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Rhyme and Reason

~ Poetry Meets Film Reviews

Rhyme and Reason

Monthly Archives: September 2014

National Treasure: Book of Secrets (2007)

03 Wednesday Sep 2014

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ Leave a comment

Tags

Action, Drama, Family, History, Thriller

Benjamin Gates, the renowned treasure hunter,
Must rescue his family from shame.
One Mitch Wilkinson, who could not have been blunter,
Has soiled his ancestor’s name.
 
While solving some puzzles and locating clues,
Ben travels from nation to nation
Along with his girlfriend, who helps with a ruse,
And Riley, who seeks commendation.
 
But Mitch has his eye on an Indian treasure,
Which Ben feels he has to unearth,
A city of gold with a price beyond measure,
Yet Mitch believes fame has more worth.
 
Two Resolute desks contain planks, or they should,
Which hold the most vital of clues,
But since one is missing this requisite wood,
Ben now has a hard path to choose.
 
The crucial info’s in the President’s book,
Which none but the President knows,
So Ben kidnaps him to solicit a look
To see where the rabbit hole goes.
 
He gets what he needs to continue the quest,
And trickery gains Mitch the same.
They meet at Mount Rushmore, where nobody’s guessed
A treasure lies under its frame.
 
Through dark, ancient tunnels and booby-trapped halls,
They journey where few men have been
To find the gold city before waterfalls
Start flooding the chamber they’re in.
 
Not everyone makes it, but when they emerge
And Ben is then cleared of his crime,
The new treasure offers an artifact surge,
The second best find of all time.
_________________
 

I loved the first National Treasure, which is essentially a more history-focused, clean, and modern version of Indiana Jones, with Nicholas Cage in one of his best roles as living encyclopedia Benjamin Gates. I was eager to see the sequel, and, for all intents and purposes, it delivered everything I was hoping for: historical insight, conspiracy theories no one takes seriously, Bruckheimer-esque action sequences, plainspoken humor, and an all-around enjoyable film experience. Almost everything that made the first film great and immensely watchable is present in Book of Secrets…almost.

The one thing that National Treasure 2 lacks is a good reason for the treasure hunt. The filmmakers needed to have a cause for Ben to begin his risky profession again, and they made some unfortunate leaps in logic to make it all work. I understand Ben’s desire to clear his great-great-grandfather’s name, but how exactly does finding the treasure do that? Likewise, after he’s kidnapped the President, he is told that he must uncover the treasure to clear his own name, but, as stated by Sadusky (still a laid-back Harvey Keitel), how does that erase his federal crime? If the President could just wipe his slate clean with his revised story at the end, why didn’t he just do that to begin with instead of pinning everything on the treasure? The actual treasure hunt is educational and riveting, but the setup that keeps urging its importance is full of holes. Also, Ed Harris as Mitch is a lesser villain, compared with the first film’s Ian, played by Sean Bean; whereas Ian wanted the hoard itself and was actually smart enough to find clues and possibly the treasure on his own, Mitch lets Ben do all the work and desires merely the credit for finding the trove.

Like with Home Alone 2, it sounds like all I’m doing is criticizing this sequel, but I really do enjoy it. The familiar actors, including Diane Kruger, Justin Bartha, and Jon Voight, plus new addition Helen Mirren, seem to be having fun right along with their characters, such as during a psych-out reminiscent of the electric fence scene in Jurassic Park. The action is expertly done, including a rather drawn-out car chase, another farewell-to-bumpers chase scene, and an astounding balancing set piece that reminded me of the Oscar-winning German animated short film Balance from 1989. I also enjoy the historical locations, including the Library of Congress and Mount Rushmore; I’ve visited the latter myself, as well as Sylvan Lake, and I always smile when the film indicates the lake is behind Mount Rushmore. (It’s nearby, but not that close.)

Overall, National Treasure 2 is another entertaining history lesson. Whether or not we ever find out what was on page 47 in a hoped-for third National Treasure, at least the existing two will continue to entertain history geeks like me.

Best line: (Ben, answering why the President should help him) “And because you’re the President of the United States, sir. Whether by innate character or the oath you took to defend the Constitution or the weight of history that falls upon you, I believe you to be an honorable man, sir.”
(The President, played by Bruce Greenwood) “Gates, people don’t believe that stuff anymore.”
(Ben) “They want to believe it.”

 

Artistry: 6
Characters/Actors: 7
Entertainment: 10
Visual Effects: 9
Originality: 7
Watchability: 10
 
TOTAL: 49 out of 60
 

Next: #130 – Alien

© 2014 S. G. Liput

195 Followers and Counting

 

The Polar Express (2004)

02 Tuesday Sep 2014

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ Leave a comment

Tags

Action, Animation, Christmas, Drama, Family, Fantasy, Musical

On Christmas Eve, a boy must leave
Because he just will not believe
In Santa or the Christmas lore
He’s heard a million times before.
 
A polar train to ascertain
If he can overcome disdain
Appears outside, and as implied,
The boy accepts a sudden ride.
 
Within he meets on cushioned seats
Both girls and boys from other streets.
One girl around with faith profound
Proclaims their train is North Pole-bound.
 
As they commute upon their route,
Once they pick up one last recruit,
The perils flow, from ice and snow
To tunnel roofs that loom too low.
 
A friendly ghost who’s quick to boast
Assists the hero as his host.
Despite each scare and dire snare,
They reach the Pole with time to spare.
 
The elves and they know where to stay
To hear what Santa has to say,
But our main three are broken free
And tour the big man’s factory.
 
Arriving back in Santa’s sack,
The boy attains belief some lack.
A silver bell that slowly fell
Is granted him before farewell.
 
The bell slips out somewhere en route,
Which may have caused the boy some doubt,
But it appears, and through the years,
Grants music to believers’ ears.
__________________
 

The Polar Express endeavors to be an experience, a wild ride of wonder, rather than just another Christmas cartoon. Directed by Robert Zemeckis, who utilized the still-developing motion-capture technology to lend more realism to the characters’ movements and facial expressions, The Polar Express is beautiful to behold, much like the 2009 A Christmas Carol. Just as Jim Carrey filled multiple roles in that film, Tom Hanks owns several faces, including the Hero Boy (who is voiced by Spy Kids’ Daryl Sabara), his father, the Conductor, the Hobo, and ol’ Saint Nick himself.

The Polar Express is based off of Chris Van Allsburg’s popular children’s picture book, but it exceeds the already evocative images Allsburg produced. At times, the film becomes a literal roller coaster, almost like one of those virtual simulator rides without the cabin agitation, while other moments seem gloriously picturesque, such as the shot of the train winding its way up a spiraling mountain. There are frequent edge-of-your-seat sequences that are genuinely thrilling, from the train’s foray onto ice to a rooftop ski ride with some serious close calls. In addition to all this, the portrayal of the North Pole and Santa’s workshop is my personal favorite of any Christmas film, amazingly detailed and designed with both utility and fun in mind. As the three main kids explore, joyriding in pneumatic tubes and an awesome-looking funnel that always makes me jealous, I can’t help but wonder why this film was never used to create an actual theme park ride (as far as I know).

The characters are not especially deep: a lonely boy with no friends, a brave girl needing more confidence to be a leader, the main boy who has a problem believing what’s right in front of his eyes. Still, they remain relatable and likable enough as they encounter several mysterious grown-ups who never explain everything fully.

Many critics decried the film as being overly creepy, and indeed there are some rather unsettling parts (a walk through a maze of glassy-eyed marionettes, a skipping record in a deserted village). Even so, A Christmas Carol has some potentially disturbing imagery as well, which doesn’t detract from its yuletide message, and the message of The Polar Express is the importance of belief and wonder. Even on a secular level, Christmas is a time for cynicism to be cast aside to allow innocent hope and goodwill to reign, and the film encapsulates this lesson into a perfect gift: the bell. When I was growing up, we had a bell that my mom claimed she couldn’t hear; even if she could, this provided me with an exciting prospect, that belief could open doors imperceptible to others. The Polar Express may be a rather worldly Christmas film, but such a message of faith is rare nowadays.

Best line: (the Conductor) “Seeing is believing, but sometimes the most real things in the world are the things we can’t see.”

 
Artistry: 9
Characters/Actors: 7
Entertainment: 9
Visual Effects: 9
Originality: 7
Watchability: 8
 
TOTAL: 49 out of 60
 

Next: #131 – National Treasure 2: Book of Secrets

© 2014 S. G. Liput

194 Followers and Counting

 

Sleepless in Seattle (1993)

01 Monday Sep 2014

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ Leave a comment

Tags

Comedy, Drama, Romance

Sam Baldwin is a widower still grieving for his wife,
Who moves out to Seattle to revitalize his life,
But Jonah, his young son, decides he needs help even so,
And late on Christmas Eve, he tries a widespread call-in show.
 
The conversation labels Sam as “Sleepless in Seattle,”
Who interests women everywhere, who write with pointless prattle.
One woman, though, in Baltimore, named Annie pines away,
Although she does have Walter, her allergic fiancé.
 
Her fear of being left alone is only matched, it seems,
By all her movie-molded, chance-for-true-love kind of dreams,
And Jonah tells his dad that he wants Annie for a mother
When he receives a letter that surpasses any other.
 
Since Annie is intrigued by Sam, she flies to take a peek
At them out in Seattle, and she feels like such a sneak.
Just like a certain chick flick, Jonah ventures to arrange
A Valentine’s Day meeting in New York, to force a change.
 
He flies there, seeking Annie, and Sam follows, panicking,
While Annie breaks with Walter for a love that fate may bring.
Atop a famous building, Sam and Annie chance to meet,
And Jonah is content that now his family is complete.
________________
 

Sleepless in Seattle is more proof that Nora Ephron put rom coms on a whole new level (before Matthew McConaughey got ahold of the genre). Tom Hanks and Meg Ryan are the perfect pair, as someone must have thought after viewing Joe vs. the Volcano, and, though they spend most of Sleepless apart, they’re clearly M.F.E.O. (made for each other).

The actual plot is not particularly eventful, but the characters and dialogue effortlessly hold the viewer’s attention. Ephron excelled most at devising realistic, often funny conversations that could easily have been drawn from real life, private exchanges between girlfriends and guy friends and spouses. Yet no one verbalizes that dialogue as memorably as Hanks and Ryan. The screenplay might just say “Annie sings ‘Sleigh Ride’ while driving,” and we get Ryan’s amusing chorus of “Horses, horses, horses, horses.” Plus, while the film could have characterized him as a jerk, it makes Bill Pullman likable enough as Walter to not cause viewers to wonder what Annie sees in him; he’s one of those awkward but all-around nice guys that just doesn’t happen to be her one.

While Sleepless in Seattle could be considered a “chick movie,” as Hanks calls An Affair to Remember, it’s self-aware enough to still be entertaining for guys too, at least in my case, such as the scene in which Suzy gushes about that Cary Grant tearjerker, with Hanks and Victor Garber exchanging “puh-leaze” glances. Hanks’s dramatic remembrance of his deceased wife and his manly repartee mostly balances out Ryan’s feminine chats.

All the relationships feel entirely real, from Sam’s imperfect fathering of Jonah to Annie’s volatile discussions with her friend Becky (played by Rosie O’Donnell). Sleepless in Seattle is unabashedly romantic and presents one of film’s most hopeful propositions of true love. Tom Hanks and Meg Ryan forever!

Best line: (Sam, as he is reentering dating) “What is ‘tiramisu’?”
(his friend Jay) “You’ll find out.”
(Sam) “Well, what is it?”
(Jay) “You’ll see!”
(Sam) “Some woman is gonna want me to do it to her, and I’m not gonna know what it is!”

 

Artistry: 8
Characters/Actors: 10
Entertainment: 9
Visual Effects: 5
Originality: 8
Watchability: 10
Other (language): -1
 
TOTAL: 49 out of 60
 

Next: #132 – The Polar Express (another Tom Hanks movie)

© 2014 S. G. Liput

194 Followers and Counting

 

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