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Rhyme and Reason

~ Poetry Meets Film Reviews

Rhyme and Reason

Monthly Archives: September 2017

The Letters (2014)

05 Tuesday Sep 2017

Posted by sgliput in Christian, Movies, Poetry, Reviews, Writing

≈ Leave a comment

Tags

Biopic, Drama, History

Image result for the letters film

Blessed are the selfless, though hidden they may be.
Blessed are the quiet; their thoughts the Lord will see.
Blessed are the pious, who do not seek renown.
Blessed are the few who suffer thorns their earthly crown.
Blessed are the holy ones, who rarer get each year,
For even in the darkest world, their light we will revere.
____________________

MPAA rating: PG

After watching The Letters last night, I figured it couldn’t be a coincidence that I happened to watch a movie about Mother Teresa on the one-year anniversary of her canonization as a saint. That’s why I hurried to write a review for today, the anniversary of her death, known in the Catholic Church as her Feast Day. A passion project of director William Riead, The Letters is one of the better faith-based films of recent years, a tribute to a woman of unparalleled holiness.

The Letters takes its inspiration and name from the many letters Mother Teresa wrote to her spiritual confidante Father Celeste Van Exem (Max von Sydow), who describes her story to Rutger Hauer as an investigator into Teresa’s cause for canonization. English actress Juliet Stevenson does a marvelous job (and feigns a convincing accent) as Mother Teresa herself, whose compassion for the poor outside her convent’s gates led her to petition for permission to leave the cloister and serve the unwashed masses of Calcutta, India. Over the years, despite her well-publicized sanctity, she also endured feelings of abandonment by God that have been called a “dark night of the soul,” a cross other saints have carried as well.

Image result for the letters  mother teresa film

The Letters has received mostly negative critical reviews, but I don’t find that surprising, considering how Christian films tend to be more appreciated by their target audience than by secular viewers. Yet The Letters doesn’t seem concerned with proselytizing, just as Mother Teresa didn’t approach the Indian communities to win converts. It’s a testimony of her commitment to God and to helping others, and while some have tried to cast aspersions on her motivations and methods, I find nothing wrong with a wholly positive view of a woman who dedicated her life to serving the poor. Perhaps some people wanted a darker, more challenging view instead of a shiny biopic of a saint at work. After all, most would probably prefer to watch the latest gruesome death on Game of Thrones than the inspiring rescue efforts to aid the Hurricane Harvey victims. Yet positivity and holiness deserve their day, and a movie like The Letters presents them as truly admirable.

That’s not to say that The Letters is perfect. It does have better acting and production values than some Christian films, but the beginning jumps about in time and place a bit confusingly. Plus, the initial confrontations with Indian Muslims urging Teresa to leave seemed rather half-hearted, rarely making it feel that she was actually in danger. Even with these caveats, The Letters is pure inspiration, revealing Mother Teresa’s spiritual turmoil that has only increased Christians’ veneration of her. With so much wrong in the world, sometimes just watching a selfless hero in action, an example to aspire to, is enough to stir the soul and make us want to serve where we can more faithfully.

 

Rank: List Runner-Up

 

© 2017 S.G. Liput
506 Followers and Counting

 

Ink (2009)

03 Sunday Sep 2017

Posted by sgliput in Movies, Poetry, Reviews, Writing

≈ 2 Comments

Tags

Drama, Fantasy

Image result for ink jamin winans

Dreams in the night
Carry darkness or light
Into minds at the height of their delicacy.
Deep in our slumber,
Charades without number
Parade through our heads, entertainment for free.

They charm us and threaten
With visions they let in,
But who holds the keys to such reveries sown?
What nightmare dimensions
With clashing intentions
Have displaced our thoughts with ideas of their own?
____________________

MPAA rating: Not Rated (should be R, mainly for language)

After ranking Ink at #11 on my Top Twelve Underrated Movies, I thought I should give this low-budget cult hit a full-fledged review. Written and directed by independent auteur Jamin Winans, Ink is so many things at once that it’s hard to classify it. It’s a fantasy about the clashes between invisible forces of good and evil. It’s a redemption tale of a father returning to his estranged daughter’s life. It’s a visually inventive head trip following a monster’s kidnapping of a girl’s soul. How it merges all these disparate components into a mostly cohesive and surprisingly meaningful whole is quite the experience, one that doesn’t let its budget limitations hinder it too much.

Image result for ink jamin winans

Chris Kelly plays John Sullivan, the father I mentioned, whose wife’s death caused him to lose contact with his daughter Emma (Quinn Hunchar), whom he kept at arm’s length even when they were together. Bitter, he throws himself into his work, not even caring when she later falls into a coma. This side of the story is fairly down-to-earth, but the reason for Emma’s coma goes off into an ever more ambitious dark fantasy. For starters, there are Storytellers, invisible spirits who disseminate sweet dreams like the Sandman from Rise of the Guardians, and Incubi, creepy screen-faced baddies who plant disturbing nightmares. Amidst this nightly battle, a hulking creature named Ink dressed in black rags steals Emma, or rather her spirit, from her bed and plans to trade her to the Incubi.

On one hand, you can tell it’s a low-budget production. The camerawork lacks the Hollywood polish we’ve come to expect, and some of the effects look like they’re from a Disney Channel movie. Yet the film continually manages to impress where it counts. For example, Ink’s initial confrontation with the Storytellers trying to save Emma has some amazingly well-choreographed action, with the unique twist of time rewinding to return every smashed object to its original condition. This is the spirit world, after all. Likewise, the editing ranges from overly jerky at times to downright brilliant during an exceptional scene where an eccentric “Pathfinder” (Jeremy Make) creates an unforeseen chain reaction that ties in to an earlier scene. It reminded me a lot of that sequence from The Curious Case of Benjamin Button where the narrator describes all the little cause-and-effects that brought about an accident.

Image result for ink jamin winans

Sadly, Ink is occasionally spoiled by some strong language, mostly from Chris Kelly (his first line is a tantrum of F-bombs), and I do feel it could earn a wider audience without it since the rest is grim but not overly objectionable. I also thought a few characters were trying too hard to be eccentric at times. Plus, a certain revelation might bend time and minds a bit too much to make total sense, but it’s a twist that has kept me thinking since and adds enormous layers to the film’s narrative.

I don’t know how Jamin Winans views God and religion since they’re never explicitly brought up here, though his next film The Frame seems to regard God as an absentee controller. Yet, there are several scenes in Ink that hold strong spiritual meaning, especially the Best Line below that seems to sum up how God sees his broken creation. The Storytellers are easily compared to angels as well, as the Incubi are to demons whispering hate and pride into people’s minds, and I loved a climactic scene toward the end that switches back and forth between the calm mortal world that John sees and an intense, invisible battle happening all around him. I wouldn’t doubt such unknown struggles happen every day between good and evil.

Image result for ink 2009 film

Oh, yeah, how could I forget the reason I discovered Ink, namely its moving score by Winans himself, which I heard in a collection of movie soundtracks. It’s a perfect atmospheric accompaniment to the film and its emotion, and one notable track called “The City Surf” was even sampled as “Into the Fray” in the film The Grey. As I said, Ink’s plot has multiple layers to peel back, ranging from flashbacks to metaphors and symbols to varying the level of color depending on the world shown, all of which add up to a profound reflection on life, death, and regret. It’s a film that sticks in the mind long after it’s over, which has understandably earned it a 100% on Rotten Tomatoes. It’s clever and well-crafted proof of the potential of indie filmmaking, causing me to wish that it had the overall technical quality to match its ambition. I’ve said it before, but someone get Winans a bigger budget!

Best line: (Ink) “I am ruined, why can’t you see that?”   (Liev, a Storyteller) “Because I choose to see you for what you were intended to be, not what you’ve become.”

 

Rank: List Runner-Up

 

© 2017 S.G. Liput
506 Followers and Counting

 

Genre Grandeur – The Painted Veil (2006) – Rhyme and Reason

01 Friday Sep 2017

Posted by sgliput in Movies

≈ 4 Comments

Here’s my review of The Painted Veil for MovieRob’s August Genre Grandeur of revenge movies. This stately period piece may not be your typical revenge story, but it’s in there, along with some unique romantic themes.

movierob's avatarMovieRob

For this month’s first review for Genre Grandeur – Revenge Movies, here’s a review of The Painted Veil (2006) by SG of Rhyme and Reason

Thanks again to Gavin of Mini Media Reviews for choosing this month’s genre.

Next month’s Genre has been chosen by Robb of Red Bezzle and it is RemadeMovies.

Love or hate, compare and contrast, and dare to say they’re better. It could be a relocated remake a la The Magnificent Seven, an Animation to Live Action remake similar to The Jungle Book or straight forward reimagining such as The Texas Chainsaw Massacre. 

Please get me your submissions by the 25th of September by sending them to remaderobb@movierob.net

Try to think out of the box! Great choice Robb!

Let’s see what SG thought of this movie:

_________________________________

The Painted Veil (2006)

Blinded by bitterness,

Swallowed by spite,

Ruined by rancor,

I thought revenge right.

I…

View original post 763 more words

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