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Rhyme and Reason

~ Poetry Meets Film Reviews

Rhyme and Reason

Category Archives: Music

My Top Twelve Songs of 2016

08 Sunday Jan 2017

Posted by sgliput in Movies, Music, Writing

≈ 3 Comments

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Image result for sing street song

 

Okay, just one more list to close out 2016; then it’s on to the new year. I don’t frequent the cinema nearly as much as many bloggers out there, so I rarely feel confident enough to make an end-of-year best-of list when there’s so much I have yet to see. But while a movie could run up to two hours or longer, songs are much faster and easier to digest, and we hear them on the radio or online throughout the year often without even trying.

So here are the musical highlights of the year for me. When I first thought to compile this list, I expected it to look quite different until I found out that many of the best songs I heard this year were actually released in 2015. So I didn’t’ feel I should include favorites like Adele’s “Hello,” DNCE’s “Cake by the Ocean,” Lukas Graham’s “7 Years,” or Mark Posner’s “I Took a Pill in Ibiza,” even though some of them were nominated for Grammies this year. I don’t know all the nomination rules there, but I drew solely from songs released as singles in 2016. My musical tastes may not be everyone’s, since they so clearly diverge from most of the recently announced Grammy nominees. I’m not a fan of rap, hip hop, or much mainstream pop so you won’t find any Twenty One Pilots, Beyoncé, or Drake here.

Several of these were also included in films of the past year so at least there’s the movie connection I always try to work into these lists. I’m sure I’ll hear more winners from last year in the months ahead, but right now, here are my favorite songs of 2016.

 

  1. “How Far I’ll Go” – Moana

I still have yet to see Disney’s Moana, but as with Frozen’s “Let It Go,” I got to hear its music even before I watch the film itself. This Golden Globe-nominated tune sung by Auli’i Cravalho as Moana and by Alessia Cara during the end credits is a beautiful ballad of longing for the unknown.
 

 

  1. “Handclap” – Fitz and the Tantrums

I first heard this song when Fitz and the Tantrums appeared on a float in the Macy’s Thanksgiving Day Parade, and while it gets off to a so-so start, it’s pretty darn catchy by the end, even if it’s not quite as good as “The Walker” from their previous album.
 

 

  1. “Make You Mine” – High Valley

While I used to be a more devoted listener, I only listen to country music occasionally these days, and luckily I had the radio on a country channel at the right time to hear the feel-good romance of “Make You Mine.” This may be a cheat since High Valley first released the song in Canada in 2014, but it had its first American release this year.
 

 

  1. “Gunned Down” – Nicco & Solid&Sound

I discovered this obscure electronic tune more or less by accident, as part of a compilation music video, and it stuck in my mind as worthy of much more attention. The more I hear it, the more I like it.
 

 

  1. “Birds” – Coldplay

Again, “Birds” may be from Coldplay’s 2015 album A Head Full of Dreams, but it just barely made the cut by being released on January 2, 2016. It’s less widely played than the singles on the album, but its subdued high-speed energy is infectious, despite the sudden ending.
 

 

  1. “Happy Birthday” – Kygo, featuring John Legend

This might be considered a cooler alternative to the more traditional birthday song. I love the prominent piano riff, and with John Legend’s vocals, it’s an underrated gem of a song.
 

 

  1. “Good Grief” – Bastille

Bastille improved on their earlier hit “Pompeii” with this outstanding single with a much more serious undertone than its catchy tune and risqué video would suggest. And for movie buffs, see if you can identify the movie line embedded in the bridge.
 

 

  1. “Can’t Stop the Feeling!” – Justin Timberlake (from Trolls)

For pop music stations and sales, this was the #1 song of the year. Also nominated for a Grammy and Golden Globe, this upbeat dance hit from DreamWorks’s Trolls sounds a lot like a Michael Jackson song and may be Timberlake’s best work.
 

 

  1. “Something Wild” – Lindsey Stirling, featuring Andrew McMahon in the Wilderness (from Pete’s Dragon)

The musical high point for me last year was attending a Lindsey Stirling concert in the summer. Not only did she play all my favorite songs of hers, but included a few from her new album Brave Enough, particularly this Celtic-sounding addition to the soundtrack of Pete’s Dragon.
 

 

  1. “Drive It Like You Stole It” – Sing Street

This also made #3 for my list of 2016 movie scenes. Sing Street was made special by its nostalgic soundtrack of original tunes that actually sounded like they could have been unreleased hits from the 1980s, and “Drive It Like You Stole It” is the best and most toe-tapping of the bunch.
 

 

  1. “Too Much Is Never Enough” – Florence and the Machine

If this song had been in a movie, it would have the Best Song Oscar written all over it. Instead, it was written for the game Final Fantasy XV, as was the song “I Will Be,” and while I’m not a gamer, this song is exceptional. 2016 was the year that introduced me to Florence and the Machine, now one of my favorite bands by their sound alone, and after the fantastic album released in 2015, even the smaller singles from 2016 carry on the uniquely majestic style.
 

 

  1. “Wherever I Go” – OneRepublic

While it hasn’t gotten nearly the airplay of their other hits, “Wherever I Go” is OneRepublic at their catchiest. I may have been a little obsessed with this song after first hearing it on the radio, but I’d say its frenetic, funky rhythm warrants it. I doubt it will win any awards, but I love it nonetheless. This is one song during which I just can’t stay still.
 
 

 

And here are other great songs of 2016, loosely ranked from best to least, ending with four radio hits that aren’t really my cup of tea but there’s something I like about them anyway.

 

“Riddle of the Model” – Sing Street

“It Don’t Hurt Like It Used To” – Billy Currington

“Work This Body” – Walk the Moon

“The Arena” and the rest of the Brave Enough album – Lindsey Stirling

“She Sets the City on Fire” – Gavin DeGraw

“Up&Up” and “Hymn for the Weekend” – Coldplay

“Scars” – Tove Lo (from The Divergent Series: Allegiant)

“It’s Nothing” and “Sparkle” – Radwimps (from Your Name.)

“Water under the Bridge” – Adele

“Try Everything” – Sia and Stargate, sung by Shakira (from Zootopia)

“Quicksand” – Feenixpawl with APEK

“In the Blink of an Eye” – Paul McCartney (from Ethel and Ernest)

“My Wonder” – Dan Winter and Ryan T., featuring Damae

“Scars to Your Beautiful” – Alessia Cara

“In the Name of Love” (Syzz remix) – Martin Garrix and Bebe Rexha

“Cold Water” – Major Lazer

“Rockabye” – Clean Bandit, featuring Sean Paul and Anne-Marie

“What About the Love” – Sam Feldt

“Send My Love” – Adele

“Closer” – The Chainsmokers, featuring Halsey

“Treat You Better” – Shawn Mendes

“My House” – Flo Rida

“Starving” – Hailee Steinfeld and Grey, featuring Zedd

 

What songs did I miss this year? I’m sure there are quite a few so feel free to tell me your favorites!

My VC also suggested I end this music post with a mournful mention of the musical greats lost in 2016 as well. Rest in peace, David Bowie, Maurice White, Keith Emerson, Merle Haggard, Prince, Christina Grimmie, Leonard Cohen, George Michael, and Debbie Reynolds, alongside many others. Let’s remember them at their best, like George Michael in one of my VC’s favorite songs of his.
 
 

Sing Street (2016)

08 Thursday Dec 2016

Posted by sgliput in Movies, Music, Poetry, Reviews, Writing

≈ 5 Comments

Tags

Comedy, Drama, Musical, Romance

Sing Street Trailer (2016)

(Best sung to “The Riddle of the Model,” see the video at the bottom, and yes, I know the original lyrics are better)

No life is ever perfect.
It doesn’t play along.
How will we ever surf it,
Except to sing a song,
A song with inspiration
In everything we love and hate.
It’s pleasure and frustration
But in a musical debate.

It’s called creativity.
It’s all the work of the human heart.
Few if any can see it from the start.
Positivity
Won’t let it fall apart.
Can you see
The origin of genius?
__________________

MPAA rating: PG-13

Would it be wrong to say that the 1980s had the best music? Sure, there are plenty of modern favorites I have, but it’s amazing how many great songs originated in that decade that has become a bastion of nostalgia of late. It is that music scene of Duran Duran and U2 that is the backdrop for Sing Street, the humble origin story of an Irish high school band clearly inspired by everything ‘80s music did well.

Though young Conor (Ferdia Walsh-Peelo) is forced to move to a different Dublin school, where he must put up with bullies and a cold-hearted principal, he goes out on a limb to invite the lovely aspiring model Raphina (Lucy Boynton) to a music video shoot. All he needs then is a band, which he cobbles together from schoolmates and talented acquaintances with surprising ease. Despite some growing pains, it’s clear they’re more talented than your typical garage band, and the music becomes a sort of escape from the oppressive futility of his dysfunctional home life and unpromising future.

Image result for sing street drive it like you stole it

In several respects, Sing Street brought to mind Cameron Crowe’s 1970s-set Almost Famous, another film with a great soundtrack of classic tunes. Raphina may not be as enigmatic as Penny Lane, but Conor is just as taken with her as William was in the earlier film, though in this case Conor gets an actual romance. In addition, Conor’s brother bears traces of Philip Seymour Hoffman’s character in Almost Famous, with his musical snobbery and creative encouragement. (For the record, I do enjoy Phil Collins music, no matter what Conor’s brother says.) In particular, both films seem to capture a love for the music of the times and a sympathy for the imperfect fellows who develop and appreciate it, sharing that same love and sympathy with the audience.

True, there are things I wish were different, such as the ambiguously optimistic ending scene and the typical caricature of the vilified priest as the bad guy. Nevertheless, there’s a lot that Sing Street does right, especially the music, from background songs courtesy of Genesis, Spandau Ballet, and many more to original hits that sound like they could have been plucked from some unproduced 1985 album. The band’s efforts at producing music videos are as low-budget but quirky as any number of ‘80s videos, while a dream sequence concert of the original song “Drive Like You Stole It” is the marvelous high point of the film and perhaps the musical high point of the whole year. Honestly, I hope it wins Best Song at the Oscars, however unlikely that seems.

Image result for sing street film musical number

Besides the music, the characters feel real, likable, and worthy of support, with Conor especially growing in confidence and even rightly treating the school bully first with indifference and then with compassion. Above all, there’s a certain artistic thrill and satisfaction to watching these young people experiment and create something that’s actually, surprisingly good. With the talent on display, the hopes for their future are implicitly high, and I can easily imagine Sing Street, both the band and the movie, being the object of fond nostalgia in years to come.

Best line: (Raphina) “Your problem is that you’re not happy being sad, but that’s what love is, Cosmo— happy sad.”

Rank: List-Worthy (tied with Almost Famous)

© 2016 S.G. Liput
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My Top Twelve Fast-Sung Songs

06 Sunday Nov 2016

Posted by sgliput in Movies, Music, Writing

≈ 8 Comments

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Image result for supercalifragilisticexpialidocious mary poppins

 

Who else loves fast songs? I don’t mean fast music necessarily since there are quite a few guitar solos that are anything but slow; I’m talking about lyrics that roll off a singer’s tongue faster than the Flash after an espresso. I always marvel at the practice it must have taken to learn such lyrics by heart, and I often take it as a challenge to see how well I can memorize those musical tongue twisters.

So here are my picks for the top twelve songs sung fast, based on both the relative speed at which they exit the singer’s mouth and how well I enjoy the song. (Billy Joel’s “We Didn’t Start the Fire,” for example, may be fun to learn and one of my favorites, but it’s not really that fast. “Sam” by the Meat Puppets, on the other hand, might be the fastest song I’ve heard, but its catchiness suffers.) Let’s see how fast I can list these speed demons off.

 

  1. “Got the Time” – Joe Jackson

 

Fans may prefer the Anthrax cover version, which is even more sped up, but Joe Jackson’s original is fast enough for me.
 
 

  1. “Sold” – John Michael Montgomery

 

Drawing inspiration from the auctioneer’s chatter that goes “a mile a minute,” this country single is just pure fun to sing along to and isn’t too hard to keep up with.
 
 

  1. “I Really Don’t Hate Christmas” – Phineas and Ferb

 

Disney Channel’s Phineas and Ferb had a song in every episode, and quite a few had a breakneck pace. These were the ones I most enjoyed memorizing, like “I’m Me,” “Mom, Look,” and “The History of the Tri-State Area.” The swiftest tongue-twister, though, came from the Christmas special where the evil scientist Dr. Doofenshmirtz complains about not despising Christmas. I know this song is hard to sing, and I’m impressed the voice actor kept up even with that annoying accent.
 
 

  1. “One Week” – Barenaked Ladies

 

Any number of rap songs could be faster than the ones on my list, but as a non-rap fan, this awesome, rambling song is as close as I get, thanks to the catchy tune surrounding the verbal gymnastics. By the way, I always try to incorporate a movie tie into these lists, and “One Week” has lyrics mentioning Harrison Ford in Frantic and Kurosawa’s samurai films.
 
 

  1. “Cloudburst” – Barry Manilow’s version

 

This speedy jazz favorite was also performed by Miles Davis and the Pointer Sisters, but I prefer Barry Manilow’s version, especially for how he ends the breathless tune with “I don’t believe I really sang this song!”
 
 

  1. “Nations of the World” – Animaniacs / “The New Periodic Table Song” – AsapSCIENCE

 

Remember what I said about fast songs being almost like a dare to learn them? Well, some took that idea and wrote educational songs that were made fun for kids with their zippy lyrics and familiar tunes. Animaniacs was a favorite show of mine as a kid and helped me learn the state capitals, U.S. Presidents, and nations of the world, while AsapSCIENCE is a science-focused YouTube Channel with an especially fast-paced way to learn the Periodic Table of Elements.
 
 
 

  1. “Getting Married Today” from Company – Stephen Sondheim

 

I cannot imagine the stress on the poor actresses who have had to perform this rapid-fire song from the musical Company live on stage over and over. I’ve barely been able to learn the lyrics myself, but it’s a true challenge that’s strangely satisfying when it all blurts out correctly. Sondheim, you rascal!
 
 

  1. “Goin’ Down” – The Monkees

 

This upbeat, mumbly rocker showing off Micky Dolenz’s talented tongue is probably the hastiest single from the Monkees, a dreamboat group for my mom back in the day.
 
 

  1. “Life Is a Rock” – Reunion

 

Just as “We Didn’t Start the Fire” was like a musical overview of the ‘50s through the ‘80s, Reunion’s “Life Is a Rock” is a blistering recap of pop music history, even incorporating other famous songs like Three Dog Night’s “Celebrate” and Sly and the Family Stone’s “I Want to Take You Higher.” For the record, this is my VC’s favorite fast song.
 
 

  1. “Get Out of Denver” – Bob Seger

 

One of my favorite classic rock songs, this pell-mell earworm is among Bob Seger’s very best.
 
 

  1. “The End of the World As We Know It” – R.E.M.

 

I couldn’t possibly leave this song out. R.E.M.’s oddly feel-good anthem is a go-to soundtrack for alien invasions, Mayan apocalypses, and presidential elections.
 
 

  1. “Hardware Store” – “Weird Al” Yankovic

 

You want a fast song? Well, this is it. In addition to his hilarious parodies, “Weird Al” writes some of his own songs too, including this ridiculously fast-paced paean to the local hardware store. I’m proud to say I know it by heart, except for the absurdly long list of hardware items that seems impossible to sing in one go. Supposedly this is the only song “Weird Al” refuses to sing live, and I see why.
 
 

 

Here are some runners-up as well. What other fast songs do you like?

“Subterranean Homesick Blues” – Bob Dylan
“Johnny B. Goode” – Chuck Berry
“Johnny McEldoo” – The Clancy Brothers and Tommy Makem
“A Story Told” – The Count of Monte Cristo musical
“Turn to Stone” – ELO (one fast part toward the end)
“Ain’t Going Down” – Garth Brooks
“I’ve Been Everywhere” – Hank Snow
“Just Leave Everything to Me” – Hello, Dolly! (another movie reference)
“Thank God I’m a Country Boy” – John Denver
“The Auctioneer Song” – Leroy Van Dyke
“Once Was a Time I Thought” – The Mamas and the Papas
“Airegin” – Manhattan Transfer
“Supercalifragilisticexpialidocious” – Mary Poppins (and another)
 “Sam” – Meat Puppets
“Again” – Yui

 

Here’s a final shout-out to the original super-fast patter song from Gilbert and Sullivan’s The Pirates of Penzance, the hard-to-sing “Major-General’s Song.” (It’s performed by the late, great George Rose, and yes, that’s also Kevin Kline and Linda Ronstadt in the 1983 film adaptation.)

Star Trek: Voyager Musical Highlights

25 Sunday Sep 2016

Posted by sgliput in Blogathon, Music, Reviews, TV, Writing

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Image result for star trek voyager cast

This post is part of the Music of Star Trek Blogathon hosted by Film Music Central so check out the amazing music posts that others have already contributed. When I first heard about the blogathon, I wasn’t sure that there was much I could add to the discussion, since most people seemed to be focusing on the original Star Trek series, The Next Generation, and their movies. However, I decided to shine a spotlight on the musical moments in my favorite series in the franchise: Voyager.

For those who don’t know, Voyager is Star Trek‘s incarnation of the Odyssey. Two crews are hurled into the unexplored Delta Quadrant, 70,000 light-years from home: the Federation starship Voyager led by Captain Kathryn Janeway (Kate Mulgrew) and a Maquis ship of rebel freedom fighters, led by Chakotay (Robert Beltran). After their initial encounters with the native aliens leave them stranded, the two crews band together to make the long journey home. Like Next Gen, the somewhat stiff early episodes yield to better and better seasons, and it’s truly gratifying to see all the characters grow into a family. Many episodes rival the very best that Star Trek has to offer, but we’re not here to discuss every little thing I love about this series; let’s talk about the music.

One of the most obvious musical achievements is the opening theme song. While Next Gen recycled Jerry Goldsmith’s incredible score from Star Trek: The Motion Picture for its opening theme, Goldsmith provided an original theme for Voyager, which won an Emmy for Outstanding Individual Achievement in Main Title Theme Music. The soft trumpet and drums immediately set a mood of spacey grandeur, and the brass and strings mingle together as the essence of audible majesty, complemented by lofty shots of the title ship swooping through stellar phenomena. Between the music and the visuals, I firmly consider it the best opening of all the Trek series.

So, that’s the theme. What about the music in the series itself? All of it is excellent, but the most memorable new theme was introduced in the season 3 finale Scorpion, which was a turning point in the series and could be considered Voyager‘s “Best of Both Worlds.” The Voyager crew find themselves in the middle of the Borg’s losing war against an unbeatable super-race known as Species 8472. The music by Jay Chattaway is loaded with bombast, reminding the ear of the high stakes, and the seven forceful notes mix with the background music for a terrific small-screen action piece. You can hear it for yourselves here.

In addition to the instrumental scores, music played a special role in several episodes, particularly for the holographic Doctor (Robert Picardo), who developed a passion for opera. In addition, both Jeri Ryan as Seven of Nine and Tim Russ as Tuvok showed their singing chops on occasion, and Garrett Wang as Ensign Harry Kim periodically played the clarinet. Here are some of the most notable musical highlights:

  • In the season 2 episode “The Thaw,” Harry Kim and Tom Paris debate where Harry should practice his clarinet without disturbing his neighbor.
  • In the season 2 episode “Innocence,” Tuvok is stranded on a moon with three alien children and soothes them to sleep with a Vulcan “lullaby” of sorts called Falor’s Journey.
  • In the season 3 episode “Remember,” Janeway is telepathically taught to play an ethereal-sounding new instrument.
  • In the season 4 two-parter “The Killing Game,” a hunter race called the Hirogen brainwash the Voyager crew and make them take part in historical holographic violence. One holodeck is set in Nazi-occupied France, and Seven of Nine is a crooning serenader in a French bar.
  • In the season 5 premiere “Night,” Voyager travels through a vast area of starless space, and in his boredom, Harry performs his own concerto called “Echoes of the Void” while on the bridge.
  • In the season 5 episode “Counterpoint,” a paranoid, anti-telepath race repeatedly boards and searches Voyager, and its charismatic inspector flirts with Captain Janeway while blaring Mahler’s First Symphony during every inspection.
  • In the season 5 episode “Bride of Chaotica!,” the show indulges in the classic cheesiness of the old Flash-Gordon-style science fiction and the exaggerated score reflects the over-the-top histrionics.
  • In the season 5 episode “Someone to Watch over Me,” the Doctor tries to teach Seven of Nine social skills and seems to realize his attraction to her while they sing “You Are My Sunshine” together. During the poignant final scene, the Doctor also sings “Someone to Watch over Me,” alone.
  • In the season 6 premiere “Equinox Part II,” a reprogrammed evil Doctor performs surgery on Seven of Nine, sadistically making her sing “My Darling Clementine” with him.
  • In the season 6 episode “Barge of the Dead” (probably the worst episode of the series), we get to hear a traditional Klingon drinking song.
  • In the season 6 episode “Riddles,” Tuvok becomes mentally damaged, and Neelix plays him a Vulcan funeral dirge, as well as jazz, which Tuvok surprisingly enjoys.
  • In the season 6 episodes “Fair Haven” and “Spirit Folk,” the crew enjoy a holodeck program of a quaint Irish village, with accompanying Celtic background music.
  • In the season 6 episode “Virtuoso,” the Doctor becomes a celebrity when he introduces music to a race that has never heard it before. Lots of opera in this one.
  • In the season 7 episode “Homestead,” Neelix dances to some classic rock ‘n’ roll, and eventually Tuvok indulges him with a parting dance step.
  • The series finale “Endgame” also won Jay Chattaway an Emmy for Outstanding Music Composition For A Series. Here‘s a taste of the underscore from both the pilot and the final episode.

 

There you have it. Star Trek: Voyager excelled at utilizing music both in the score and the storylines, continuing the musical legacy of The Original Series and Next Gen. I leave you now with the funniest musical moment from the series in which the Doctor’s operatic daydreams take a comical turn in Season 6’s “Tinker, Tenor, Doctor, Spy.”

My Top Twelve Lindsey Stirling Songs

17 Wednesday Aug 2016

Posted by sgliput in Movies, Music, Writing

≈ 7 Comments

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Image result for lindsey stirling

 

I recently had the great pleasure of attending a Lindsey Stirling concert promoting her new album Brave Enough, and it was awesome! For those who don’t know, Lindsey Stirling is a world-famous violinist who often combines her wicked fiddling with hip hop/dubstep influences and choreography. She was a quarter finalist on “America’s Got Talent,” and though the judges said her performances weren’t “enough to fill a theater in Vegas,” she has gone on to huge success. For the record, the arts center where she performed was sold out. Take that, judges!

In addition to movies, I love music fusion, especially combining classical with electronic pop, and Lindsey Stirling does it beautifully. Aside from the fact that she’s lovely and probably my first celebrity crush, I admire her as a person far more than most of the stars out there. That’s why I had to see her live in what was honestly my first concert. With the availability of music nowadays, there aren’t many music acts I’d pay to see, but Lindsey Stirling was worth it and put on a fantastic show. Not to oversell it, but it’s probably one of the new high points in my life.

Still giddy from the show, I wanted to offer my Top Twelve of her songs. She’s collaborated with quite a few other artists (“Radioactive” with Pentatonix, for example), but I’m excluding collaborations and cover medleys, though they are awesome too (especially those for “Lord of the Rings” and “Phantom of the Opera,” the latter of which ended the concert as a great encore). Her dancing and violin playing are impressive enough, clearly the result of relentless practice, but the fact that she can also create original music both beautiful and dance-worthy just confirms how amazing she is. Can you tell I like her?

 

  1. “Song of the Caged Bird” from Lindsey Stirling (self-titled album)

Like the video, this track has a growing magic and beauty.

 

  1. “Take Flight” from Shatter Me

An enchanting song for one of her most visually arresting videos.

 

  1. “Anti Gravity” from Lindsey Stirling

A great title for such a swirling beat that ranges across the musical spectrum.

 

  1. “Spontaneous Me” from Lindsey Stirling

They’re all beautiful, but I’m more partial to the upbeat tracks like this one and most of what follows.

 

  1. “Electric Daisy Violin” from Lindsey Stirling

Lively and vibrant – classic Lindsey.

 

  1. “Minimal Beat” from Lindsey Stirling

This one may start out sounding like any number of her songs, but it becomes more dynamic as it continues.

 

  1. “Transcendence” from Lindsey Stirling

Lindsey played this at the concert right after discussing her battle with anorexia, and her encouraging honesty lent its high-speed strains even more power than the symbolic video.

 

  1. “Shadows” from Lindsey Stirling

Probably the purest example of her talent and one of her catchiest tunes.

 

  1. “Something Wild” from Brave Enough and Pete’s Dragon (2016)

You know I never compile a list without some kind of movie reference, and during the concert, Lindsey mentioned how Disney reached out to her for a song for the remake of Pete’s Dragon. Not only does it feature Andrew McMahon for vocals, but it also boasts inspiring lyrics and a gorgeous Celtic-inspired melody that instantly became a new favorite of mine. I wish the Academy would give this a nod for Best Song.

 

  1. “Stars Align” from Lindsey Stirling

Going into the concert, I already knew what my top 3 were, and I was thrilled that she played them all. “Stars Align” may not be one of her most popular tracks, but its dubstep mixture is toe-tapping and almost otherworldly. One of the few to feature Lindsey’s vocals too.

 

  1. “Roundtable Rival” from Shatter Me

Many of her videos place the power of her violin against, say, video game thugs or giant monsters, and this Old West string battle against a guitar-wielding outlaw is nothing short of spectacular. This was easily the most energizing song of the night and got the crowd pumped. I remember three guys in the front rows jumping around going nuts (fun to watch, not so much to sit behind), but who could blame them with such an awesome song?

 

  1. “Moon Trance” from Lindsey Stirling

I have loved this song and video since the first time I saw it, and it was the second song she played! Not-so-great acting in the music video aside, it’s a jamming homage (not a rip-off) to Michael Jackson’s “Thriller” with vigorous choreography and a spirited, memorable tune to boot. Violin vs. zombies? Violin wins every time.

 

It was really hard narrowing down her songs to these twelve, so here are several others undoubtedly worth a listen. As a well-deserved YouTube phenomenon, Lindsey Stirling already has a devoted fan base (me included), and I only hope that her popularity continues to grow. Thank you for a fantastic experience, Lindsey, and God bless!

 

“The Arena”
“Ascendance”
“Celtic Carol” (This may be a Christmas medley, but it feels like its own song.)
“Crystallize” (my VC’s favorite)
“Elements”
“Master of Tides”
“Mirror Haus”
“Night Vision”
“Prism”
“River Flows in You”
“Shatter Me”
“V-Pop”
“We Are Giants”
“Zi-Zi’s Journey”

 

The End Credits Song Hall of Fame

31 Sunday Jul 2016

Posted by sgliput in Movies, Music, Reviews, Writing

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To celebrate my blog reaching 400 followers (which may not seem like a lot compared to other blogs but it’s a big deal to me), I decided to finally compile the list I’ve mentioned on and off since my third review ever: the End Credits Song Hall of Fame. That’s right, this is where great songs at a film’s conclusion will be honored, respected, liked, and maybe even listened to. Most movie credits roll with just the score playing as you wait to see if there’s an after-credits scene, but many others feature amazing songs that offer a perfect musical coda to everything that came before. This is their hall of fame.

Now, let me just say up front that this list is by no means comprehensive. It will undoubtedly grow as I watch and remember more worthy songs, and anyone is welcome to comment with suggestions to add. As I said before, these are actual songs with words rather than the film score. (For my top movie scores, check here.) I ranked my favorites as a Top Twelve list, but since this is a hall of fame instead of a countdown, I’ll count up from #1, with the rest of the list being in alphabetical order by film. I’ll also include my VC’s twelve favorites since they’re a bit different from mine. Enjoy the hall of fame!

 

  1. “When Can We Do This Again” from Wreck-It Ralph

 

Wreck-It Ralph is the only film to have three songs worthy of the hall of fame, two being the theme songs for the in-movie games Fix-It Felix, Jr., and Sugar Rush, and the best being Owl City’s utterly catchy “When Can We Do this Again.” I have played this song to death; not only is it an energetic conclusion to a fun and colorful movie, but it’s a fantastic song for walking or mowing the lawn.

 

  1. “May It Be” from The Lord of the Rings: The Fellowship of the Ring / “Into the West” from The Lord of the Rings: The Return of the King

 

Okay, so I’m fudging the top twelve with a tie, but I couldn’t choose between these two incredible songs. Sung by Enya, “May It Be” earned an Oscar nomination, while Annie Lennox’s “Into the West” actually won. Though “Gollum’s Song” at the end of Two Towers isn’t on the same level as these, both offer peaceful and beautiful conclusions to my favorite films.

  1. “Wunderkind” from The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe

 

Speaking of beautiful songs, Alanis Morissette’s haunting performance of “Wunderkind” put a special stamp of loveliness at the end of the first Narnia movie. While my VC doesn’t like to rank her picks, she’ll go so far as to say this is probably her #1.

  1. “My Heart Will Go On” from Titanic

 

Celine Dion’s Oscar-winning super-hit will forever be linked with James Cameron’s Titanic. This bittersweet elegy to lost love was the perfect gut punch for me after that final scene.

  1. “I 2 I” from A Goofy Movie

 

Now for something completely different. This Michael Jackson-style pop song sung by sound-alike Tevin Campbell was cut short in the actual movie, but the full version was heard in the credits. If it hadn’t been part of a lesser Disney movie, I seriously think this would have been a radio hit.

  1. “I See Fire” and “The Last Goodbye” from The Hobbit trilogy

 

Middle-Earth strikes again. Peter Jackson definitely knows how to end his films well (when they do finally end), and all three Hobbit films end with some brilliant Celtic-sounding music. Ed Sheeran’s “I See Fire” concludes The Desolation of Smaug with subtle intensity. And Billy Boyd’s singing of “The Last Goodbye” ended The Battle of the Five Armies and the whole Middle-Earth saga on an ideal note of farewell. My VC and I agree this last one was wrongly shunned for an Oscar nom.

  1. “Gotta Knock a Little Harder” from Cowboy Bebop: The Movie

 

The music is often cited as the best part of the classic anime series Cowboy Bebop, and its film spinoff ended with an equally awesome blend of jazzy coolness.

  1. “Let the River Run” from Working Girl

 

Carly Simon’s African-influenced Oscar-winner begins and ends Working Girl with uplifting hope and a soothing choir. There is a poignancy to the video too, seeing the Twin Towers as a part of the New York skyline.

  1. “Jailhouse Rock” from The Blues Brothers

 

I love movies that end by showing the actor’s name with their character. It’s just a visual courtesy to those who can’t remember every character’s name, but it’s even better when everyone is singing at the same time. As Jake, Elwood, and the band rock out in jail, all the various players and cameos sing right along.

  1. “Love Train” from The Martian

 

The same goes for The Martian’s credits, even if everyone’s not singing here. I love how they slip in one more ‘70s song that complements the theme of globally working together. Now whenever I hear this song, I think of this movie.

  1. “Put a Little Love in Your Heart” from Scrooged

 

And back to everyone singing together. Bill Murray ends his Christmas special and the film with one big feel-good sing-along, with a little breaking the fourth wall thrown in for good measure. I also associate this song with the beginning of Stuart Little 2, but it’s a great conclusion to this modern Christmas Carol.

  1. “Breath of Life” from Snow White and the Huntsman

 

I honestly didn’t notice this song when I first watched the movie, but after recently discovering Florence and the Machine and falling in love with several of their songs, I reevaluated this ending track for Snow White and the Huntsman. It has a building intensity reminiscent of the epic trailer music done by Two Steps from Hell. Definitely epic.

VC’s Top Twelve in no particular order:

 

The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe – “Wunderkind”
Titanic – “My Heart Will Go On”
Scrooged – “Put a Little Love in Your Heart”
A View to a Kill – “A View to a Kill”
The Breakfast Club – “Don’t You (Forget About Me)”
Ferris Bueller’s Day Off – “Oh Yeah”
Footloose – “Footloose”
The Lord of the Rings: The Return of the King – “Into the West”
The Hobbit: The Battle of the Five Armies – “The Last Goodbye”
School of Rock – “It’s a Long Way to the Top”
Same Time, Next Year – “The Last Time I Felt Like This”
To Sir, with Love – “To Sir, with Love”

 

 

And the rest…

 

(500) Days of Summer – “She’s Got You High”
9 to 5 – “9 to 5”
A Beautiful Mind – “All Love Can Be”
Anastasia – “At the Beginning”
An Extremely Goofy Movie – “Right Back Where We Started From”
Armageddon – “I Don’t Want to Miss a Thing”
Around the World in 80 Days (2004) – “Everybody All over the World”
A View to a Kill – “A View to a Kill”
Babe – “If I Had Words”
Batman and Robin – “Kiss from a Rose”

Big Hero 6 – “Immortals”
The Bodyguard – “I Will Always Love You”
Bolt – “I Thought I Lost You”
The Bourne Ultimatum – “Extreme Ways”
Brave – “Learn Me Right”
The Breakfast Club – “Don’t You (Forget About Me)”
Brother Bear – “No Way Out” reprise and “Look through My Eyes”
Children Who Chase Lost Voices – “Hello, Goodbye, and Hello”
The Chronicles of Narnia: Prince Caspian – “The Call”
The Chronicles of Narnia: The Voyage of the Dawn Treader – “There’s a Place for Us”

Ella Enchanted – “It’s Not Just Make Believe”
Enchanted – “Ever Ever After”
Eragon – “Keep Holding On” and “Once in Every Lifetime”
Ferris Bueller’s Day Off – “Oh Yeah”
Finding Nemo – “Beyond the Sea”
Footloose – “Footloose”
Frozen – “Let It Go”
Ghostbusters – “Ghostbusters”
Groundhog Day – “Weatherman”
Home Alone – “Somewhere in My Memory”

Inkheart – “My Declaration”
The Hunger Games – “Abraham’s Daughter” and “Safe & Sound”
The Hunger Games: Catching Fire – “Atlas”
The Hunger Games: Mockingjay Part 1 – “The Hanging Tree”
High School Musical 3 – “Just Getting Started” and “The Boys Are Back”
The Hobbit: An Unexpected Journey – “The Song of the Lonely Mountain”
King of Thorn – “Edge of This World”
Laputa: Castle in the Sky – “Carrying You”
The Lion King – “Can You Feel the Love Tonight”
Live and Let Die – “Live and Let Die” (and most other Bond songs)
Mannequin – “Nothing’s Gonna Stop Us Now”

Meet the Robinsons – “The Future Has Arrived”
Millennium Actress – “Rotation”
Patema Inverted – “Patema Inverse”
The Polar Express – “Believe”
The Prince of Egypt – “When You Believe”
The Princess Bride – “Storybook Love”
The Road to El Dorado – “Someday Out of the Blue”
Robin Hood: Prince of Thieves – “(Everything I Do) I Do It for You”
Rocky III – “Eye of the Tiger”
Same Time, Next Year – “The Last Time I Felt Like This”

School of Rock – “It’s a Long Way to the Top (If You Wanna Rock and Roll)”
Song of the Sea – “Song of the Sea”
Spirit: Stallion of the Cimarron – “Don’t Let Go”
Spy Kids 2: The Island of Lost Dreams – “Isle of Dreams”
Stand by Me – “Stand by Me”
Stuart Little 2 – “I’m Alive”
Tangled – “Something That I Want”
Teachers – “Understanding”
To Sir, with Love – “To Sir, with Love”
Toy Story – “You’ve Got a Friend in Me”

Twilight: Breaking Dawn Part 2 – “A Thousand Years Part 2”
Unbroken – “Miracles”
WALL-E – “Down to Earth”
Won’t Back Down – “I Won’t Back Down”
Zootopia – “Try Everything”

 

For Greater Glory (Cristiada) (2012)

24 Friday Jun 2016

Posted by sgliput in Blogathon, Christian, Movies, Music, Poetry, Reviews, Writing

≈ 4 Comments

Tags

Drama, History, War

Image result for for greater glory film
If your freedoms were taken, your rights undermined,
To worship, to write, or to speak your own mind?

Would you flee?
Would you fight?
Would you stay out of sight?
Would you trigger a war?
Would you pray less or more?
Would you just play along,
With no thought to the wrong,
And in fear knowing well
That one word could bring hell?

Would you plot and resist?
Would you cease and desist?
Would your final resort
Be but silent support?
Would you bear the blood spilt
And accept your own guilt?
Would you think yourself smarter
As traitor or martyr?

Now ask what must happen, what action or vision,
To weigh on your conscience and change your decision?
___________________

MPAA rating: R (for scenes of war and torture, could be PG-13)

This is my contribution to the Remembering James Horner Blogathon over at Film Music Central, where the music of the late great film composer is being celebrated. I’d wanted to see For Greater Glory for years now, and this gave me the perfect opportunity, while illustrating how Horner was equally at home scoring small-budget historical dramas as well as multi-million-dollar blockbusters.

I’ve been waiting for that moment when Christian filmmaking manages to keep up with Hollywood, because despite the inspirational appeal of movies like Fireproof and Miracles from Heaven, Christian films always tend to lack the polish of their secular counterparts. Thankfully, For Greater Glory has that polish, boasting cinematography, editing, and a name-recognized cast worthy of Hollywood while telling a story at once faithful, gritty, and timely.

Most people have probably never heard of the Cristero War, a Mexican revolt from 1926 to 1929 caused by the viciously anti-Catholic policies of President Plutarco Elías Calles (played by Rubén Blades). Because of the history of devout Catholicism that seems synonymous with Latin America, it came as a surprise to me that anti-religious positions were written into the Mexican constitution, and when Calles began enforcing them by deporting foreign priests and killing priests and parishioners alike, the people rose up against him with the battle cry of “Viva Christo Rey!” It’s a struggle largely forgotten but comprehensively recounted through the experiences of various freedom fighters: famed general Enrique Gorostieta (Andy Garcia), lone wolf Victoriano Ramirez (Oscar Isaac), priest-turned-general Father Vega (Santiago Cabrera), peace-seeking lawyer Anacleto Flores (Eduardo Verástegui), and pious youngster José Sánchez del Río (Mauricio Kuri).

The entire cast deliver excellent performances, from Garcia’s conflicted attitude toward defending a religion he doesn’t share to a brief but impactful role for Peter O’Toole. Garcia as General Gorostieta is the most intriguing, an atheist like Calles who nonetheless staunchly believes in religious freedom; his calls of “Viva Christo Rey” encourage the troops as they become perhaps more heartfelt, reminding me that impartial atheists can do wonders with spiritual material. (For example, Amazing Grace was directed by Michael Apted.) The sporadic action is also tense and visceral (though more worth a PG-13 than an R), with ambushes, battles, and an especially cool one-against-fourteen shoot-out with Oscar Isaac. As for Horner’s score, it’s not among his most memorable soundtracks but one which masterfully complements every scene, rousing during the war scenes and suitably intense in the most emotional moments.

Image result for for greater glory film hanging

 

Despite the epic scope that the film mostly achieves, it’s rather slow-paced overall, and one might have trouble telling the various characters apart at first. What makes For Greater Glory worthwhile, though, is its commitment to telling a story that has been swept under the rug of history, an injustice explained by the fact that history is told by the winning side. As the film progresses, it becomes clear that this is more tragedy than triumph, and sacrifices toward the end bring to mind death scenes in The Passion of the Christ and Butch Cassidy and the Sundance Kid. Even if none of the characters are deeply explored, the historical notes before the end credits give them the depth of reality as we learn that many have since been beatified or canonized as saints.

With ever-growing distress over religious freedom in America and throughout the world, it’s important to see where religious intolerance can lead. Again, it’s hard to imagine that, in the country of Our Lady of Guadalupe, Christians were hanged from telephone poles less than a century ago, like crosses along the ancient Appian Way. Some have considered the film to be one-sided in its blessing of the rebels who committed some glossed-over atrocities of their own, but the heroics and devotion on display are still worthy of admiration, remembrance, and prayers that such abuses may never happen again.

Best line: (Calles, speaking of Gorostieta) “Filio Diaz used to say, ‘A dog with a bone in his mouth doesn’t bark and doesn’t bite.’ In politics, everything has a price. Go find his.”

 

Rank: List Runner-Up

 

© 2016 S. G. Liput
389 Followers and Counting

Image result for for greater glory film hanging

 

School of Rock (2003)

03 Friday Jun 2016

Posted by sgliput in Movies, Music, Poetry, Reviews, Writing

≈ 2 Comments

Tags

Comedy, Musical

 

(Best sung to AC/DC’s “It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll)”)

Knowing next to nothing,
Except for rock and roll
May well get you nothing
Resembling a goal.

Roll the rock,
Rock the roll,
If the music’s
In your soul.
Getting paid
For it, though—
It may be rare, but that’s the way to go.

It’s a grand gig worth a song,
Teaching what you know the best.
It’s a grand gig, just as long
As it’s legal and you’re dressed.

If you want to try and buck “the Man’s” control,
Takes passion to go make your own goal.

It’s a grand gig when you rock
To the rhythm of your soul.
________________

MPAA rating: PG-13

Don’t you love it when you expect very little from a movie and end up enjoying it far more than you thought possible? I found that the case with School of Rock, a comedy that many seem to consider a classic and yet I never have had any desire to see. I suppose it’s Jack Black that turned me away; I’ve always considered his comedy odd and lowbrow, akin to Adam Sandler’s, and yet what little I’ve seen of his, I’ve liked. He was good in Shallow Hal and The Muppets and the Kung Fu Panda movies, quite good in King Kong, and more charmingly low-key in The Holiday. I should really check out more of his movies, since both my VC and I thoroughly enjoyed School of Rock.

Black starts out as the kind of slobbish loser he seems to enjoy playing, a jobless rocker named Dewey Finn, who is kicked out of his own band after a pathetic concert. Living with his former bandmate Ned Schneebly (screenwriter Mike White) and Ned’s overbearing girlfriend (Sarah Silverman), Dewey’s life and career are going nowhere fast, and when Ned “demands” the rent he’d owed, there’s only one reasonable thing to do. Dewey impersonates Ned as a substitute teacher at an elite prep school, which strangely checks neither his references nor his ID. Faced with a class full of fourth-graders better educated than himself, Dewey trains them in his one area of expertise – classic rock – and prepares them to participate in a “Battle of the Bands” while trying to keep everything secret from their parents, Ned, and the uptight school principal Ms. Mullins (Joan Cusack).

The implausible setup alone is ripe with comedic opportunities, and the film rarely misses a beat. From Dewey’s rant against “the Man” to his students’ faking a blood disease, the dialogue finds the right balance between funny and believable. Aside from the general humor, though, School of Rock’s greatest appeal is to anyone who has ever banged their head to AC/DC or Fleetwood Mac or Led Zeppelin; not only are many classic rock songs played and sampled, but Black praises and explains them with such infectious gusto that both audience and class are won over, despite his quirky ineptitude.

Another plus is how Dewey manages to “touch” his students (figuratively): encouraging the shy boy who’s convinced himself he’s uncool, sympathizing with an overweight girl, showing some maturity by enforcing discipline with one kid who takes his reckless teaching to heart. There’s a bit of smart-mouthing by the kids, but both they and Dewey manage to grow while still remaining uniquely themselves. It was also nice to recognize young overachiever Summer as Miranda Cosgrove, who went on to play evil sister Megan on Drake and Josh. (I grew up with that show. I know she can sing, so it was odd that she pretended to be a poor singer here.) Even the final concert delivered on the expectations that had been growing throughout the movie, only making me wish that the performance could have been longer.

School of Rock is still popular today, spawning a Broadway play and a Nickelodeon TV series just this past year, and I now see why. Since she’s a bigger rock fan than I, my VC enjoyed it even more; she even started watching it again as soon as it was over. It’s not often that a film totally exceeds my expectations, but if you’ll forgive the pun, School of Rock rocks!

Best line: (Frankie) “Ms. Mullins, you’re “the Man.”   (Ms. Mullins) “Thank you, Frankie!”

 

Rank: List-Worthy

 

© 2016 S. G. Liput
386 Followers and Counting

 

My Top Twelve Contemporary Christian Songs

23 Wednesday Mar 2016

Posted by sgliput in Christian, Music, Reviews, Writing

≈ 4 Comments

Tags

Lists

 

I know this list will probably have less wide appeal than my usual lists and reviews, but I am a Christian and wanted to do something in honor of Lent and Holy Week. At first, I thought I’d do a list of Christian movies, but the sad truth is that most Christian films just don’t compare with “regular” cinema as far as quality and are often written off as preachy. (For the record, that list would have been topped by The Passion of the Christ, The Nativity Story, and Sheffey.)

So, upon second thought, I decided to count down my favorites of the Christian music scene, which surpasses movies in actually matching its secular counterpart. While many Christian songs rely on inspiring lyrics over a rather bland sound, my choices below feature unique instrumentation and catchy rhythms that can stand toe to toe with much of what’s on the radio nowadays, IMO. In fact, if not for the religious lyrics, these songs would probably be much bigger hits, and some of the artists actually have enjoyed crossover appeal. These are songs that I would gladly listen to whether they’re Christian or not, but the fact that they feature uplifting lyrics is icing on the cake. I’m only including one placement per band, and I’m not counting superficially Christian songs like ”Spirit in the Sky” or songs from musicals like Jesus Christ Superstar, Godspell, or The Prince of Egypt (though I love those too). Whether you’re a Christian or not, I have no doubt that there’s a song here for everyone to enjoy.

 

  1. “Hallelujah” from The Call (2016) – Joy Enriquez

Joy Enriquez jumped from a backup singer to a solo artist over a decade ago, and one of her most recent digital releases is now a personal favorite of mine. With some background violin courtesy of Lindsey Stirling, “Hallelujah” is an instant modern classic of praise, and the homey music video is just plain sweet.

 

  1. “Beat the System” from Beat the System (1985) – Petra

Just as many recent Christian rock songs don’t appear much different from the usual radio fare, the Christian songs of the ‘80s had the same ‘80s sound. Petra was the shining example of a hit Christian band back then and a favorite of my mom’s. While their style has evolved over the years, my favorite is the Journey-like “Beat the System,” boasting a video replete with early MTV imagery. “The Battle Belongs to the Lord” is also another great song of theirs.

 

  1. TIE:

“Believe” from One (2004) – Andy Chrisman

“Can’t Keep a Good Man Down” from Pictures on Mantles (2004) – Russ Lee

I got both of these albums as gifts around the same time and played them to death while doing my homework. These two songs (probably the most evangelical on the list) are the standouts. “Believe” is one of those uplifting professions of faith that gets people testifying and just barely edged out “Complete” from the same album.


Not to be confused with the Alabama hit, “Can’t Keep a Good Man Down” is also a Christian single from Russ Lee, who left the band Newsong to go solo. Before returning as their lead singer, his solo efforts delivered underrated beauties like “Pictures on Mantles” and “Living Life Upside Down.” “Can’t Keep a Good Man Down” is the best, though, with its blend of acoustic and electric guitar and country-ish beat. Sadly, I couldn’t find his solo version of the song, but the slightly altered version from when he rejoined Newsong is still great.

 

  1. “Call My Name” from Revelation (2004) – Third Day

Third Day is one of the biggest bands in contemporary Christian music, thanks in part to the husky voice of lead singer Mac Powell. “Call My Name” is their masterpiece with an encouraging message second to none.

 

  1. “My Last Amen” from Ending Is Beginning (2008) – downhere

Having a completely different, almost quirky vibe compared with most of these songs, “My Last Amen” from Canadian band downhere is just a fun song worth singing along to. It also has drawn some comparisons to the music of Queen.

 

  1. “Beating My Heart” from OK Now (2008) – Jon McLaughlin

This energizing hit may not be an exclusively Christian song, since it climbed through both Christian and secular Billboard charts, but it’s a good example of how lyrics can be written to appeal to both audiences. The words might refer to God or to a romance, and McLaughlin’s high voice lends “Beating My Heart” a Coldplay-style quality.

 

  1. “Give It All to You” from Yellow Cavalier (2009) – Yellow Cavalier (now Anthem Lights)

Why this song isn’t more well-known I don’t know, except that Yellow Cavalier promptly changed their name to Anthem Lights after this one EP. “Give It All to You” has a swelling, dance-worthy rhythm with some fantastic background trumpets at the end.

 

  1. “Alive Again” from Alive Again (2009) – Matt Maher

As far as straight, rousing inspiration that could get hands raised in praise, few can compare with “Alive Again.” The Canadian Catholic Matt Maher won the Dove Award for Songwriter of the Year last year, and it’s clear that his musical talents are still going strong.

 

  1. “Galaxies” from All Things Bright and Beautiful (2011) – Owl City

The best example of a Christian artist with crossover appeal would have to be Owl City, aka Adam Young. His electronic stylings have graced films like Wreck-It Ralph and Legend of the Guardians (I knew I could work in some movie references!), and songs like “Good Time” and “Fireflies” are still played semi-regularly on pop stations. One of his best songs looks upward to the galaxies and the glory of God, with Young’s uniquely offbeat lyrics and strong synthesizer at play.

 

  1. “Dive” from Speechless (1999) – Steven Curtis Chapman

“Dive” is the kind of energetic earworm that gets a crowd excited, starting slow and then bopping along with increasing buoyancy. I remember being scared stiff on a high diving board at camp as a kid, but this song could have had me leaping for joy.

 

  1. “Hard to Believe” from VOTA (2008) – VOTA

After changing their name from Casting Pearls, VOTA gave the world this awesome track along with one of my favorite music videos ever. This song is meant to be sung along with and deserves so much more air time than it’s gotten. The groovy syncopation matches the kaleidoscopic video, and I never get tired of it.

 

  1. TIE:
    “Way Beyond Myself” from Born Again (2010) and
    “Stay Strong” from The Greatest Hits (2007) – Newsboys

I confidently assert that the Newsboys are the greatest Christian rock band. Since their formation in Australia in the 1980s, they’ve supplied so many hits that I could probably do a top twelve list of just their songs (“Shine,” “Take Me to Your Leader,” “The Way We Roll,” “In the Hands of God,” “In the Belly of the Whale,” and “Escape,” for example). Their style is so varied and distinctive that it’s too bad that their song “God’s Not Dead” got its own movie instead of their greater work. It’s a good song (and so-so movie) but far from their best.

My top spot is shared by two different but equally deserving tracks. “Stay Strong” has the best lyrics, inspiring and devout while its melody matches perfectly, especially the synthesizer bridge proclaiming “This race can be won!” On the other hand, “Way Beyond Myself” places the fast-paced beat as the star, the kind that gets a huge crowd undoubtedly pumped. One is a heart-winner, and the other’s a head-banger. Together, these two songs exemplify the greatest strengths of contemporary Christian music.

 

Runners-Up (quite a few, in alphabetical order by artist):

 

“My Savior My God” – Aaron Shust

“Breath of Heaven” – Amy Grant

“Kings and Queens” – Audio Adrenaline

“What Life Would Be Like” – Big Daddy Weave

“Give Me Your Eyes” – Brandon Heath

“Where I Belong” – Building 429

“Jesus, Take the Wheel” and “Something in the Water” – Carrie Underwood (another good example of crossover with country music)

“More of You” – Colton Dixon

“Shine” – David Crowder Band (really beautiful and unique stop-motion video)

“Dear X (You Don’t Own Me)” – Disciple (the hardest rock song in the list)

“Oh Happy Day” – Edwin Hawkins Singers

“It’s Not Over Yet” – for KING & COUNTRY

“Christmas with a Capital C” – Go Fish

“Alive” – Hillsong Young and Free

“The River” – Jordan Feliz

“He Is with You” – Mandisa

“The Motions” – Matthew West

“Move” and “You Reign” – MercyMe

“Lay ‘em Down” – NEEDTOBREATHE

“Remember” – Passion

“Be Still, My Soul” – The Imperials

“Therapy” – Relient K

“Forgiven” – Sanctus Real

“The Words I Would Say” and “Live Like That” – Sidewalk Prophets

“Something Holy” – Stellar Kart

“Stand in the Rain” – Superchick

“You Are More” – Tenth Avenue North

“City on Our Knees” – TobyMac

 

With Easter around the corner, I think the best way to end this post is with the ultimate uplifting Gospel song, “He’s Alive” by the Gaither Vocal Band with David Phelps. Hallelujah and Amen!

 

VC Pick: Mamma Mia! (2008)

17 Wednesday Feb 2016

Posted by sgliput in Movies, Music, Poetry, Reviews, Writing

≈ 2 Comments

Tags

Comedy, Musical

 

 

(Best sung to ABBA’s “SOS”; there be spoilers)
 
When Sophie plans to wed, she wants to meet her dad,
But from what she has read, her mom loved a triad.
So she invites the trio there,
To their hotel in Greece.
Sam, Bill, and Harry show; will wonders never cease?

When Donna meets her lovers there, it eats her.
What a mess!
Though they intrigue her, Sophie isn’t eager
To confess.
Donna’s stressed,
And the beaus play it close to the vest.
Sophie tries
To sightsee with all three of the guys.
 
The wedding closer draws, and she is still unsure
Which of the three it was that really fathered her.
As all three come to know the truth
And Sophie’s plans collapse,
Old griefs and tensions rise that once were under wraps.

With Sophie’s wedding, things come to a heading.
No more stress!
With all the bother, why choose just one father?
Take a guess!
And instead,
It is not who we thought would be wed.
And the throng
Celebrates and hydrates with a song!
________________

 

MPAA rating: PG-13 (for sexual dialogue)

 

It’s been a while since I let my VC pick a movie (although Flash Gordon was sort of hers) so I finally let her talk me into seeing Mamma Mia! again. There are so many fantastic musicals out there, and then there are those in which the plot is so flimsy that it only serves as a framework for musical numbers. Mamma Mia! definitely fits into the latter category, stringing together a number of 1970s hits amid a convoluted and loose-moralled story of uncertain identity. The catch is that this is all it tries to be, and it does it very well.

Let’s start with the plot. After reading her mother Donna’s youthful diary, Sophie (Amanda Seyfried) discovers that her father is one of three men who hooked up with Donna (Meryl Streep) about twenty years ago, all around the same time. Since Sophie is soon to be married, she wants her real father to walk her down the aisle and so invites all three to the Greek island where she lives. What could possibly go wrong? This setup is implausible and more than a little silly, and it goes nowhere fast as Sophie and Donna are both frazzled, while little side-plots with their friends chip away at ABBA’s discography.

But, as I said, the plot is secondary to the music, and there’s no shortage of great ABBA songs. While I was aware of the Swedish pop quartet before this movie, the only songs I associated with them were “Dancing Queen” and “Super Trouper,” but there are far more memorable tunes than I had given them credit for. Some I’d heard but didn’t really know (“Honey, Honey,” “Our Last Summer”), and others I had never even encountered before (“Lay All Your Love on Me” and the title song “Mamma Mia”). The way that all these disparate pop songs are combined into a barely cohesive whole is rather impressive, and if anything, it introduces whippersnappers like me to an uber-band from the ‘70s that deserves to be remembered.

The other reason to see Mamma Mia! is the privilege(?) of seeing famous actors play against type. It’s no secret that Amanda Seyfried sings beautifully (Les Miserables), but who would expect Meryl Streep to belt out surprisingly good vocals while wearing overalls or in a duet with James Bond? Plus, Julie Walters and Stellan Skarsgard are entirely different in “wild-and-crazy-old-people” roles, Dominic Cooper sounds nothing like the MCU’s Howard Stark, and Colin Firth is a far cry from Mr. Darcy. These uncharacteristic castings are also a problem, though. As much as he tries, Pierce Brosnan is simply not a singer, and every song with Julie Walters is uncomfortably grating. In fact, Walters and Christine Baranski as Donna’s friends are consistently grating as two overly frisky cougars whose attempts at not being old aren’t exactly flattering.

As if that didn’t sound negative enough, I also take issue with the ending. Not to give away specifics, but the overall message that the finale pushes is that love is for everybody but marriage is just for old people. I may be old-fashioned (in fact, I know I am), but why does marriage always seem to come after the honeymoon in movies, if it comes at all? Sophie’s choice at the end implies that she didn’t learn very much from her mother’s mistakes.

With the last two negative paragraphs, I was planning on ranking Mamma Mia! as a dishonorable mention, but my VC’s fondness for it tipped the scales. She says that “yes, it’s immoral and silly and all, but I like it.” The music, the exotic Greek scenery, the choreography, the appeal of good actors having fun with roles that might have gone to has-beens – these are what she enjoys, and I can’t really say I disagree. The truth is that I do love the music, which should understandably be the star of a musical. ABBA’s songs make up for the film’s abundant flaws so that its groovy appeal still shines through.

Best line: (Sophie) “I want the perfect wedding, and I want my father to give me away.” (Ali, her friend) “Better be a wide aisle!”

 

Rank: Honorable Mention

 

© 2016 S. G. Liput

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