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Rhyme and Reason

~ Poetry Meets Film Reviews

Rhyme and Reason

Tag Archives: VC Pick

VC Pick: Funny Farm (1988)

29 Wednesday Jul 2015

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ 3 Comments

Tags

Comedy, VC Pick

Well, come on up to Redbud;
We would love to have you here.
A life out in the country’s good
For those who persevere.

Just look at Andy Farmer,
Why, when he moved here at first,
He very nearly went insane
Before things got their worst.

If he can handle country life,
Then anybody can.
Just know that moves here rarely go
According to the plan.
_______________

Rating: PG (for some language and slapstick)
Another film beloved of my VC and liked by me, Funny Farm features Chevy Chase doing what Chevy Chase does best: getting in over his head. In this case, he’s Andy Farmer, a writer planning his first novel and wishing to get away from it all in the country with his wife Elizabeth (Madolyn Smith). With similarities to Baby Boom and Newhart, the film upholds the view that Vermont must be full of eccentrics, though in this case some are a bit more mean-spirited and vindictive.

While Andy and his wife desperately try to relax and squeeze enjoyment from small-town life, everything—literally everything—goes wrong. Furniture moving, fishing, gardening, placing a phone call, writing his ingenious novel, even getting mail—everything has unfortunate, humorous outcomes, the kind of mishaps that make you laugh even as you feel sorry for the poor saps being tormented. All these problems naturally take a toll on their marriage, particularly when Andy’s wife reads his masterpiece. One of the greatest fears of all authors is being told that their work stinks, and as much as Andy overreacts, I can say from personal experience that he’s at least somewhat believable. (I love how his wife complains that his manuscript has too many flashbacks, flash forwards, and even a flash sideways. He could have written Lost!) By the time they’ve had enough of Vermont, they’re ready to do anything to escape, and the plot they hatch with the entire town is hilarious.

I wouldn’t say Funny Farm is one of the greatest comedies, but it has its fair share of visual humor and crack-up moments, which get funnier as they pile onto each other. Some actually manage to be educational. For instance, if you move to Vermont, never buy an untrained dog. Never chop down road signs. Never write books inspired by real people and then kill them off. If you don’t know what a menu item is, ask first, especially for something as enigmatic as Lamb Fries. Never gild the lily. In fact, according to this and other movies, perhaps it would be best to just not move to Vermont at all, if you value your sanity.

Best line: (a young vandal, after cutting down an important traffic sign) “Think we should put this back?”   (another boy) “What are you, nuts? This sign is mint. There’s not a bullet hole in it!”

Rank: List Runner-Up

© 2015 S. G. Liput

328 Followers and Counting

VC Pick: Cannery Row (1982)

17 Friday Jul 2015

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ Leave a comment

Tags

Comedy, Drama, Romance, VC Pick

Some funny folk know
Where to go,
Even though
There aren’t any canners on Cannery Row.

‘Tis not a disgrace
To embrace
Such a place.
You’ll see when you meet these new friends face to face.

In this blithe domain,
It is vain
To be sane.
Just mix with the locals, and they’ll entertain.
____________
Rating: PG (would probably be PG-13 nowadays, due to profanity)

My VC has often mentioned how much she enjoys this film and how she likes it more with every viewing, but somehow I had never gotten around to seeing it for myself…until now. Adapted from John Steinbeck’s book Cannery Row and (to a greater extent) its sequel Sweet Thursday, this Depression-era charmer has all the quirk of a cult classic, though it isn’t one to my knowledge. The actual storyline, set on the California coastline, is rather thin, and instead the film relies on humorous vignettes, establishing its cast of lovably screwed-up characters and letting them interact as only amiable neighbors can.

There’s Doc (Nick Nolte in one of the few roles I’ve seen of his before his “grizzled old man” makeover), the benevolent marine biologist who has special plans for some captured octopi. There’s Mack (M. Emmet Walsh), the leader of a quintet of goodhearted bums, and Hazel (Frank McRae), the anxious dimwit fated to become President of the United States but who may be wiser than even he knows. There’s Joseph and Mary, owner of the local grocery who happens to accept frogs as currency (and yes, that’s the name of one man). There’s Fauna, proprietress of Cannery Row’s friendly neighborhood brothel, and the Seer, a homeless codger who has visions and plays his trumpet to the rising sun. And then there’s Suzy (Debra Winger, possibly at her prettiest), the newcomer in need of a roof, a job, and maybe a little love.

All these colorful personalities bounce off each other perfectly, aided by the droll narration of John Huston himself (known to me as Gandalf in the Rankin/Bass version of The Hobbit) Thus, they do have quite a bit of waggish fun: party fiascoes, unprecedented frog hunts, dance challenges, beer milkshakes, rattlesnake conversations, and so on. Where else are you going to hear a line like “A man sentenced to be President of the United States could not go to a party as a dwarf”? In addition, Cannery Row itself happens to be an ideal backdrop for these amusing misadventures, a huge set (which is clearly a set) of dirty inlets beneath salt-encrusted boardwalks and nocturnal serenades of bluesy jazz, although there’s a good deal of classical and swing music too.

By the end, the jocularity gives way to some buried guilt and dark possibilities, yet the story’s irresistible charm still wins out. Both my VC and I were left smiling as the credits rolled, satisfied that this endearing microcosm of friendliness and romance had found its “greased grooves.”

Best line: (Hazel) “I love Doc! He was a character witness for me, and I ain’t got no character.”

VC’s best line: (Suzy, to Doc) “Look, every time I talk to you, I get more confused. I like you just fine when you’re not around.”

Rank: List-Worthy

© 2015 S. G. Liput

327 Followers and Counting

VC Pick: The Firm (1993)

10 Friday Apr 2015

Posted by sgliput in Movies, NaPoWriMo, Poetry, Reviews, Writing

≈ 1 Comment

Tags

Drama, Thriller, VC Pick

 
 
Attorneys need a home in which to practice proper law.
Bendini, Lambert, Locke have quite the lawyer-luring draw.
Can anyone resist a wealthy, prosperous career?
Doubt not that it is tempting for young hotshot Mitch McDeere.
Enjoying all the pleasures that the firm has deigned to give,
Family and barbeques, a house in which to live,
Good times that lack a down side just as far as he can tell,
His wife and he are happy…till they lose some personnel.
In no time, Mitch is well aware that something isn’t right;
Jobs shouldn’t cause the FBI to come to you at night.
Know-nothing newbie lawyers like McDeere don’t have a clue;
Like often said, beware an offer too good to be true.
Mitch finds out that the mafia employ his newfound firm;
Nobody leaves the company or life becomes short-term.
On every side, there’s pressure: worry, guilt, concern, and shame,
Plus conscience-stinging ethics that he never can reclaim.
Qualms urge him to uncover ways to flee his latest job,
Replete with all the pleasures and the dangers of the mob,
So quick to reel him in and think that he would play along.
The Feds will be no friendlier should anything go wrong.
Undaunted by the challenge, Mitch discovers how to weigh
Veracity with justice at the climax of the day.
With those he cares the most for, he attempts a daring play;
Excitement follows after when the firm gets in the way.
Yet Mitch has all the intel and integrity he needs:
Zip right into the lion’s den and hope the plan succeeds.
_________________
 

(Today’s NaPoWriMo prompt was for an abecedarian poem, or one based on the alphabet. Here, each of the 26 lines above starts with a specific letter of the alphabet, though I had to fudge it on X. Who wouldn’t?)

It’s been several years since I last saw The Firm, the 1993 Sydney Pollack legal thriller based on a John Grisham novel. On the insistence of my Viewing Companion, I did, and I must admit I had forgotten how good it is. Though legal thrillers in general aren’t my preferred genre, The Firm is buoyed by excellent performances and a compelling lead character for Tom Cruise. Mitch McDeere is an admirable hero, confident in his skills, unflinching in his litigation, yet initially overwhelmed by the unexpected perils of a small Memphis law firm. Despite an unfortunate lapse early on, he loves his faithful wife (Jeanne Tripplehorn) and takes his duties as a lawyer seriously. Even when everyone around him expects him to be crooked for the sake of ease or safety, he remains straight, even if it puts him in more jeopardy (reminiscent of Montgomery Clift’s uncompromising priest in I Confess). His resolve to expose his criminal bosses only by legal means carries much risk, but it makes for an even more engrossing story.

On top of Cruise’s star power is the collective star power of the supporting cast, turning in good (not great) roles all around. There’s Gene Hackman as Cruise’s mentor and co-worker Avery Tolar, Gary Busey as a gun-hiding private eye, Holly Hunter as his accommodating assistant, a bald Ed Harris as a hard-nosed FBI agent, Wilford Brimley as the firm’s intimidating enforcer, and Hal Holbrook as the firm’s senior partner. In addition, Mitch’s jailed brother Ray is played by David Strathairn, whom I would never have considered to play Tom Cruise’s brother, yet it works.

Despite all the positives, the legal thriller genre has always felt overdone, in my opinion. While Mitch’s ethical solution to his predicament is entertaining, I can’t help but feel that all the intrigue and blackmail and legal dangers have been used elsewhere, perhaps in some other John Grisham book. I can’t cite anything definitive, but many legal thrillers seem to have the same shady machinations, just with different window dressing. In addition, Mitch’s tryst with a random girl on a beach, which comes back to bite him, seemed forced and out of character for someone of his integrity. He had already said no to another girl, and yet this one woman says, “You make me feel safe” and boom, he gives in. While I don’t enjoy The Firm quite as much as my VC does, it is still a riveting and well-acted drama that fits in well with other such thrillers and, to some extent, exceeds them.

Best line: (Mitch, to his brother Ray) “Hey, Ray, wouldn’t it be funny if I went to Harvard, you went to jail, and we both ended up surrounded by crooks.”

 
Rank: List Runner-Up
 

© 2015 S. G. Liput

291 Followers and Counting

VC Pick: The Lost Boys (1987)

08 Wednesday Apr 2015

Posted by sgliput in Movies, NaPoWriMo, Poetry, Reviews, Writing

≈ 1 Comment

Tags

Comedy, Horror, Thriller, VC Pick

 
 
Do you enjoy some boardwalk fun
Where music pleases everyone
After the setting of the sun,
Where there resides a hidden fright,
Where teens go out to grab a bite
And murky murder plagues the night?
Then move to Santa Carla!
 
That’s where both Sam and Michael found
That teenage vampires abound
In coastal towns that bum around.
The elder learned to not imbibe
The blood of some vampire tribe
That sends a vague and creepy vibe.
 
If that should happen, it is best
To not be overly distressed
But stake the suckers through the chest.
Beware the bikers you befriend
Who look like Kiefer Sutherland.
There’s evil eager to descend
If you move to Santa Carla.
______________
 

For over a year now, I’ve indulged in my movie list, and though some films were chosen more for their appeal to my Viewing Companion than to myself (such as The Horse Whisperer and The Hunt for Red October), the list is primarily films I personally enjoy. While she shares many of the same tastes with me, there are a number of movies that would qualify for her personal list and wouldn’t come close to mine. In all fairness, since she has accompanied me for most of this film-viewing odyssey, I’ll be reviewing some of her favorites, whether I like them or not. The Lost Boys is my first VC Pick.

While I’m not usually one to endorse films with spewing blood (nor is my VC), I’ll admit I do enjoy The Lost Boys, an ‘80s cult classic if there ever was one. Directed by Batman’s greatest foe Joel Schumacher, it’s a blend of teen comedy and vampiric horror that balances the two surprisingly well, managing both big laughs and gruesome scares. Not being a horror fan, it’s not my preferred kind of movie, but my VC has a special love for the way it alternates between frights and fun, with giddy dedication to both. She enjoys its ‘80s-ness, such as the adolescent importance of MTV and comic books and a soundtrack full of well-chosen but less recognizable musical staples, such as covers of The Doors and Elton John. She loves the charm of the young actors; as she says, Corey Haim is just “so cute” as younger brother Sam, particularly in his reactions to the weirdness of Santa Carla, and cuteness turns to hotness when it comes to his older brother Michael (Jason Patric) and vampire gang leader David (Kiefer Sutherland), who fits the now-popular mold of a dark sexy bloodsucker. She also loves the film’s choral rock theme song “Cry, Little Sister,” as well as that hunky saxophone guy Tim Cappello, who shows off his ample muscles during an early seaside performance. (Like I said, this is one of her movies.)

While some early scenes drag on a bit, there’s much to entertain. The early antics of Haim and Patric make them believable brothers, while Corey Feldman and Jamison Newlander deserve some kind of iconic vampire hunter status as the artificially fearless Frog Brothers. Much of the humor comes from them, and by the time of the over-the-top climax (which reminded me of the later Spiderwick Chronicles), the Frogs are spouting self-teasing one-liners, as if they had watched too much Mystery Science Theater 3000. Other comedic moments come from the eccentric grandfather (Barnard Hughes) or even some subliminally funny lines (“Where’s Star, David?”). Plus, though it’s not an official Lost alert, I always get a kick out of David’s invitation, “Michael Emerson, come on down!” since Michael Emerson the actor played Ben Linus on that show.

Compared with the modern trend toward long majestically filmed continuous shots, The Lost Boys is a good example of the quick, skillful editing of yesteryear to lend more excitement to the action and to somewhat cover up the faked violence. It’s an appealing modern vampire tale, though it’s a shame they changed names (John to Sam, Peter to David, Wendy to Lucy the mother) to distance the story from its intended connection with Peter Pan, leaving only the title and Michael. For vampire fans and my VC, it’s a bloody treat that never fails to entertain.

Best line: (Sam, after a particularly rocking kill) “Death by stereo!”

 
Rank: List Runner-Up
 

© 2015 S. G. Liput

290 Followers and Counting

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