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Rhyme and Reason

~ Poetry Meets Film Reviews

Rhyme and Reason

Tag Archives: Superhero

Spider-Man: Into the Spider-Verse (2018)

11 Friday Jan 2019

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ 2 Comments

Tags

Action, Animation, Comedy, Family, Superhero

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The universe is vast and grand
And larger than we can explore,
Yet what if there were more than one
With possibilities galore.

In one dimension, you might be
Reclining underneath a tree.
In one, you’re driving;
One, in bed;
In one, surviving;
One, you’re dead.
In one, you may be ten feet tall
Or climbing up a building wall.
In one, your hair is blond or red;
Another, you have none at all.

You might be human or a fish
Or living in a Petri dish,
Or made of metal, made of wood;
You might be evil, might be good;
You might be famous or obscure,
Or wearing tentacles or fur.

Who knows what new alternative
Beyond dimension walls might live?
____________________

MPAA rating:  PG (probably the most family-friendly big-screen version of Spider-Man to date)

Many out there who are experiencing superhero fatigue might roll their eyes at the prospect of yet another Spider-Man movie. After all, they’ve already covered this Marvel character with an excellent trilogy with Tobey McGuire, two lesser reboot films with Andrew Garfield, and an MCU incarnation with Tom Holland, so how else could another film retread the same material? A better question after actually watching Into the Spider-Verse is “How can a film with so much prior history turn out to be possibly the most original and innovative movie of the year?”

I remembered the Spider-Man cartoon from the ‘90s had multiple versions of Peter Parker teaming up at times, but I never expected that kind of universe-spanning storyline to make it to the big screen, considering that the spider-mantle keeps getting handed off every few years. Animation was clearly the best medium for it, especially with the involvement of producers Christopher Miller and Phil Lord (Cloudy with a Chance of Meatballs, The Lego Movie), the latter of whom also co-wrote the screenplay.

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The story is quite simply everything we know and love about Spider-Man mixed, mutated, and amalgamated in ways I never thought I’d see. By diving into the multiverse, full of different incarnations of the wall-crawler, it combines the familiar with the new to create something fun and unexpected. For one thing, there are at least seven spider-people total, along with alternate versions of Spider-Man’s rogues gallery, and while the story focuses on Miles Morales (Shameik Moore), a black teen bitten by a universe-hopping spider, there is so much going on in Into the Spider-Verse that I won’t even try describing it all, which is best anyway since I don’t do outright spoilers anymore.

Miles himself is an authentic and relatable kid, street-savvy but smart, who is pulled in way over his head when the hulking Kingpin (Liev Schreiber) opens up a portal to other dimensions, summoning varied Spider-people, from a spider-powered Gwen Stacy (Hailee Steinfeld) to an over-the-hill Peter Parker (Jake Johnson) to a talking pig from a universe of funny animals (John Mulaney). While it gets as crazy as it sounds, the characters are marvelously written, each one with their own in-jokes, histories, and personal arcs, most notably the older version of Peter Parker, who is forced to mentor Miles in order to get back to his own universe.

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The character dynamics are great, yet I feel like I’ve barely scratched everything to love about this movie. I never knew much about Miles Morales’ origin story in the comics, but it’s hard to imagine it being better than this film version. There are touchstones to the familiar Spider-Man origin, but it plays out with clever and unique differences, which, along with the multitude of jokes and gags, especially reward the geeky knowledge of fan nerds like me. I don’t usually like familiar characters being reimagined for the sake of diversity, as Hollywood so often does, but the multiverse concept is the perfect way to handle it, introducing new versions of characters, whether it be a black Spider-Man or an anime-style girl and robot team, while leaving the familiar intact.

And let’s not forget the animation; it’s quite literally unlike anything we’ve seen before, a mixture of 2D and 3D with images that feel ripped from the panels of a comic book while also boasting amazingly fluid action scenes. Somehow, the mixing of animation styles (anime, exaggerated cartoon) merges with the main style seamlessly, which fascinates me to no end. Comics are an unmistakable visual influence, such as the dotted background texture of many scenes, and I liked how thought bubbles and such became more pronounced when Miles began experiencing the heightened senses of his spider-powers.

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Speaking of heightened senses, the animation in Into the Spider-Verse is likely to yield sensory overload, not unlike Lord and Miller’s earlier film The Lego Movie. The pace and visuals are similarly frenetic, though more sophisticated and not as hard to follow, especially during the eye-popping, reality-warping finale, which might be as close as I ever get to an LSD trip. Every scene is full of such life and detail that I honestly cannot wait to see it again.

While I loved everything –characters, animation, action, story, the touching Stan Lee cameo/tribute—I will say one thing didn’t thrill me, namely the soundtrack. Befitting the urban setting of Miles’ world, it’s largely hip hop and rap, the value of which still eludes me. (Seriously, what’s catchy about someone talking to a beat?) Post Malone’s “Sunflower” was the only song I halfway liked, but that’s likely a personal gripe, since I’ve heard other people laud the soundtrack. One brief scene featured a great little snippet of John Parr’s “St. Elmo’s Fire (Man in Motion),” which only made me wish the soundtrack had less rap and more ‘80s rock.

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My VC enjoyed the movie overall and agreed the visuals were amazing and Oscar-worthy, yet, though she recognized the trippy style as something outstanding, it simply wasn’t for her. Then again, she also tends to discount the value of animation, viewing it generally as lesser than live-action, to which I quote the talking pig: “You got a problem with cartoons?” I certainly don’t. This film just keeps getting better in my head the more I think about it, and I’m actually looking forward to the inevitable spin-offs and sequels it will spawn. If you have any fondness for the character of Spider-Man, I suspect there is something or many things you will love about this movie. Spider-Man may be a well-worn franchise by now, but Into the Spider-Verse just reinvented it in a way no one saw coming.

Best line:  (Miles, buying a Spider-Man costume) “Can I return it if it doesn’t fit?”  (Stan Lee) “It always fits, eventually.”

 

Rank: List-Worthy

 

© 2018 S.G. Liput
600 Followers and Counting!

 

Justice League (2017)

12 Wednesday Dec 2018

Posted by sgliput in Movies, Poetry, Reviews, Writing

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Tags

Action, Sci-fi, Superhero

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With planet Earth facing its worst danger yet,
Six heroes emerged to contend with the threat.
One swam,
And one ran,
And one wasn’t a man,
One dressed like a bat,
One was half a tin can,
And one may have died,
But he’ll come if he can,
So never fear, Earth, for your heroes are here!
No, not the Avengers; they’ll just disappear,
Until they beat Thanos in Endgame next year.
Wait, what was I saying? Oh, the DCEU…
While waiting for Marvel, this team ought to do.
___________________

MPAA rating: PG-13

It says a lot that I had to see Avengers: Infinity War on opening weekend, while I only just got around to watching Justice League a year after its release. Justice League isn’t necessarily a bad movie nor one as mockable as Batman v. Superman, but its aspirations overstep its ability, making DC’s superhero team-up come up short in every comparison with Marvel.

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In this not-quite-culmination of the DC Extended Universe, Batman (Ben Affleck) and Wonder Woman (Gal Gadot) seek to recruit a collection of disparate superhumans (Jason Momoa’s buff Aquaman, Ezra Miller’s geeky Flash, and Ray Fisher’s conflicted Cyborg) to ward off an alien invasion following the death of Superman (Henry Cavill), who is still praised as a beacon of hope despite the fact everyone seemed afraid and distrustful of him in the previous films. The battle scenes are epic, the effects impressive, and the casting not half bad (Miller’s a tad annoying, and I’m still getting used to Affleck), yet the echoes of MCU plot points are just too obvious to ignore. The villain Steppenwolf (all CGI voiced by Ciaran Hinds) arrives like Loki through a space portal and starts collecting three powerful Mother Boxes, generic Infinity Stone equivalents that can destroy the world and have a mythic history blatantly torn from The Lord of the Rings.

Justice League has some prime ingredients in its recipe, if only it was baked more gradually. I continue to be baffled by DC’s story strategy, combining all these heroes in (for half of them) their first appearance and then providing them stand-alone features. It’s one more way that Marvel has the edge, because when everyone met each in the first Avengers, at least the audience knew of their history. Here, the backstories of Aquaman, Cyborg, and Flash are only hinted at, offering backstories we neither care about nor fully understand. Plus, being thrust together by world-ending danger, there’s little sense of camaraderie or chemistry as a team, or at least not as much as with the Avengers; only Wonder Woman (still the best part of the DCEU) has any weight to her history or her rapport with Batman. And I still question why Cyborg is even here, when I’ve always associated him with the Teen Titans, despite recent revisions in the comics.

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There are always questions of who copied who between DC and Marvel, but in this case, it feels like DC is still playing catch-up to something Marvel undoubtedly did better years before. With Joss Whedon’s tweaks to director Zack Snyder (who will hopefully step away from controlling this franchise), Justice League is at least better and more fun than Man of Steel or Batman v. Superman. Individual parts just work much better than the whole at this point. Aquaman looks pretty darn cool from the trailers, though, so perhaps there’s still some hope for DC.

Best line: (Lois Lane) “There are heroes among us. Not to make us feel smaller, but to remind us of what makes us great.”

 

Rank: Honorable Mention

 

© 2018 S.G. Liput
596 Followers and Counting

 

Ant-Man and the Wasp (2018)

13 Tuesday Nov 2018

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ 2 Comments

Tags

Action, Comedy, Sci-fi, Superhero

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When deadly traps and finger snaps can bring the universe to dust,
And most heroics boil down to saving life itself or bust,
It’s effortless becoming numb to world-annihilating threats
And yawning while you wait until the pall of doom and gloom resets.

And that is why you sometimes want some slightly more light-hearted fun,
Reminding you not every story has to be a cosmic one.
A chase, a smile, a smaller trial, when carried out with proper style,
Has enough unique appeal to satisfy this cinephile.
____________________

MPAA rating: PG-13

It’s simply a coincidence that I planned to review a Marvel movie the day after the great Stan Lee’s death. While I’m still deeply saddened at the loss of a comic book icon, I’m also grateful for his cultural contributions, which have not only taken over the 21st-century box office but have provided countless hours of entertainment, a prime example of which is Ant-Man and the Wasp.  The first Ant-Man was an unlikely success that surprised more than a few skeptical viewers, and I’m just as surprised that its follow-up is even better.

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A light-hearted caper like Ant-Man and the Wasp was bound to leave one of two impressions, coming on the heels of a huge, stuffed, sobering juggernaut like Avengers: Infinity War. Either it would be seen as fluff filler that felt out of place after Infinity War’s cliffhanger, or it would be a refreshingly light change of pace from the end-of-the-world exploits we’ve come to expect from the MCU, not unlike the first Ant-Man. Though some critics have voiced the former view, I favor the latter. While Marvel excels at balancing its doom and gloom with humor, sometimes you need a superhero movie where the stakes stay relatably small, and what better vehicle for those “small” stakes than Ant-Man himself?

Of course, the key to ensuring that such a small-stakes story still matters is letting the stakes matter to the characters. After the public debacle in Captain America: Civil War, Scott Lang (Paul Rudd) is nearing the end of his house arrest and remains a lovably earnest father to his daughter Cassie. Meanwhile, original Ant-Man Hank Pym (Michael Douglas) and daughter Hope (Evangeline Lilly) are on the run from the government while seeking Hank’s long-lost wife (Michelle Pfeiffer) somewhere in the infinitesimal Quantum Realm. Chasing both clues and tech to make that possible, they recruit Scott into their risky size-altering mission.

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Ant-Man was a heist film at its core, and while Ant-Man and the Wasp retains a lot of its predecessor’s style, it transmogrifies it into a twisty nonstop chase, freewheeling from one fight or set piece to the next with gleeful abandon. It’s essentially a MacGuffin hunt, with the MacGuffin usually being Pym’s tech-filled lab shrunk to the size of a breadbox. (The way it’s tossed around, he must have everything in the building bolted down!) Of course, Pym and Hope need it to save the original Wasp, but it’s also desired by a greedy small-time gangster (Walton Goggins) and by the semi-intangible Ghost (Hannah John-Kamen), whose intentions are more sympathetic than most Marvel antagonists.

Rudd and Lilly continue to strengthen their tag team chemistry, and while it’s significant that Lilly’s Wasp is the first title superheroine of the MCU (and the last of the original Avengers roster from the comics to join), she owns the role in a way that makes a kick-butt female with wings seem only natural as Ant-Man’s partner. (By the way, can she use the wings when she’s normal-sized or just when shrunk? I know I’d be using them all the time.) Also returning is Michael Peña’s Luis, who is still possibly the best comic relief sidekick of the MCU, and Randall Park makes a fun appearance as Scott’s parole officer trying to catch him in the act of breaking his house arrest.

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Ant-Man and the Wasp may not have the star power or all-around epicness of Infinity War, but I can honestly say that I enjoyed it just as much for different reasons (and minus the soul-crushing deaths). It’s a smaller affair than others of its MCU brethren, but it’s purely fun entertainment with no shortage of thrills and laughs. Plus, it’s probably the most family-friendly Marvel film yet and feels nicely self-contained, with a conclusion that’s more heartwarming than usual while leaving enough room for future stories. One of my older coworkers saw it with her grandkids and loved it, even though she’d never even seen the first Ant-Man. You’d think that Marvel would be showing signs of fatigue after twenty films, but I certainly can’t tell based on #20.

Best line: (Hank, speaking of his wife Janet and Scott’s brief time in the quantum realm) “We think when you went down there, you may have entangled with her.”   (Scott) “Hank, I would never do that. I respect you too much.”   (Hank) “Quantum entanglement, Scott.”

 

Rank: List-Worthy (joining Ant-Man)

 

© 2018 S.G. Liput
594 Followers and Counting

 

The Incredibles 2 (2018)

08 Sunday Jul 2018

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ 4 Comments

Tags

Action, Animation, Comedy, Family, Pixar, Sci-fi, Superhero

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Incredible is a subjective term,
As critics and colleges can confirm.
One man’s amazing and top-of-the-class
Is another’s mundane because people, alas,
See things either clearly or through rosy glass.

Incredible is a desirable word,
So rarely deserved yet so commonly heard.
At times, there’s consensus for some shining star,
But mostly we just must agree on the bar
And how we compare them decides what they are.
___________________

MPAA rating: PG

Of all the studios churning out long-awaited sequels, Pixar has arguably the best track record. Whether it’s Monsters University, Finding Dory, or Toy Story 3 (I mean 4), the decade-waiting sequelization of their canon is well underway and, with the exception of Cars 2, has turned out surprisingly well. (They’re all weaker than the originals, but they’re by no means bad, except Cars 2.) Yet strangely, Pixar has made fans wait longest for the follow-up to the one film in their oeuvre that was actively crying out for a sequel, namely The Incredibles. Perhaps due to the influx of superhero franchises since 2003, director Brad Bird finally delivered, and I’d say the fourteen-year wait was worth it.

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Picking up immediately where the first film left off, The Incredibles 2 reminds us that, even after saving the world from Syndrome, the Parr family still have to deal with the fact that superheroing is illegal. After their battle with the Underminer goes south, Mr. and Mrs. Incredible (Craig T. Nelson and Holly Hunter) and Frozone (Samuel L. Jackson) are approached by millionaire entrepreneurs Winston (Bob Odenkirk) and Evelyn Deavor (Catherine Keener), a brother and sister team who are actively trying to bring supers back into the spotlight. Due to her less destructive abilities, Elastigirl is the new face of their law-bending campaign, and while Bob deals with the headaches of parenting at home, Helen faces off with a mind-controlling villain called the Screenslaver.

There are certain elements borrowed from the previous film, such as the family disagreements on how to handle hiding their powers, and if you suspect their new benefactors aren’t entirely on the up-and-up, you’d be somewhat right. Yet The Incredibles 2 does an excellent job at differentiating itself from the first and from other superhero films in general. Chief among the differences is the inclusion of other supers joining the crusade for superhero legality, and their presence allows for added creativity in the battles and actual super-vs.-super fights rather than the repeated super-vs.-robot fight of the first. Anyone who wanted more Elastigirl and Frozone shouldn’t be disappointed, and while Bob seemed sidelined by suppressed egotism and Mr. Mom franticness, it wasn’t as bad as the trailers implied. Ultimately, even with some mature themes being broached, this is still a film for and about families, with Bob’s first-hand struggles with superpowered child-rearing offering a nice counterpoint to the more action-packed beats with his wife.

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One thing that seemed like a retroactive change is that the Parrs apparently didn’t see baby Jack-Jack use his powers at the end of the first film, allowing for all of them to be surprised again by his multifaceted abilities. Jack-Jack even steals the show at times, whether he’s paired with an ornery raccoon or fashionista Edna Mode (Brad Bird). Likewise, Violet (Sarah Vowell) and Dash (Huck Milner, seamlessly replacing Spencer Fox) get their fair share of screen time, especially after the villain is revealed. Speaking of which, the Screenslaver may not have as compelling a backstory as Syndrome, but the philosophy spouted by the shadowy figure has a point in denouncing people’s reliance on computer/TV screens and lack of responsibility. It’s the kind of motivation that works well for a supervillain, bearing a kernel of truth but taken to a malevolent extreme, which actually offers a legitimate threat against the supers.

I’ll be honest: I intentionally had very low expectations for The Incredibles 2. Others I know have said they had enormous hopes for it, but when you’re dealing with a film as awesome as the first Incredibles, it’s going to be hard to match. Perhaps that’s why I enjoyed it so much compared with one of my disappointed coworkers, who likely had too many preconceived notions of what the perfect sequel should be, not unlike Star Wars fans of late. Yes, The Incredibles 2 doesn’t quite reach the heights of its predecessor: It lacks the meaningful character arcs of the first film, its villain mystery is semi-predictable, and it raises more thematic questions about right, wrong, and responsibility than it even tries to answer. Yet it was so enjoyable to spend time with these characters again that I didn’t mind, and it still stands head-and-shoulders above the majority of animated films nowadays.

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I think I’d go so far as to call it the best Pixar sequel since Toy Story 2, at least in recapturing the spirit of the original. The action scenes are as cool and polished as anything in the MCU, and Michael Giacchino’s bombastic score is still the perfect complement to its comic book world. It’s not above some complaints, but if you compare The Incredibles 2 to Cars 2 rather than the first Incredibles, I think you’ll agree it’s an “incredible” sequel. Pixar does it again!

Best line: (Edna) “Done properly, parenting is a heroic act. [Glares at Bob’s exhaustion] “Done properly.”

 

Rank: List-Worthy (joining the first film)

 

© 2018 S.G. Liput
585 Followers and Counting

 

Psychokinesis (2018)

13 Wednesday Jun 2018

Posted by sgliput in Movies, Poetry, Reviews, Writing

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Tags

Action, Comedy, Drama, Foreign, Superhero

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A hero isn’t born, you know,
With all he needs to earn that rank.
All roles are blank
Until they grow.

He may have strength to break a chain
Or speed to outrun any train
Or powers to abolish pain
With snap of finger or of brain,
The likes of which man can’t contain.
But all of that would be in vain
If he viewed others with disdain.

It’s finding one worth fighting for
That makes a hero from a blank.
___________________

Rating: TV-MA (with several beatings, the content is much more PG-13, but there are a few F words in the English subtitles)

It took me longer than everyone else to jump onto the bandwagon praising Yeon Sang-ho’s South Korean zombie hit Train to Busan. One advantage to waiting was that I didn’t have to wait too long for his next live-action feature, this time tackling the superhero genre. Though not on the level of his earlier film, Psychokinesis is an enjoyable counterpoint to the big-budget Marvel movies to which we’ve become so accustomed, a decidedly smaller-scale adventure that still delivers the goods.

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The film starts out a little confusingly, segueing from an advertisement about successful young restaurateur Shin Roo-mi (Shim Eun-kyung) to a night attack on her restaurant by a group of workmen, who try to evict her and accidentally kill her mother. Soon after, we meet her absentee father Seok-heon (Ryu Seung-ryong), an oafish security guard who happens to drink from a fountain right as it’s contaminated with energy from a meteorite and discovers he has telekinetic powers. Just reading back those two sentences makes this film sound really bizarre, and maybe it is at the start, but I’m glad I gave it a chance because it somehow does work by the end. After hearing of his ex-wife’s death, Seok-heon decides to use his power to reignite his relationship with the daughter who hates him and protect her from the villainous corporate developers trying to remove her and the other tenants who refuse to leave their shops.

Like Train to Busan, Psychokinesis is just as concerned with its human characters as its genre conventions. At first, Seok-heon is hardly the type to stick up for others and tries to dissuade Roo-mi from joining the rebellious shopkeepers. Much as the inconsiderate father in Train to Busan had his conscience pricked, Seok-heon ends up second-guessing his own selfishness and aiding them with his psychic abilities. Both Ryu and Shim are quite good as an estranged father and daughter (they voiced similar estranged roles in Yeon’s previous film Seoul Station as well), and those playing the villains are gleefully evil, especially Jung Yu-mi (the pregnant woman in Train to Busan) as a beautiful, power-crazed mastermind.

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As for the superhero side of things, the effects are actually very well done, and their impact is gradually built up as Seok-heon progresses from floating lighters and ties to throwing bad guys around to almost flying. It clearly takes immense concentration for him, and his mental straining often verges on comedic. With some over-the-top reactions and simplistic motives, the film knows when to chuckle at itself and when to be serious, bolstered further by some genuinely cool superhero moments.

Psychokinesis may not be quite on the technical level of Marvel’s offerings, but with its Korean setting and surprisingly small body count, it’s a refreshingly low-profile member of an increasingly crowded genre. It’s also a sign that Yeon Sang-ho is a director worth keeping an eye on for empathetic family dynamics and quality genre fare.

 

Rank: List Runner-Up

 

© 2018 S.G. Liput
579 Followers and Counting

 

Ranking the Marvel Cinematic Universe…in Verse!

17 Thursday May 2018

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ 3 Comments

Tags

Action, Lists, Superhero

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Nineteen films in Marvel’s canon, fruit of planners’ careful plannin’,
And though some are sick of fandoms,
I am still a fan extreme.
So to honor them and thank them, now seems like the time to rank them,
Using Edgar Allan Poe’s “The Raven”
For my rhyming scheme.

Just so everybody knows, regardless of where each one goes,
I like them all, both highs and lows.
(And poems are just more fun than prose.)

#19:  The Incredible Hulk (2008)

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At number nineteen in the listing is one barely still existing
In the continuity
Of Marvel’s growing universe.
Edward Norton as Bruce Banner had the acting chops and manner,
But the climax was all smashing,
Which got tedious or worse.

It’s better than the green banana that had featured Eric Bana
But still feels unripe so, man, a-
Nother recast was in store.
William Hurt has since been spotted, but the hints with which it’s dotted
Might as well have not been plotted
And should come back nevermore.

#18:  Iron Man 2 (2010)

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Iron Man put Marvel soaring, but its sequel left some snoring,
Dragged down by two villains boring,
Both in need of better scripts.
Poisoned by his source of power, Tony’s mood was often sour,
But he managed still to win
When Russian Mickey Rourke made whips.

Still though, ScarJo as Black Widow made her entrance, and she did so
Well that most will only think
Of her debut and not the rest.
Rhodey gets a suit for blasting, none the worse for his recasting,
And Don Cheadle has proved lasting
Past the Terrance Howard test.

#17:  Thor (2011)

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Then came Thor with smashing hammer, lifted up by Branagh’s glamor,
Boasting bold Old English grammar
And Chris Hemsworth’s muscled bod.
Visually, Asgard was stunning, and we love Loki so cunning,
But the plot was just too simple:
Humbling the thunder god.

New Mexico no doubt did smile as the place of Thor’s exile,
Where he learned to face the trial
Of his selfless worthiness.
I like Thor’s supporting players, and the myths have many layers,
But only in its outward airs
Was this Thor able to impress.
Still important? Yeah, I guess.

#16:  Iron Man 3 (2013)

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Avengers rocked the whole box office, praised by all except some sophists,
So Phase 2 kicked off for Marvel
With another Iron Man.
Traumatized and shaken Tony, grown from being glib and phony,
Offers honest testimony
Where his lowest point began.

Kingsley’s villain is scene-stealing till we get to his revealing
That he’s merely double-dealing,
Just a hack to fool the press.
Well, it worked, and it’s disjointing, baffling, and disappointing,
As is Tony’s final act,
Progress but dumb nonetheless.
Yet the rest meets with success.

#15:  Black Panther (2018)

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Don’t discount my rare opinion, thinking I’m some racist minion.
No one race deserves dominion
Over superhero flicks.
As the first black solo story, yes, Black Panther meets with glory,
Breaking in new territory,
Adding to the Marvel mix.

Yet Wakandan mysticism paired with governmental schism
Drew from me some criticism
While from others gaining praise.
Sister Shuri and the action still earned positive reaction,
And, though others have more traction,
This film had a trail to blaze.

#14:  Thor: The Dark World (2013)

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Keeping Phase 2 sequels going, Thor 2 showed the stakes keep growing
As the first time that the whole dang
Universe was jeopardized.
Fantasy continued merging with sci-fi, like worlds converging
As dark elves pursued the purging
Of the light they so despised.

True, it won’t impress Criterion, but the tone is still Shakespearean,
And both Thor and Loki shine
As they develop their rapport.
Next to Thanos or the Joker, Malekith is mediocre
As a villain. “Who?” you say,
Which just confirms my comment more.

#13:  Thor: Ragnarok (2017)

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Recently, the god of thunder suddenly has fallen under
Comedy, and fans have wondered
Where the gravity has gone.
Yet most others have ceased caring, caught up in the funny pairing
Of both Thor and Hulk, not sparing
Any joke to fall upon.

When his sister shows she’s greater, Thor becomes a gladiator
Under Goldblum the dictator,
Yet his humor pulls him through.
Losing hammer, home, and hair, plus friends you may not know were there,
May seem to be a bleak affair,
Yet laughter keeps the sad from view.

#12:  Spider-Man: Homecoming (2017)

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After Garfield and Maguire, did the universe require
Yet another Spider-Man
To swing his webs and quips galore?
Maybe so, because Homecoming kept young Peter Parker humming,
And we knew that he was coming
Since he was in Civil War.
(Want a fourth? Please, nevermore.)

Born from Disney’s deal with Sony, this young Spider now has Tony,
Gifting high-tech Spidersuits
To mentor over-eager Pete.
With its youthful high school setting and no Uncle Ben regretting,
It’s a new and fun resetting,
Not the best but no mean feat.

#11:  Doctor Strange (2016)

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From the tech so futuristic, Marvel moved on to the mystic
With a dose of surrealistic
Imagery to help us cope.
Cumberbatch proved quite appealing as a doctor seeking healing,
Whose whole world is set to reeling,
Much like a kaleidoscope.

Yes, it’s effortless equating Strange’s rehabilitating
With one Tony Stark and rating
Iron Man as first and best.
Visually, though, eyes were popping, just as many jaws were dropping.
Marvel showed no signs of flopping,
Always leaving us impressed.

#10:  Avengers: Age of Ultron (2015)

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I don’t mean to be a hater, since I do enjoy James Spader,
But in looking back years later,
Age of Ultron is a mess.
Triumph was not guaranteed in this great challenge for Joss Whedon,
Yet he made the mess proceed in
Good directions, more or less.

Lots of characters to juggle, hints at future tales to smuggle,
All of it proved quite the struggle,
Even for his cleverness.
Ultron left a weak impression, but the heroes in procession
Still were awesome, since (Confession!)
I’m a geek, but I digress.

#9:  Guardians of the Galaxy (2014)

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Of their many near disasters turned to gold by Marvel’s masters,
This one shocked the best forecasters
Who thought surely this would flop.
Talking trees and troublemakers and raccoons were no dealbreakers;
No, these misfit moneymakers
Proved too humorous to stop.

With its crowded plot subverted by pop culture jokes inserted,
Seventies pop songs diverted,
Making Guardians a fave.
Though not every wisecrack landed, Marvel’s world was well expanded,
And this superteam commanded
Special props for being brave.

#8:  Ant-Man (2015)

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Yet another risky venture, Marvel’s miniature adventure
Brought an original Avenger
From the comic to the screen.
Though its brethren may stand taller, I appreciate the smaller
Scale and silliness of Ant-Man,
Still with sights we’d never seen.

Paul Rudd’s both sincere and silly next to Lost’s Evangeline Lilly,
As he rides on ants (yes, really),
For a heist by shrinkage done.
While its physics call for bending, Ant-Man’s lark is worth commending.
It’s a romp or runt depending
On the viewer’s sense of fun.

#7:  Guardians of the Galaxy Vol. 2 (2017)

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Sequels can be tricky notions, preying on the fans’ devotions.
Some say this went through the motions,
But I favor Volume 2.
There’s more leeway to admire characters established prior,
And its fun flies slightly higher
Than its predecessor flew.

Mantis is a great addition, while Kurt Russell’s opposition
As Quill’s father made his mission
Quite the father/son dispute.
Drax’s laughing is contagious, and the action’s still outrageous,
But its poignancy engages.
Plus, I just love Baby Groot.

#6:  Captain America: The Winter Soldier (2014)

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As you might guess from his placing, Cap’s one hero I’m embracing,
And his second film’s great pacing
Helped it merit much acclaim.
As a proven HYDRA hater, Cap was branded as a traitor,
And one elevator later,
He set out to clear his name.

Verifying comic theories, this one’s vast conspiracies
Rippled through both film and series,
Changing Marvel’s status quo.
Steve and S.H.I.E.L.D. were still quite lucky, more than poor, reprogrammed Bucky,
And to helm it, Marvel welcomed
Anthony and Joe Russo.

#5:  Iron Man (2008)

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Iron Man initiated all that Marvel’s since created,
With a movie that predated
Disney’s lucrative control.
Downey, Jr.’s star selection was, in casting terms, perfection,
Serving as a nice reflection
Of the actor in the role.

Gwyneth Paltrow and Jeff Bridges kept the central cast prestigious.
(Rhodey, though, would be recast,
With ol’ Don Cheadle in the wings.)
Tony’s origins so winning got the MCU to spinning.
Solo story, grand beginning—
Iron Man was many things.

#4:  Captain America: The First Avenger (2011)

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Though Iron Man was the go-getter, origins don’t get much better
Than the fourth but First Avenger
In the Marvel pantheon.
World War II was recreated, screaming classic but not dated,
And Steve Rogers’ motivated
Hero showed both brains and brawn.

Of all baddies you could fill in, Nazis are an ideal villain,
And for girlfriends, Agent Carter
Still remains one of the best.
Though not quirky or exotic, Steve’s so sweet and patriotic,
Standing up to those despotic,
That he stands above the rest.

#3:  Avengers: Infinity War (2018)

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One whole decade in the making, bigger if not quite groundbreaking,
There is no doubt or mistaking
Marvel’s tour de force so far.
No more just a brief inclusion, Thanos dreams of one conclusion,
Boasting views downright Malthusian,
If he only had the Stones.

So much epic superteaming, such high stakes no higher seeming,
Fruit of all of Marvel’s scheming,
Nerdwise, this film made our day.
Though it gave us all we wanted, viewers might not leave undaunted.
I walked out less thrilled than haunted,
Part 2 still one year away.

#2:  Captain America: Civil War (2016)

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“Avengers” isn’t in the title, since Steve Rogers is most vital,
But all members are not idle
In this epic civil war.
Ant-Man helps with Cap’s resisting, Spider-Man swings in assisting,
And Black Panther joins the listing,
All with ends worth fighting for.

Nuanced in its controversies, vengeful spats, and moral mercies,
Civil War left this fan thirsty
For whatever would come next.
Once more, status quo was shattered, favorite heroes sad and scattered.
Next to others, this one mattered.
Give those Russos my respects.

#1:  The Avengers (2012)

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Phase 1’s awesome culmination, The Avengers earned ovation.
(I saw it post-graduation,
Very fondly I recall.)
Team-ups were a new sensation, this one passing expectations,
Building on its strong foundations,
One big balanced free-for-all.

Geniuses and egos clashing, aliens and buildings crashing,
Every hero still proved smashing.
(Who wants shawarma? Anyone?)
Whedon’s dialogue was clever, which surprises no one ever,
And their first combined endeavor
Still is Marvel’s most well-done.

Thanks to anyone persisting, finishing my Marvel listing.
Let me know what you may think.
No need to write in verse, though. *Wink*

Avengers: Infinity War (2018)

06 Sunday May 2018

Posted by sgliput in Movies, Poetry, Reviews, Writing

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Tags

Action, Drama, Sci-fi, Superhero, Thriller

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This world on a string is a curious thing
That somehow survives as it wildly swings
From one bad extreme to another bad dream
Of another madman with another sad scheme.

And it faces such ever diminishing odds
By placing its faith that once used to be God’s
On those who will fail, work to little avail,
And find their travails could not tip any scale.

We humans are like that, more stubborn than wise
And shocked when our heroes crash land from the skies.
When times are turned dire, those fighting the fire
May once have drawn ire in calmer days prior,
But now we require someone to inspire,
A failure but trier, a phoenix highflyer.
________________________

MPAA rating: PG-13

It says a lot that I still have not watched Justice League, yet I had to see Infinity War on its opening weekend. Marvel just knows how to do these huge mash-up franchise films better than anyone else, and their consistency has only helped their blockbuster reputation. Coming ten years after the original Iron Man, Infinity War is the culmination of all that came before, and we’ve been eagerly awaiting it ever since that first glimpse of Thanos in the after-credits scene of The Avengers. So then, did it live up to the hype? I’d have to say yes.

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Veiled in cinematic secrecy and a host of fan speculation, Infinity War is hard to write about with any level of detail lest spoilers abound. However, I’ll try to stick to the known facts. Fed up with all the appearances of Infinity Stones that don’t end up in his possession, feared overlord Thanos (Josh Brolin) has finally decided to gather the six reality-shaping rocks himself, with the help of four nasty and powerful disciples. You may not have kept up with the Stones’ locations after eighteen movies, but they’re well spread out across the galaxy, with Earth housing two to make it a prime target. Stepping up to the plate to defend the universe, we have the vast majority of the MCU’s heroes, from the Guardians of the Galaxy to Thor, Iron Man, Captain America, and over a dozen others.

One of my favorite MCU films thus far was Captain America: Civil War, which did an outstanding job at introducing the old guard to new favorites and making the resulting combination both exciting and moving. Infinity War has the same exact team, from directors Anthony and Joe Russo to screenwriters Christopher Markus and Stephen McFeely, so it should be no surprise that they do the same here. Yet it is a surprise and a pleasant one, considering how many disparate characters and storylines had to be brought together for this defining moment of the MCU, and they do it better than I could have imagined possible.

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The huge cast is wisely broken up into well-chosen groups, such as Iron Man, Doctor Strange, and Spider-Man, whose banter bounces off each other wonderfully, as do Thor and the Guardians. Thanos himself has a well-developed if crazily evil motivation (wiping out half of all life to help the remaining half) and proves he’s no slouch, despite merely sitting in a chair up to this point. He might be the best villain the MCU has produced, if you don’t count Loki. It’s amazing how well everyone else is balanced, though. Each character still has their established personality, and everyone has a moment to shine, which is not easy with such a large ensemble, as evidenced by the Star Trek: Next Gen movies for example. Even with all the dark, universe-shattering moments, there’s still a welcome amount of humor to keep the entertainment level high, as if the truly awesome action wasn’t enough. The clashes between Thanos’s side and the Avengers are stupendous, especially a final battle set in Wakanda, which had several moments that got parts of my theater cheering. (It’s curious, though, that the iconic scene in the top picture was apparently a publicity shot and not actually in the movie.)

Yet for all its strengths, it’s doubtful that you’ll walk out of Avengers: Infinity War smiling at having just seen an amazing superhero movie. Everyone in my theater walked out rather quietly. The stakes are as high as they’ve ever been, and Marvel has taken quite a risk with their episodic format, not unlike the cliffhanger of The Empire Strikes Back. At least we only have to wait one year for the follow-up instead of three. The cynical and those who’ve seen Marvel’s future film line-up will know not to take Infinity War’s ending too personally, which is why there aren’t riots and demands for it to be stricken from the canon, a la The Last Jedi. We know (or hope) that things will turn around in the sequel, but Infinity War still deserves credit for its haunting conclusion and managing to surprise even the most jaded of comic book-weary viewers.

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Some may call Infinity War overstuffed with its sprawling cast and 166-minute runtime, yet it never felt as bulky as, say, Age of Ultron, which I found hard to stay awake during recently. There’s so much coolness on display that it is hard to take in all in one go, especially with an ending that monopolizes your final thoughts, but I still loved it both because of and despite its high stakes. It is unfortunate that the successes of some past films feel hollow after this one, especially Guardians of the Galaxy and Thor: Ragnarok, but only the sequel can resolve the huge questions raised, most notably “What now?” One thing is for sure: everyone who watches Infinity War will definitely see its follow-up, so Marvel’s done its most basic job well. They’ve created both a financial juggernaut and a huge, thrilling, poignant superhero extravaganza that only leaves me wanting more. After all, there is much to avenge.

Best line: (Peter Parker, pointing to Drax and Mantis) “What exactly is it that they do?”   (Mantis) “We kick names and take ass.” [Tony’s reaction is priceless.]

 

Rank: List-Worthy

 

© 2018 S.G. Liput
567 Followers and Counting

 

Thor: The Dark World (2013)

15 Sunday Apr 2018

Posted by sgliput in Movies, NaPoWriMo, Poetry, Reviews, Writing

≈ 1 Comment

Tags

Action, Drama, Fantasy, Sci-fi, Superhero

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(Today’s NaPoWriMo prompt was to write of a villain made relatably human, so I focused on how Loki feels as his father’s second favorite.)

 

Here am I, Loki, a god of Asgard,
Who ought to be king just for trying so hard.

The unchosen heir, second fiddle since birth,
Locked up just for seeking to conquer the earth!

I’m here behind energy fields, and where’s Thor?
Out hogging the glory like so oft before.

Who cares about me, the black sheep of the court,
The outcast brought in to be cast out for sport?

I’m Odin’s chagrin and his family’s regret,
But he and his favorite have seen nothing yet.

One day, they’ll come crawling to me in this jail,
Not knowing how deeply I’ll savor betrayal.
______________________

MPAA rating: PG-13

My family and I have been rewatching all the Marvel movies recently in preparation for Infinity War and to remind us of everything that came before. In doing so, I realized that Thor: The Dark World is the only one I haven’t reviewed, and I couldn’t let that slide. Such an oversight sort of proves that The Dark World is one of the weaker Marvel entries, and, although Thor is one of my least favorite Avengers, it’s still actually quite a solid film in the series.

Picking up after Thor (Chris Hemsworth) returned the Tesseract and an imprisoned Loki (Tom Hiddleston) to Asgard in The Avengers, The Dark World introduces the universe-hating Dark Elves and their secret weapon called the Aether, later revealed to be one of the Infinity Stones. (Can you tell I’m a Marvel nerd yet?) Awakened from exile after Thor’s girlfriend Jane (Natalie Portman) discovers and absorbs the Aether, the Dark Elves seek vengeance on Asgard and, you know, try to destroy the universe.

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The Dark World’s biggest problem is its villain, Malekith (Christopher Eccleston), who remains the most forgettable of all of Marvel’s many disposable villains. Not even a Lost alert for Adewale Akinnuoye-Agbaje as a Kursed henchman could make the bad guys anything but dull threats. There’s literally nothing to them except getting the Aether to destroy everything, and the exposition-heavy prologue about the Dark Elves’ history weighs things down in unmemorable mythology.

I suppose mythology could be considered both a strength and a weakness for the first two Thor movies, steeped in Norse lore and Shakespearean pageantry as they are. With the Middle-Earth-style costumes and old English dialogue, they’re rather unique and somewhat sophisticated next to the lighter Marvel movies, yet they can easily become an overly serious bore for those who aren’t interested in those things. That’s likely why Thor: Ragnarok went full-on sci-fi comedy as a contrast, which was both good and bad.

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Yet The Dark World’s strengths shouldn’t be forgotten either. Hemsworth and Portman are so admirable and sincere in their roles that they manage to sell their average romance, while Thor boasts outstanding chemistry with his double-crossing adopted brother Loki. Their rivalry is the biggest character highlight of the Thor series, which is probably why Loki has stayed around in all three movies.

The special effects are also as eye-popping and destructive as the rest of Marvel’s repertoire, especially the Dark Elves’ invasion of Asgard, while the scope and adventure of visiting different worlds make it a far grander ride than the first Thor. (Did anyone else notice that the giant rock guy Thor shatters near the beginning looks a lot like Korg from Ragnarok? They may be from the same race.) Plus, I think the orchestral score by Brian Tyler might be one of the best of any Marvel movie, except The Avengers, and a decent balance of gravity and humor keeps things entertaining without going off-the-wall like Ragnarok.

See the source image

I enjoyed The Dark World more than I remembered, proving that even the lesser Marvel movies have plenty to offer. In fact, despite being more of a Runner-Up, I think I’ll go ahead and make it List-Worthy. Ragnarok found its way onto my Top 365 List last year when the other two Thors didn’t because I thought it was so much better, but I’m going to follow my own rules and put all three together. Even if The Dark World suffers from a bland villain, it’s still a good superhero movie, and I don’t think we comic nerds should be too hard on it.

Best line: (Thor, summing up his relationship with Loki) “I wish I could trust you.”

 

Rank: List-Worthy (joining Thor: Ragnarok)

 

© 2018 S.G. Liput
556 Followers and Counting

 

Black Panther (2018)

09 Friday Mar 2018

Posted by sgliput in Movies, Poetry, Reviews, Writing

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Tags

Action, Drama, Sci-fi, Superhero, Thriller

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Our forefathers and ancestors we honor decades hence,
Their contributions critical, their heritage immense,
Yet generations prior had no guarantee of sense.

They faced headaches and made mistakes with little recompense
And bore their blunders as we do, and often more intense,
And sometimes leaving faults to fester at their kids’ expense.

Although we honor them and should, their good points as defense,
They’re no more perfect than we are who live in present tense.
To learn from them is wiser still than harboring offense.
____________________

MPAA rating: PG-13

When I heard Black Panther was scheduled just two months before Avengers: Infinity War, I had to recognize the wisdom of it. After all, Black Panther would probably be one of the smaller stand-alone entries in the MCU, right? And placing it so close before a hype machine like Infinity War seemed like a good way to ensure its success. Little did I know what a juggernaut Black Panther would become, breaking records and earning rave reviews left and right, which only compounds the wisdom of Marvel’s schedule. But I suppose I shouldn’t be surprised; it is after all the first stand-alone feature for a black superhero, and a lot of effort clearly went into it to make it worth the wait.

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Another clever point is how three separate characters were all previously introduced, Andy Serkis’s vibranium smuggler Ulysses Klaue in Avengers: Age of Ultron, Martin Freeman’s CIA agent Everett Ross in Captain America: Civil War, and of course Chadwick Boseman’s Prince T’Challa/Black Panther, also from Civil War. Having grown beyond his revenge arc in that movie, T’Challa returns home to deal with the fallout from his father’s death, namely fighting any challengers to his claim on the throne of Wakanda, a fictional country that hides an advanced African utopia behind the guise of a third world country. Yet an unexpected ghost from his family’s past returns in the form of Michael B. Jordan’s Erik Stevens, who gets the evocative villain name “Killmonger” and doesn’t get as much screen time as he deserves.

Many have noted the film’s biggest strength is its characters, and not just Boseman’s regal hero or Jordan’s complex villain. Compared with other Marvel outings, there’s a strong supporting cast here, especially the three women in T’Challa’s life: his not-quite-ex Nakia (Lupita N’yongo), the general of Wakanda’s all-female special forces unit Okoye (Danai Gurira), and his little sister Shuri (Letitia Wright). There’s a reason Wright seems to be everyone’s favorite; as T’Challa’s over-eager sister, she’s both a hilarious tease and a Q-style genius, providing him with gadgets and specializing in the many uses of vibranium technology, advances that would make Tony Stark jealous. There’s also Angela Bassett as T’Challa’s queen mother, and Daniel Kaluuya of Get Out is clearly having a good year, between his Best Actor nomination and a chance to ride a war rhino. And then there’s the two token white people in Freeman and Serkis, both refugees from Middle Earth who must have enjoyed working together again.

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I’ve been rewatching Marvel’s movies leading up to Infinity War and noticed how much more serious earlier films like Iron Man were, compared with the flippant comedy of 2017’s offerings. Black Panther is a return to that more straight-faced comic book style (albeit still with some laughs) and actually has pretty deep conflicting themes at its heart. I agree with one review I heard comparing T’Challa and Killmonger to Martin Luther King, Jr., and Malcolm X, both intending to help their people yet disagreeing fundamentally on how to do it. Killmonger is all about force and revenge, while T’Challa prefers the isolationism that has preserved Wakanda from the history of colonialism. T’Challa’s clearly the good guy, but it’s interesting how his position still changes in the light of past mistakes. To complement the thematic complexity, writer/director Ryan Coogler also displays his skill behind the camera, including a couple of those extended action tracking shots that elevated Creed as well.

I’ve read plenty of reviews saying things like “Is it as good as everyone says? Heck, yes and better!” I wanted to be the same way, but, as has been common with some of Marvel’s recent installments, I must be a bit more restrained in my praise. I liked it and have liked it more upon reflection, but it’s not among my favorite MCU movies. I suppose the main reason is all the African mysticism; while some of it is significant to the story and adds to the culture building, I’ve never particularly liked that kind of strange tradition and ritual, whether it’s African, Far Eastern, or something alien from Star Trek. Sorry if that sounds not multicultural enough, but it just doesn’t connect with me. Parts of it also seem to undercut how advanced Wakanda otherwise is, like deciding its leadership with a fight to the death.

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I can’t help but wonder, based on its historic place in comic book movie history, whether I’m racially obligated to love Black Panther, and no, I don’t think anyone should be. It is a good movie, exploring a hitherto unexplored corner of the MCU, but I personally don’t see it as top-three-Marvel-movie material. I enjoyed it overall, particularly the characters and the action, and the entire big battle at the end was absolutely awesome. I do think I’ll appreciate it more upon a rewatch, especially getting to see it again with subtitles. (I’m terrible with deciphering accents, and almost everyone had one, so I’m sure there’s stuff I missed.)

Like I said before, I shouldn’t be surprised at Black Panther’s success. I remember an episode of the cartoon Static Shock (itself a great superhero show with a black protagonist), where the main character was awestruck at meeting a professional hero from Africa, even though he himself had superpowers. There’s a lot to be said for being able to look up to a hero who looks like you. Turning out in droves, the black community deserves to see themselves in this noble and heroic character. Marvel, Coogler, Boseman, and everyone involved have much to be proud of, and even if certain elements will appeal more to others than to me, I’m glad Black Panther has found such success on the big screen.

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Best line: (T’Challa, with a very timely message) “Now, more than ever, the illusions of division threaten our very existence. We all know the truth: more connects us than separates us. But in times of crisis, the wise build bridges, while the foolish build barriers. We must find a way to look after one another, as if we were one single tribe.”

 

Rank: List Runner-Up

 

© 2018 S.G. Liput
537 Followers and Counting

 

Spider-Man: Homecoming (2017)

29 Friday Dec 2017

Posted by sgliput in Movies, Poetry, Reviews, Writing

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Tags

Action, Comedy, Sci-fi, Superhero, Thriller

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If there is money to be milked,
Hollywood is there!
If there are empires to be built,
Hollywood will dare!
If there are purists they can jilt,
If there are wishes they can wilt,
Hollywood won’t care!

If franchises refuse to die,
Some revel at the sight,
While others weakly question why
And still tune in despite.
But if you silence your outcry,
Hollywood might satisfy.
They sometimes get it right.
_________________

MPAA rating: PG-13

I was among the most skeptical when yet another Spider-Man was announced, and as amazing as Tom Holland’s debut in Captain America: Civil War was, I still wasn’t sold on Homecoming’s potential. I’m one of those people who grew up loving Tobey Maguire’s Spider-Man, and I’m firmly convinced that no other Spider-Man will replace him as my favorite or Spider-Man 2 as the best in the series. All that said, I loved Spider-Man: Homecoming far more than I was expecting and certainly more than the Andrew Garfield films (which I didn’t exactly hate either).

The trick that this new Disney/Sony partnership pulls off successfully is making this version of Spider-Man sufficiently different that it doesn’t feel like a rehash of what we’ve already seen. For example, Peter Parker’s origin story is completely skipped, assuming the audience already knows the basics about a radioactive spider and the death of his Uncle Ben. Instead, it focuses much more on Peter’s high school life, with fawning crushes, scholastic decathlon training, and his geeky friend Ned (Jacob Batalon) and more nonchalant friend Michelle (Zendaya). The typical Mary Jane, Gwen Stacy, and Harry Osborne aren’t here (mostly), and instead we have some fantastic continuity with the MCU, embodied in Tony Stark (Robert Downey, Jr.) as Peter’s detached mentor/benefactor.

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In avoiding past Spider-Man movies, we also get a new villain in Michael Keaton’s Adrian Toomes, who becomes the Vulture using alien tech left over from the Chitauri battle in The Avengers. Aside from the priceless in-joke of casting Birdman himself as the Vulture, Keaton makes his embittered contractor-turned-weapons dealer one of the best and smartest Marvel villains in a while, one who’s not evil for evil’s sake but who is still ruthless in doing what he thinks is necessary and justifying it as a family man. His battles with Spider-Man are far more thrilling than I expected from a second-rate villain like Vulture, and the fact that his motivations don’t involve world domination or destruction is actually refreshing at this point in the MCU.

Of course, the biggest challenge goes to Holland, who embraces Peter Parker’s inexperience and high school geeky side with appealing charm and an amusing tendency of being awestruck by all the coolness he encounters. What’s missing is his reason for helping people, which is unavoidable if you leave out Uncle Ben, but the filmmakers managed to create a decent replacement inspiration. With the high-tech suit provided by Stark, there’s a lot of fun to be had as Peter learns the bells and whistles available to him, including his own A.I. he names Karen (Jennifer Connelly), but he also begins thinking that the suit is what makes him a hero. How he comes to terms with that is quite well-handled, even if “With great power comes great responsibility” is still better.

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Surprisingly, Spider-Man: Homecoming exceeded my expectations (especially an awesome action scene at the Washington Monument), which is always welcome. There are still things I would have changed, from an off-hand porn joke to a few politically correct jabs. Plus, I’m not a fan of Marisa Tomei as the new “hot” Aunt May, who is no longer the wise and pious counselor of past versions and made me miss Rosemary Harris from the first three films. Even so, the plentiful humor and overall entertainment value of the whole made up for these lesser elements, though my VC was less pleased with the constantly joking tone.  So, although it doesn’t exceed Tobey Maguire’s movies for me, I’m largely satisfied with a new generation growing up with this Spider-Man (especially since they’ll likely still watch the original to get the full origin story).

Best line: (Peter) “I’m nothing without the suit!”  (Tony) “If you’re nothing without the suit, then you shouldn’t have it.”

 

Rank: List-Worthy

 

© 2017 S.G. Liput
524 Followers and Counting

 

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