open (that’s right!)
And take out an odious, squid-like offspring.
She then locks the door to trap the gross thing.
 
Shaw finds out that Weyland is onboard, and why?
He hopes that his makers can help him not die.
They visit an alien Dave found asleep.
Dave tries to communicate, but talk is cheap.
The alien kills all but Shaw and prepares
To take off for Earth. Though our DNA’s theirs,
These Engineers somehow decided to spread
This liquid to Earth to kill us instead.
The alien tries to fulfill now that mission,
But Prometheus’ captain won’t give him permission.
The two ships collide, leaving Shaw the last here,
For she sics her own offspring on that Engineer.
With poor David’s head, she takes some other ship
To find further answers on some other trip.
__________________
 

I was originally not going to have Prometheus on my list because of the language, some very disturbing scenes, and quite a few unanswered questions. Yet Prometheus is the kind of film that keeps one thinking, and, after much consideration, I think I at least have some good theories to satisfy that last point.

I think the black liquid is a powerful mutagen, which is much more severe when ingested. That seems to answer questions like “Where did that snake thing come from?” (from the worms that were exposed to the fluid), “What happened to Holloway and Fifield?” (Holloway was experiencing a slower version of what happened to the alien at the beginning, and Fifield, who did not ingest it, was simply going berserk), and “What happened to the Engineers?” (I tend to think there was a leak, and they killed themselves in the same way Holloway preferred to die. The fact that the head, when reactivated, started breaking down seems to back up this theory.) The fact that the Engineer did not end up in the chair where one was found in Alien tells me that the crew of the Nostromo must have landed on a different planet, perhaps to be visited and set up appropriately in Prometheus 2. Someone else might have very well figured all this out already, but my coming to my own conclusions allowed me to better appreciate the film, though there are still a few unanswered questions about David’s motivations and such. The film left my VC a bit confused at first, but, upon a second viewing, she better understood and liked the film.

The outstanding special effects are light-years ahead of the original Alien, and, though Prometheus takes some cues from its predecessor/sequel, such as ending with a countdown and killing off nearly everyone, it also is able to stand alone, as director Ridley Scott wanted all along.

As a Christian, I don’t believe for a second that aliens created mankind, but this assertion in the film is tempered by Shaw’s unconvincing but sincere faith and her pointing out that someone must have made the Engineers. I find the gruesome, abortion-like surgery scene to be messed up on way too many levels, and Peter Weyland’s death scene seemed very abrupt considering everything before it, but the rest of the film mostly makes up for its faults.

Best line: The aforementioned quote questioning, “Okay, who made the Engineers then?”

 
Artistry: 7
Characters/Actors: 6
Entertainment: 5
Visual Effects: 10
Originality: 6
Watchability: 5
Other (violence, especially surgery scene): -7
Other (confusing elements): -4
 
TOTAL: 28 out of 60
 

Tomorrow: #347: Despicable Me

© 2014 S. G. Liput

Dinosaur (2000)

17 Friday Jan 2014

Posted by sgliput in Movies

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Animation, Disney

The egg of an iguanodon is stolen from its nest,
And an island is eventually the place it comes to rest.
There it hatches, and some lemurs cannot leave him all alone,
So one Plio takes in Aladar to raise him as her own.
 
He grows big as a dinosaur, the only one around,
And commiserates with Zini, whose romance won’t leave the ground.
But meteors that strike nearby incite catastrophe
As shock waves devastate the isle and decimate their tree.
Though one family survives astride the faithful Aladar,
They’re the only ones who make it: Plio, Suri, Zini, Yar.
 
They are ambushed soon by raptors till they join a roaming throng,
Finding safety in their numbers so they gladly tag along.
All these dinosaurs are headed by the chief iguanodon,
Who is Kron, though I must mention too his right-hand man Bruton.
Kron believes the strongest make it and he will not change his mind,
So he often leaves the weakest and the elderly behind.
Aladar, who thinks survival of the fittest is absurd,
Joins the old, slow-moving misfits at the far back of the herd.
 
He finds water for the company and woos Kron’s sister Neera,
The most eligible beauty of the late Cretaceous era.
When the weaklings fall behind, they find some refuge in a cave,
Including Bruton, who was injured and too weak for Kron to save.
When two Carnotaurs surprise them in the most hopeless of traps,
Bruton holds them off and kills one when he makes the cave collapse.
All the others keep on going, and they find the nesting grounds,
Which are lush and green and fertile, but a rocky wall surrounds.
 
Aladar decides to go back to the herd to bring them here
Through the other way, and tell them that a Carnotaur is near.
Kron is none too pleased to see him, but the rest change loyalties
And they stand up to the Carnotaur (by bellowing) with ease.
On the edges of a cliff, Kron fights against the giant beast,
And though Aladar joins in, both enemies end up deceased.
 
All find happiness (and lemurs) in the valley’s choice location,
And it ends as it first started, with the newest generation.
_______________________
 

Dinosaur is a beautifully animated and photographed tale of survival that puts meticulously created CGI dinos on live-action backgrounds, thirteen years before the recent Walking with Dinosaurs made the technique seem new. The first seven minutes of wordless glory rival the beginning of The Lion King, combining jaw-dropping visuals with a marvelous score that is not nearly appreciated enough.

When it first came out, many criticized the filmmakers’ choice to have the animals talk. While this does detract from the film’s realism, it also makes clear Dinosaur’s laudable message of standing up for the weak in the face of a “survival of the fittest” mentality, which is sadly gaining ground in the world in the form of euthanasia.

The story itself is good, though unremarkable, and reminds me of the story of Moses (a newborn is separated from his people, is found and raised by another, rejoins his people, and eventually becomes their leader to the promised land). Most of the effects are nearly perfect, though some crowd scenes and close-ups are very obviously CGI. Plus, why they had the opening Carnotaur scene involve anything other than a stegosaurus (a la Fantasia) is beyond me. Despite a short running time and some scenes and dialogue obviously meant for kids, Dinosaur is more serious than other Disney films, as evidenced by the deaths of several characters. It might have risen to the level of respect of WALL-E had its creators somehow told the story wordlessly, but Dinosaur remains a lesser-known gem in the Disney canon that is certainly worth a look.

Best line: “If you’ll be my bride, I’ll groom ya.” (one of Zini’s groan-inducing pick-up lines)

 
Artistry: 4
Characters/Actors: 3
Entertainment: 6
Visual Effects: 8
Originality: 2
Watchability: 5
 
TOTAL: 28 out of 60
 

Tomorrow: #348: Prometheus

© 2014 S. G. Liput

#350: 12 Angry Men (1957)

16 Thursday Jan 2014

Posted by sgliput in Movies, Poetry, Reviews, Writing

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Drama, Triple A

A teen from the slums has been tried for the death
Of his father, and nobody’s holding his breath.
With two witnesses, it’s an undoubted fact
That the young man is guilty of this heinous act.
But there’s a lone juror who will not walk out
Until he’s convinced beyond reasonable doubt.
The other eleven who make up this jury
Respond then with skepticism or with fury.
An irascible sadist who’s quick to lay blame,
An impatient guy who’d prefer a ball game,
A foreign watchmaker, a prejudiced bigot –
They all hear his speech, but at first they don’t dig it.
 
Yet this lone Juror 8 who just won’t let this go
Begins earning allies who see they can’t know
For sure the boy’s guilty; what first was baloney
Begins to reveal holes in some testimony.
“Perhapses” and “Maybes” turn hearts of all kinds,
And one by one, everyone changes their mind.
From the knife that was used to the loudness of trains,
Their reasoning wins till one loudmouth remains.
This man who had claimed that he wished justice done
Realizes he’s mad at his own estranged son,
And, choosing to not take it out on this youth,
He changes his vote for the sake of the truth.
__________________
 

12 Angry Men, a film based off of a teleplay, takes place almost exclusively in a single room. Since it’s very obvious it was meant to be a play, there is little action, and the entire plot centers around 12 men talking and arguing. It might be called the Angry Dozen. It’s the kind of film that could not be made today with modern man’s focus on explosions or violence. No one would pay today’s ticket prices to see such a simply made film. (Few people did when it was released in 1957. The movie failed miserably.)

Yet it is a classic with brilliant performances from its dozen actors and deductive dialogue that would make Sherlock Holmes proud. Its claustrophobic use of camera angles and use of close-up scenes, with the actor staring into the camera (long before Jonathan Demme earned acclaim for this technique), allow its relatively boring plot to remain interesting. The stakes of a young man’s life are never forgotten and help with the tension as well. This is what I call a Triple A movie because it is All About the Acting. It’s not the kind of film I like to watch regularly, but there’s no denying its status as a true film classic.

Best line: (speaking of the young man) “Bright? He’s a common, ignorant slob. He don’t even speak good English.”

 
Artistry: 8
Characters/Actors: 9
Entertainment: 4
Visual Effects: N/A
Originality: 5
Watchability: 2
 
TOTAL: 28 out of 60
 

Tomorrow: #349: Dinosaur

© 2014 S. G. Liput

Witness (1985)

15 Wednesday Jan 2014

Posted by sgliput in Movies

≈ Leave a comment

Tags

Romance, Thriller

A small Amish lad by the name of Sam Lapp,
Whose father just died, walks right into a trap
When he visits the city, a vast place of gloom,
And witnesses murder while in the restroom.
He gets out unnoticed, and he and his mom
Meet an Officer Book, who insists they stay calm.
He wants Sam to identify who did the crime:
He finds out it’s a cop named McFee in no time.
 
When Book tells his boss Schaeffer of a drug scheme
McFee is behind, things are not what they seem.
Book is ambushed and wounded while toting some suits
And realizes Schaeffer must be in cahoots.
He takes Sam and Rachel (the mom), and they drive
To Amish farm country to keep them alive.
But Book, who was shot, is too injured to leave
So the Lapps take him in, though they’re shy to receive
This English outsider who carries a gun,
But they help him recover, which stuns everyone.
 
He slowly adapts to this rural lifestyle,
Though he calculates what next to do all the while.
He learns to wake up at 4:30 to milk,
He helps with barn raising and things of that ilk.
He grows close to Sam but to Rachel much closer,
And does she resist his romantic charm? No, sir.
She tries at first, yes, but the choice is quite hard.
Should she stay with the Amish or leave with her guard?
 
At last, Schaeffer finds them and storms the farmhouse.
Both Book and the bad guys then play cat-and-mouse.
He drowns one attacker in a silo of corn
And shoots McFee too, but then Schaeffer warns
That he has Rachel hostage. Though he threatens to end her,
Book triumphs by guilting the cop to surrender.
In the end, there is sadness and breaking of hearts
Because Rachel won’t leave, watching as Book departs.
__________________
 

Witness is a beautifully filmed love story that manages to mix excitement, romance, and a realistic fish-out-of-water tale into a movie that was obviously meant to garner multiple Oscar nominations (which it did, including Harrison Ford’s only Best Actor nomination for the role of John Book). It also made my mother hesitant to let me go alone to a public restroom when I was young.

My family briefly considered joining the Amish several years ago, and, while we decided their lifestyle is not for us, I have the deepest respect for their way of life. Witness does a good job of presenting the Amish lifestyle in a way that makes it seem quaint but not backwards, simply different from ours. The cinematography and direction are lovely, particularly the barn-raising scene midway through, and help to make up for a few boring moments.

As with Inkheart, though, the end just isn’t very satisfying, mainly because it muddles the film’s message. Either Rachel should have left the Amish to go with Book, showing that love can overcome any barrier, or she should have remained faithful to her beliefs, showing faith and normalcy were more important to her than a sinful relationship. But allowing Rachel to act on her temptations (we can assume from the passionate kissing scene in the field), but not enough to go all the way and leave, just messes it up. It may be “realistic” in not having such a question be black or white, but the way it is done makes it seem that she took a bite of cake and will now live in denial of ever wanting to have the rest. But that’s just me. The nude scene and the frequent (though comparatively restrained) language also take away from the film’s entertainment and moral value.

Best line: (a tourist, after Book says something very un-Amish to her) “Did you hear what that A-mish said to me?”

 
Artistry: 7
Characters/Actors: 7
Entertainment: 5
Visual Effects: 4
Originality: 5
Watchability: 4
Other (nudity and language): -5
 
TOTAL: 27 out of 60
 

Tomorrow: #350: 12 Angry Men

© 2014 S. G. Liput

Meet the Robinsons (2007)

14 Tuesday Jan 2014

Posted by sgliput in Movies

≈ Leave a comment

Tags

Animation, Comedy, Disney

Lewis is an orphan (and inventor, by the way)
Who desires to be adopted, but his efforts do not pay.
His inventions scare his prospects, who don’t seem to comprehend,
And his labors keep his roommate Goob awake for nights on end.
He invents a masterpiece then for a science fair and show,
Which will let him see his mother who had left him years ago.
But his gadget goes haywire, bringing chaos from unease,
And one Wilbur Robinson still follows him as Lewis flees.
He insists that Lewis fix it, and to strengthen his contentions,
He takes Lewis to the future in a time machine he mentions.
These two minors promptly crash it, so they go to Wilbur’s home,
Where young Lewis tries to fix it, but he cannot help but roam.
Lewis then meets Grandpa Bud and lots of quirky relatives,
Who give him a special tour of where this wacky family lives.
In the meantime, there’s a man who wears a robot bowler hat
Who’s intent on ruining Lewis and destroying him at that.
He attempts to make the memory thing his own, but fails the con,
Since he’s really much too stupid to know how to turn it on.
With another time machine he stole, the villain then implores
Various beasts to capture Lewis, using frogs to dinosaurs.
Wilbur’s lies of Lewis’ origins catch up to him at last
When his family soon discovers that the boy is from the past.
Though he wishes he could stay, they say he simply must go back
So he runs and then is captured by the bowler-hatted quack.
Then the spiteful wretch reveals himself to be a grown-up Goob
Who blames Lewis for his growing up to be a washed-out rube.
For while Goob grew ever bitter, Lewis garnered celebrations;
He’s the father of both Wilbur and the future’s innovations!
Goob and Doris, who’s the bowler hat, a vengeful past invention,
Then go back in time to put a stop to Lewis’ grand ascension.
When this changes up the future to a bowler hat nightmare,
Lewis fixes his first time machine and mends the whole affair.
After that, he meets his future self, and then goes to the past,
Where he has the chance to meet his mom who gave him up, at last.
And yet, he does not take it, for it might take things off track,
And he knows he can’t move forward if he keeps on looking back.
Lewis fixes his invention; he’s adopted too, all right;
With success and love within his sight, he knows his future’s bright.
__________________
 

Meet the Robinsons may not have had an overwhelmingly positive response when it was first released in 2007, but it’s an excellent family film. With imagination running amok and frenetic, fast-talking humor galore, it’s a remarkably well-constructed film that offers some mature themes alongside nearly SpongeBob-ian silliness. (I also thought the bowler-hat-controlled future looked very similar to Plankton’s bucket-helmet takeover in The SpongeBob SquarePants Movie three years earlier.)

The animation is good but obviously not the best CGI out there and seems to me to serve as the transition between the unimpressive Chicken Little animation to that of the almost Pixar-quality Tangled and Frozen. Though the time travel continuity falls apart during the bowler hat dystopia scenes, the writers were pretty careful in making most of the time travel elements work well together. The best part is the message of ”Keep Moving Forward,” a line straight from Walt Disney himself. The end definitely pulls on the heartstrings and made my VC cry the first time she saw it. Also, add “The Future Has Arrived” to the End Credits Song Hall of Fame.

 

Best line: (after insane craziness at the dinner table) (Lewis) “Is dinner like this every night?” (Uncle Art) “No, yesterday we had meatloaf.”

VC’s best line: “It’s shiny!” (a recurring gag)

 
Artistry: 3
Characters/Actors: 4
Entertainment: 5
Visual Effects: 5
Originality: 6
Watchability: 4
 
TOTAL: 27 out of 60
 

Tomorrow: #351: Witness

© 2014 S. G. Liput

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