Danger after danger,
And mission after mission,
Facing constant opposition,
Can exact a taxing toll
On the few who fight for strangers
Who know nothing of their role.

Mission after mission
Must depend on these defenders
Who know nothing of surrenders.
They are safety’s heart and soul,
Keeping evil in remission
And the world under control.
_____________________

MPAA rating:  PG-13

Well, it took a little longer than I was expecting, but here at last is the final installment of my Mission: Impossible marathon, a chance to catch up with this franchise that started way back in August. I had intended to see Fallout at a second-run theater after watching Rogue Nation, but sadly I missed it and had to wait for the DVD. Hearing all the praise for this latest film only raised my hopes that it would match its predecessors, and, at least in the action department, it didn’t disappoint.

One thing I’ve enjoyed about M:I films since J.J. Abrams got involved back with Mission: Impossible III is the greater focus on continuity. They each had their own storylines and their own characters that were mysteriously never seen again, but there were carryovers beyond Tom Cruise/Ethan Hunt alone. Ving Rhames is still around since the first film, and Fallout sees the welcome return of other characters too, like Simon Pegg’s Benji Dunn, Alec Baldwin’s IMF Secretary, Michelle Monaghan as Hunt’s wife Julia, Rebecca Ferguson’s British agent Ilsa Faust, and Sean Harris’s hissable villain Solomon Lane from Rogue Nation. As the only villain to not be outright killed by movie’s end, it made sense to bring Lane back for another round, though I really wish they could have gotten Jeremy Renner back again. While the constant action depends on the characterization established in past films, the IMF crew have their team dynamic down to a science, and they bounce off each other splendidly, with Ferguson fitting in well in her second outing as Hunt’s female equivalent.

Of course, there are new faces too, most notably Henry Cavill’s FBI agent ordered to accompany the IMF team on their latest mission to recover three nuclear cores they neglectfully lost before a group of terrorists can use them. Honestly, Cavill is a passable Superman, but his muscles and deep voice are better served in this kind of role (plus, he’s got a beard and mustache, much to my VC’s delight), and his stoic delivery leaves his loyalties in doubt from the start. Yet it’s still the familiar faces that make M:I better than your typical action movie, particularly Cruise, whose character is faced with several moral tests along the way, making him question the value of one life over many.

So what about the claims that Fallout is the best film of the franchise and even one of the best action films of all time? I’d say that’s debatable, the former assertion more than the latter. I would agree that this is the most action-packed movie of the series, culminating in one of the most intense climaxes of them all. Cruise continues to dazzle with his absurdly ambitious stunts (watching him break his leg during the shoot is still painful), and the chases and fistfights are as good as they’ve ever been. There’s a one-take skydive that is particularly awe-inspiring and nail-biting. As far as action, it delivers in spades, but the plot takes a little while to settle in. This series is known for its twists, but the story gets a little muddled changing directions in the first half before we get to the villain goals and what must be done to stop them. At one point, there are three double-crosses in quick succession so it takes some effort to keep up.

As far as rankings, I just can’t quite decide. I’ve said before that I like M:I:iii, Ghost Protocol, and Rogue Nation about equally, but for different reasons. M:I:iii has the most personal stakes and best ending, while Ghost Protocol has the best plot and team dynamic, and Rogue Nation has the best script and mixture of everything the series does well. I have no problem adding Fallout to the grouping, since it has the best climax, though I was a bit disappointed with how it backtracked on the happy ending of the third film. Fallout is once again a credit to the series and could act as a good conclusion if they decide to stop here. I don’t know if Cruise and company will continue churning out these action hits, but if they do, I’m game for whatever comes next.

Best line: (Walker, frustrated with the lack of a plan) “Hope is not a strategy.”   (Ilsa) “Oh, you’re new!”

Rank: List-Worthy (joining the last three sequels)

© 2018 S.G. Liput
600 Followers and Counting!

There once was a spy on the front
Who could save the whole world with a stunt.
He often was hunted
But did as he wanted,
For no one could match Ethan Hunt.
___________________

MPAA rating: PG-13

At this point, I’m not surprised that Mission: Impossible – Rogue Nation is yet another great addition to this series. What distinguishes it, though, is how it finally recognizes the value of continuity, something I put great value on in both TV show and film franchise. From the very first scene, we get Luther Stickell (Ving Rhames) bantering with Benji Dunn (Simon Pegg) and William Brandt (Jeremy Renner) in three different locations, only for all three to be dumbfounded at Tom Cruise/Ethan Hunt’s latest death-defying stunt to save the day. It’s a perfect combination of this series’ strengths, and for once, the audience already knows everyone involved, like catching up with old friends.

That only continues when Brandt is called by the FBI director (Alec Baldwin) to answer for the IMF’s riskier plays in Ghost Protocol, followed by Ethan being ambushed by the mysterious organization known as the Syndicate (namedropped at the end of the previous movie). Beyond the refreshing continuity, it’s also nice to make new friends, and the film quickly charts its own course with the introduction of Rebecca Ferguson as a mysterious agent undercover in the Syndicate. With Ethan wanted by both the Syndicate and the FBI, he must rely on his usual daring and teamwork to outsmart the Syndicate’s Moriarty-like mastermind (Sean Harris).

Rogue Nation really shines through its stars. Cruise is as cleverly fearless as ever, while Ferguson maintains an arm’s-length chemistry with him as her allegiances constantly seem to shift. Meanwhile, Pegg, Rhames, and Renner are ideal companions for Cruise, particularly Renner’s second guessing of one of Cruise’s risky decisions (which seemed ripped right out of the second National Treasure, by the way). When they cite their loyalty and friendship, it means something since we’ve gotten to see it develop over two-plus movies, and Christopher McQuarrie’s script and direction highlight how well they all work together.

My VC liked Rogue Nation better than Ghost Protocol, placing it just shy of the third film, while I tend to view the last three movies as tied, just for different reasons. The third film had the best villain and the most emotional stakes, the fourth film had the best plot and some of the coolest action scenes, and Rogue Nation has the best mixture of everything this series does well and possibly the best script, including some outstanding “gotcha” moments that felt so good.

That being said, I do feel that this one is just a little more generic than the others. The best and most original action scene is Tom Cruise’s minutes-long foray into an underwater data tank, but much of the rest consists of foot chases, car chases, motorcycle chases, and fistfights, which are all executed masterfully but can’t quite escape that feeling of déjà vu. Likewise, a tense scene in an opera kept me guessing all the way through, but also reminded me of a similar scene in Quantum of Solace.  Writing this review a couple weeks after watching it, I already feel like this will be the entry that remains in my memory the least.

I hate to sound so negative, because Rogue Nation is still a great movie. It’s just that, with three great entries in a row now, I’m starting to have to nitpick to figure out where they rank in this series. I’m happy to group it in with its two predecessors, and I’m more excited than ever to finally see Fallout, now that I’ve completed my catch-up marathon of prior films. I’m especially glad to see that the villain’s open ending in Rogue Nation will get a continuation in Fallout, but I’m also rather disappointed that Jeremy Renner is nowhere to be found in the cast list. Based on its glowing reviews, though, I still hope that Fallout will be the finale to this marathon for which I’ve been hoping.

Best line: (Benji, sarcastically) “Join the IMF! See the world! On a monitor. In a closet.”

Rank: List-Worthy (joining the previous two)

© 2018 S.G. Liput
591 Followers and Counting

Doing the impossible
(Repeatedly, if possible)
Is so much easier to pull
When backs are braced and funds are full,
For then a hero dutiful
Can fight for right as usual
And put up with a villain’s bull.

It’s harder when support is gone,
Blindsided, chased, and set upon,
A dangerous phenomenon,
For then the evildoers spawn
While tempting good to stay withdrawn.
It’s then that heroes’ brains and brawn
Are specially depended on.
_______________________

MPAA rating:  PG-13

I’m so glad I finally decided to catch up on this series. The Mission: Impossible films may have gotten off to a rocky start, but J.J. Abrams’ third installment breathed new life into the franchise, which Brad Bird’s Ghost Protocol builds on even further. Every review I’ve seen has proclaimed Ghost Protocol the best installment of the series, but I think it’s more of a tie with its predecessor, though for different reasons (and of course I withhold judgment until I see the next two as well).

Ghost Protocol may have seemed like an odd choice for Brad Bird’s first foray into live-action, but he did nail the super-spy vibe in The Incredibles and does the same here. Delivering a similar brilliant eye for action, he puts Ethan Hunt and the Impossible Mission Force through the ringer as they endeavor to stop a Russian madman (Michael Nyqvist) from initiating a nuclear war. From infiltrations gone wrong to the extended foot chases from which Tom Cruise must get most of his exercise, the fast-paced thrills are as good as they’ve ever been, with the crown jewel being that famous high-hanging sequence with Cruise actually clinging to the outside of Dubai’s Burj Khalifa skyscraper. The whole caper surrounding that scene is the film’s “high” point (see what I did there?), but other sequences also impress, like the spies employing some fascinating new toys or the high-stakes struggle for a briefcase in one of the coolest parking garages I’ve ever seen.

My VC thought Ghost Protocol had more lulls than its immediate predecessor, and perhaps that’s true, especially with some early undercover scenes and elements that require patience to be explained, but that’s minor quibble. What Ghost Protocol has over any of its brethren is the team it assembled. Ving Rhames may be sadly missing for most of the runtime, but never has Ethan had such strong supporting players.  As a new field agent promoted from his tech job in M:i:III, Simon Pegg is more than welcome in a larger comic relief role, while Paula Patton and Jeremy Renner deliver actual motivation and personality as circumstances fling them onto Ethan’s team, offering more than just the competence of the interchangeable teammates in the past (Maggie Q, John Polson, etc.; you might be asking “Who were they again?”). It was nice seeing Josh Holloway as well (Lost alert!), even if it was a disappointingly brief appearance.

So, while I’m not raving as much as some critics, I still found Ghost Protocol to be a darn entertaining entry in the series. (And it came out in 2011? How am I just now getting to this?) The villain wasn’t as memorable as Philip Seymour Hoffman, and it didn’t quite nail the satisfying conclusion of the third film, its ever-increasing stakes being not as personal as Ethan’s struggle for his wife, but Ghost Protocol matched or exceeded it in just about every other respect. The plot had plenty of the twists I’ve come to expect from these films, and the way gadgets repeatedly malfunctioned or were unavailable kept the IMF team guessing and the suspense high. It’s not often that the fourth film in a series can still leave viewers eager for the next installment, but now I’m looking forward to Rogue Nation even more.

Best line: (Benji Dunn, complaining about their code names) “Why am I Pluto? It’s not even a planet anymore!”   (William Brandt) “Well, Uranus is still available.”

Rank: List-Worthy (joining Mission: Impossible III)

© 2018 S.G. Liput
589 Followers and Counting

The thrill of a life that is lived on the edge
Lasts only as long as one’s love for the ledge.
Eventually, danger
Is no more a stranger,
And those once so thrilled
Can be left unfulfilled.

And yet who can blame them for normalcy’s dream,
For craving some quiet when life’s been a scream?
While risk has its place
In its white-knuckle pace,
Who wouldn’t wish for
Just a little bit more?
______________________

MPAA rating: PG-13

Now that I’ve gotten around to watching the third Mission: Impossible film, I finally see the unlikely trend that this series seems to have pulled off. Unlike most franchises, its sequels are getting better. Perhaps it was too early to tell that when J.J. Abrams’ third entry hit theaters in 2006, but Mission: Impossible III is easily the best MI so far.

Having shed his long-hair phase and Thandie Newton as his girlfriend-of-the-week, the Ethan Hunt in this threequel is far from the confident flirt in M:i-2; he’s now happily engaged to Julia (Michelle Monaghan) and content to train new agents rather than risk his life in the field, all while keeping Julia and her friends in the dark as to his top-secret career. However, he is soon drawn back to the field to rescue his captured protégé (Keri Russell) and stop a highly dangerous arms dealer (Philip Seymour Hoffman).

Leave it to J.J. Abrams to once again reignite a series’ potential, and I bet it was this franchise stint that made him desirable to direct the Star Trek reboot three years later, aided by his frequent co-writers Alex Kurtzman and Roberto Orci. From the very first intense scene, he sets the stakes high before flashing back to show how events led there, which isn’t the only Abrams trademark you may notice. (Who else revives characters by pounding on their chest?) Eschewing the over-emphasized slow-motion of its predecessor, this feels like the Mission: Impossible movie I’ve been waiting for. The first two had their defining moments, but M:i:III  has all the twists and turns you’d expect from a spy thriller while building to a surprisingly satisfying conclusion.

Ethan’s desire for a normal relationship and life makes him far more personable than his past appearances, and you can feel his desperation when that life is threatened. Likewise, the villain makes more of an impression, with Hoffman relishing and making the most of his coldly murderous role as black marketeer Owen Davian. One detail I especially liked was the revelation of how those famous face masks are made, including the spy trickery of copying someone’s voice, which is revealed to not be as fast and easy as the second film made it seem.

As I said, this is a Mission: Impossible film done right. Despite the overly-complex plot and the occasional line of hackneyed dialogue, the twists and fast-paced action kept me entertained from start to finish. My VC even pronounced it as (probably) her favorite Tom Cruise movie. If the other films in the series are supposed to be better than this one, I can’t wait for more. Ghost Protocol, here I come!

Best line: (IMF leader Brassel) “Mr. Musgrave, please don’t interrupt me when I’m asking rhetorical questions.” (Although Ethan’s “I’m gonna die unless you kill me” comes close too.)

Rank: List-Worthy

© 2018 S.G. Liput
589 Followers and Counting